Having the Blood of a Comic…

When I was 21 years old, I started performing in comedy clubs. I really came up through the open mic system. As a young comic you’re taught that stage time is more precious than gold. The more you go up, the quicker you get better.

The other day I was at a booking conference for the fair industry and the bar at the host hotel had a comedy night the day I was there!

I sent a text to a friend to find out who books the room, then a text to the booker and I ended up doing a guest set in the show!

The needing to have stage time is still in my blood! This also had a positive effect at the booking conference. When you checked into the hotel, the front desk really pitched you the show that night as it’s “free to hotel guests”, so everyone attending knew it was happening. As word got around later that night that I ducked out of dinner to do some comedy, I had people coming up to me asking me if I really did that. It lead to me meeting some people I probably wouldn’t have! It also cemented in bookers minds who haven’t seen me showcase in the past as what I do and that I’m actually funny.

I’m glad I did it!

-Louie

Do a Back Flip!

A while ago I wrote about a thing that kids do, which is asking performer to “do a back flip”. I happened to me while I was performing in Nebraska and I came up with a trick to do when if someone asks me that. After I came up with the trick, no one asked me to do a back flip…until last week! 

It happened, and I got to finally do the trick and it hit hard!!

So then I decided to try to manufacture a kid asking me to do a back flip.  What I’m doing is simply saying, “Is there anything you want to see me do?”  It gets them to say “do a back flip” about 1 out of 6 times, which is good and feels organic.

Here’s the odd surprise, people have been asking me for some pretty specific magic tricks…and magic tricks that aren’t stereotype magic tricks. I had a kid ask me to “do a trick where the a ring comes off of a rope”.  I think that people are exposed to a lot more magic than magicians think they are.  Magic is really good for social media and especially things like TikTok, and combine that with things like America’s Got Talent and you have a very sophisticated audience you’re performing for.

I think the notion that you’re the first magician people are seeing is kinda false. They see tons of magic, maybe not in person, but audiences are definitely exposed to magic! That’s why you need to do good magic and not lame, tired ol’ tricks.

-Louie


Visiting the Fresno Magic Club!

When I travel I always try to visit a local magic club. The Fresno Magic Club is a great club and I always love visiting there! I brought three other acts that I was working with last week to the magic club.

dennis forel, mickey o'connor, bri crabtree and Louie Foxx

I love seeing the different styles of magic and what people of different levels are doing. One thing I dislike is that with the streaming videos, you have a lot less variations in style based on region than you used to have.

fresno magic club

I always love watching people of all levels perform in a safe space!

Magic clubs are close to my heart. They really helped me grow as a kid. If you have a local magic club, go out and support it!!!

-Louie

Sponge Balloon Dog!

I was digging through a bin of junk magic and found a couple of sets of sponge sausages. The moment I saw them, I didn’t see sausages, I saw a balloon dog! I took the sponge sausages to the green room and got to work on making a balloon dog.

sponge balloon dog

A bit so thread and I had a sponge balloon dog!

sponge balloon dog

Luckily I was sharing a the green room with Dennis Forel, who is the one balloon figure guy and he approved of it!

sponge balloon dog with dennis forel

After I made it, I did a quick search for “sponge balloon dog” and it looks like Alexander May put one out…and it’s pretty much the same concept. It’s made of sponge sausages!

I’ve been playing with making a blowing up a round balloon, popping it and it becomes the balloon dog. It’s fun, but probably will never has a spot in my show.

-Louie

Routine for Four Nightmares

Last week was the final fair of my summer season. This fair is also two weeks, so I try to work on as much stuff as possible while I’m at this one as it’s my last chance to do a lot of shows in a short period.

One of the things I was working on is Tenyo’s Four Nightmares rope trick.

This routine is good, but I think it has the same weak spot as most rope routines, and that’s the lack of an ending. There’s no definite punctuation at the end of the trick.

Oh, I took out one of the phases of the routine and that’s the 3rd effect where you tie a knot and it disappears. It’s the weakest part of the routine and removing it doesn’t hurt the routine.

For the routine, I’m presenting it as simply that I’m going to do four tricks with the rope. I then name each trick as I do them. The fourth and final trick I call it “the end” and that has helped me sell the end of the routine. I’m not 100% happy with framing the routine this way, but it’s a starting point.

Also, if I’m going to keep doing this routine, I need to learn to make the gimmicks. The white rope will get very dirty very quickly…especially out on the fairgrounds!

-Louie

Magic on the News in Fresno

Here’s an OK news appearance I did last week while performing at The Big Fresno Fair:

It’s an alright appearance, nothing crazy amazing. It’s a decent spot, but could have been much better. I was told I’d have about 3 minutes, but then that changed to two minutes and then at the last minute it changed to 90 seconds.

The change of the length totally threw my plan out the window. That’s why I typically will show up to news spots with material to fill 30 seconds, 90 seconds and three minutes. I try to plan something special and fun for the set length I’m told I’m doing, but that doesn’t always happen! That’s why it’s important to have a lot of material on you when you show up. There are some exceptions, like when you do in studio stuff you’ll normally know exactly how much time you have…but they’ll forget to tell you about a quick little “bump” you’ll be in and need a visual 5 second trick you can do.

Being prepared is the key to these news spots!

-Louie

The Moisture Festival Podcast – Felicity Hesed

On this zoom episode of the MFP (new term) we welcome in the amazing Felicity Hesed. We discuss her beginnings as an actor, her interest in theatre and how walking by a circus building one afternoon changer her life.

The Moisture Festival Podcast Felicity Hesed

She tells us what she is doing to fuse theatre with circus and the organization she started to help support that vision. A really great conversation with an awesome circus advocate. 

Demi Deck – Review

I bought into the hype and picked up a Demi Deck while I was at Hocus-Pocus in Fresno.  Here’s a quick review of it. 



First of all, it works exactly how I thought it would work. If you think about it, there’s really only one way it can work.  I wasn’t buying it to figure out how it works, but it’s an interesting prop. 

Let’s get into actually doing the trick.  I was doing it for the groups of people who showed up as I was packing up the show.  I would tell them when my next show is and then offer to show them a quick trick and would do the Demi Deck.  It got good reactions from the people. 

Next there’s the angle issues.  It’s pretty solid from the front, I probably personally wouldn’t take this out for a roving gig where I’m going to be surrounded. But for a group of 4 or so people in front of me, the angles are pretty solid.

Now here’s what I like and why I bought this trick.  This reminds me of old school Tenyo tricks where the method is frequently more interesting than the trick. It’s just a gimmicky trick that’s fun to do!

Personally this will probably never be in my “paid” close up work. Is it something that I’ll show people who are at my house…yes!

-Louie

Working on the Rising Card

The rising card routine, that I’m working on right now is missing something. What is missing is time. The routine is really bare bones and is very short, I think without any bits it’s maybe two minutes. Since the routine involves bringing someone onto the stage, I need to get at least three minutes out of it. Ideally if someone is coming out of the audience, it needs to be closer to about five minutes.

One of the ideas that I had was to have a kid do the most “epic” card trick. I have the kid show me their epic, hero face and walk. That didn’t hit the time I tried it, but the kid was younger.

The next time I used an older kid which played better and framed it a little bit different. I had said that they are in show biz now and had them show the audience their show biz smile and walk. That played a lot better than the doing an epic trick with a younger kid. I’m not sure if that’s the route that I want to take, but it’s a step in the right direction!

The other thing that the trick is lacking is music and a punctuation when the card rises out of the deck.

-Louie

Large Size Evaporation!

They’ve been unavailable for awhile, I just finished up a batch of the 16 oz size of Evaporation magic tricks!

This size pops a bit more onstage than the smaller version. I don’t know how long I’ll be able to offer these. They’ve been hard to get since 2020, and whenever I find them, I always buy as many as I can to gimmick!

You can get them at: https://www.magicshow.tips/evaporation-magic-trick-vanishing-liquid/ or your favorite dealer!

-Louie