In the first volume of The Bat magic magazine there’s a fun little close up trick. It’s the Color Changing Toothpick by Jack Vosburgh.
It’s a nice, simple little trick. The plot is clear, and it’s not hard to do. It’s something that I’m going to file in the back of my head for impromptu situations. In the video above, I colored the toothpicks with markers, so that’s something that could easily be made at a restaurant with a Sharpie marker.
This is what I love about going through old books or magazines, there are little tricks like this that people should still be doing.
Last night was the night for this cruise itinerary that I did my two shows in the theater on the ship.
I had a weird brain fart in the middle of my show where I didn’t know what was next. I quickly figured it out when I glanced at the set list on the back of the pop up bins I keep my props in. It’s been a while since I’ve needed to look at the set list. The main reason they are there is for setting up and for the actual flow of the show while I’m performing.
Today is another day off, and then I’m performing a quick 5-minute act in tomorrow’s farewell show.
Years ago, I wrote down an idea for a variation of an old juggler’s trick. The original trick was to balance a golf ball between two golf clubs, so that it makes a sort of T shape.
My idea was to do it with pool balls and a pool cue. Here’s what it looks like in my garage:
It seems like jugglers aren’t as into changing props for tricks as magicians are. No juggler has done this (as far as I know), and to me it seems like a logical variation of the golf club trick.
I got to try it out at a show the other day and it went great!
I think this is something that I’m going to work more on. The trick is there, now it just needs a routine.
It’s been a few days since my last show on the ship, my next shows are tomorrow. In my show I use a orange for my drawing routine and a banana for my whip routine. You’re not really supposed to be bringing fruit on/off the ship, so I get those two while onboard.
One of the challenges can be that they’ll have something like bananas all week, but then they’re out the morning of my show, and I can’t get them. Typically, a day or two before my show, I’ll go down and grab what I need and keep them in my room. Then on the day of the show, if they have them out at breakfast and they look better than what’s in my room, I’ll upgrade my oranges and bananas.
This is one of the challenges of performing on cruise ships: if you need something or break something, it can be hard to source it. I try to travel with what I need to fix things or backups. For example, I do Promystic’s Color Match in my show, and I travel with a spare set in case one stops working.
In the second issue of The Bat Magazine from 1943 there’s a packet trick called Ah Nertz. Packet tricks didn’t really exist at that point, there were things like 3 card montes or tricks with the four aces, but nothing like post 1960’s packet tricks.
Here’s Ah Nertz as written:
If you think about the effect, this is an early version of twisting the aces.
I wanted to update the trick with a few modern moves, so here’s what I came up with:
One thing that the original lacked was showing all the cards going the same way. To do that I added a modified DM Move/2 for 4 Count. I also wanted a reveal of the one the upside down cards, but where you see all of the cards. That was accomplished with an Elmsley Count.
Here’s a walk through of the updated version of Ah Nertz:
What I think is interesting is that in theory you could theme the trick very easily with customizing the last card. It could be a trade show trick, “all the options for buying X got your head spinning…”. Or a story could easily be attached to it, like a kid who always felt different. Then the reveal on the final card ties it all together!
I think this trick’s premise is one of the hidden gems in The Bat magazine!
Yesterday was the end of one cruise itinerary and the beginning of another. It looks like my theater shows this week are on the 18th, so I have a few days off. One of the nice things about doing a show later in the cruise is that no one knows that I’m the magician, so I can be anonymous on the ship.
I brought an old magic book, well bound version of The Bat magic magazine.
This bound version covers the years 1943-1945. There are some interesting things in it, and a lot of patter that doesn’t hold up in modern times. I’m going to try to make some videos of some of the tricks that I have the stuff to do or make.
I did find time to make a video using my Meta Glasses. I like the idea of performing into a mirror so the audience can see both sides of the trick. Here’s a four ace assembly:
I’m going to play with this framing a bit more this week with my free time. I like the concept for social media videos.
My show last night was on the cruise ship, which was in the lounge. This is a very different feeling from the theater, but a lot of fun and more intimate. On this particular cruise line, I’m supposed to have two different 45-minute shows, so for the lounge, I did the show that I didn’t do in the theater the night before.
This show had a segment of close-up magic with the camera. Usually, I use the camera to enhance smaller things that I hold, but not to show the tabletop. For this show, I did a short sequence on the table top. The rest of the show was routines that played bigger. I remember reading somewhere about making your show big, and it went something like this:
“When it’s close up, go parlor, when it’s parlor, go stage and when it’s stage go stadium.”
I closed the show with my book test, which ended with a two-phase banner reveal. The banner is 24 inches tall and about 20 feet long; it fills the space!
Last night was also the end of that particular cruise’s itinerary. I joined the ship midway through the itinerary, so I had to get up early this morning to clear immigration. As part of this process, because of the manifest I was on, I had to leave the ship for a few hours. I had the honor of being the first person off the ship…exciting!
I’m actually writing the post at a coffee shop before I can get back onto the ship.
Last night I gave my show a quick run trough before I went to bed.
This morning I headed of to the port. I thought the ship would be at the docked across the street from the hotel, but it was the other one about 2 miles away, so I hopped in a taxi and headed over.
My show in the theater was later that night, which makes for a long day! I loaded into the theater and did my tech run-through. Then back to my stateroom for a quick nap, and then to get cleaned up for the show.
As I was heading back to the theater, I glanced at my iPad, which controls the show’s audio. There was a red light where the green light normally is on my media star. I unplugged and replugged the adapter, and it was still red. Everything looked fine on the iPad and the Media Star (aside from the red light), so I swapped out the adapter. Luckily, that was the problem; the adapter went bad. I try to carry backups for things like that, especially if they are small. Having an extra $25 adapter saved the show!
Tonight, I’ve got one show in the lounge. This is a smaller-scale show, and more like a fancy bar gig on land. It’ll be fun!
Yesterday was a long travel day, but I made it to the hotel in Cozumel, Mexico. Luckily, the hotel is a block from the port where I’ll board the ship this afternoon.
I’m really loving travelling with my Porter Case. That’s a carry-on-size case that becomes a dolly for carrying other things. You can read my blog post about the Porter Case HERE. In the picture below, which is below the white suitcase. The suitcase has my clothes and personal things, and my backpack has all of the electronics for the show (camera, iPad, etc.)
Another thing that really helps when traveling is speaking another language. I speak a little Spanish, but it really helped me navigate customs when entering Mexico. I’ve done several audio courses in the past without much success, but the daily DuoLingo I’ve been doing for a few years has really paid off. I’m not conversational, but I can communicate, and that’s super helpful!
I’m writing this post from the DFW airport in Texas. Last night I left Portland at 11:59 pm and arrived here at 5:17 am. With the time change, that was only 3 hours of quality sleep on the plane. Now I’ve got a five hour layover at DFW before my next flight to Mexico for a gig.
I’m not writing to complain; I signed up for this when I took the gig. This is the non-glamorous side of being a travelling entertainer, but it’s part of the job. I’m going to spend today running on fumes, get a solid night of sleep, and then get on a cruise ship tomorrow and rock two shows that evening!
Many years ago I was at Bob Fitch‘s first retreat for performers. Bob was old then (he still is!), and someone asked him how he kept up his energy with all of us during the long days, and he said, “acting”! He’s right, you can act like you got a full night of sleep and aren’t exhausted. Sure, you do eventually need rest, but you can push through a show or two. I’m glad I get a chance to get some sleep before the “work” day.
