Show I Don’t Want To Support…

Now that my state is opening up for live entertainment, it looks like Andy Gross will be performing in my area. If you don’t remember who he is, a couple of years ago he was performing at a college and was accused of sexually harassing a student on stage. At the time it made huge national news.

You can read about it here:

https://www.newsweek.com/what-did-andy-gross-do-hundreds-purdue-students-walk-out-comedian-show-1080203

Or you can watch it here:

He crossed the line in my opinion when he said, “…I got a free feel out of it“. Well, he crossed the line before that with the routine he did. He basically stole the routine David Copperfield who did it in the 1990’s with the Cardiographic trick on one of his TV specials. Also if you look at his promo pic in the ad for the show, it’s not the only trick he’s swiped from David Copperfield.

Why was it OK for Copperfield to do it and not Andy Gross? The main thing is where the world is/was when it was done. Copperfield did it in the mid 1990’s about 25 years ago. The world was a very different place back then. That doesn’t make it right, but it does make it socially acceptable. Just like 25 years ago you could smoke in a park on a bench while your kids are playing at the playground. It wasn’t right 25 years ago, but it was socially acceptable. I remember when I was in high school in the mid 1990’s there were schools with their proms being cancelled because an interracial couple or a gay couple was going to attend and rather than let them go, they simply cancelled the whole thing…and the community supported them. It wasn’t right then, however it was socially acceptable. This is also part of the plot of the Netflix Movie The Prom.

Things change.

You have to be able to change with the times. Unfortunately most performers don’t reassess their shows to look for things that have hit their expiration date…which Andy Gross clearly hadn’t done.

Here’s my conundrum. I’m curious what he does in his show…but I also don’t want to support him. I don’t want to support people who swipe material.

Not sure what I’ll do…



Finally Fact Checking…

A buddy of mine sent me a link to the trailer for the magic trick Summit by The Other Brothers and Patrick Kun. He also sent me a link PropDog’s version of the same trailer that’s “fact checking” the claims made in the original trailer. Watch the first trailer and tell me if you can figure out who the trick works based on what they say:

Based on the first trailer if the claims where 100% true, it’s be impossible…as a real world, workable, sellable magic trick. That had me want to come up with a real world method…and I basically came up with the method used in Abstract Effect’s Summit.

What I came up with was limiting the choice of card. I used Ben Harris’s Silent Running principle which would limit their choice of card to one of eight cards…which is better than the 12 cards you limit them to in this trick. And there’s not magician’s choice with the Silent Running principle. I’d have an index of seven of those cards, the eighth card would already be in the pen.

For loading the card (if needed) I would use a method I used in a bill to cigarette I did 20 years ago. Basically you just push the card down into the pen while you pretend to pull out the palmed card from the pen.

OK, so I have a method, now let’s watch the PropDog video that fact checks the original trailer:

Well…I basically came up with the same method. The only differences are we are using different methods to limit the choice and I think they are reducing they number of cards in the index by having them double ended. Double ended cards wouldn’t work well with what I’m to limit the choice, but the trade off is the card could be unrolled by the spectator.

Here’s the thing, if a trick seems impossible…guess what 95% of the time it probably is and the trailer for the magic trick is misleading. I get that some trailers need to not show something, like Dean Dill’s Blizzard. That said The Other Brothers seem to be stretching the truth and playing with words a lot in the ad.

Free Comedy Seminar…

On February 27th I’ll be joining Nick Lewin and Fielding West to chat about comedy magic.

This is FREE to people who are on Nick Lewin’s mailing list. You can get on it at www.lewinenterprises.com

I’m very excited to this, if we do as half good of a job as Richard Lake and Nick Lewin did for their Making Virtual Shows Magic talk, it will be amazing!

Holy Grail of Props…

For years I’ve wanted a Himber Pail. I think it’s one of the coolest props. If you don’t know what it is, here’s a video:

I’ve missed them at auctions due to internet or time issues on multiple occasions. The prop has been just out of my reach for years. Recently Stevens Magic Emporium had some made and I jumped at the chance to get one.

Here’s the problem, I don’t know what I’m going to do with it. How am I going to frame it from a presentation stand point. I could just play some music and do it, but I think it needs more than that. Once I figure out the hook, everything else gets easier.

Hand Shadow Puppets!

Today I’m doing a workshop on Shadowgraphy for the KAX convention. Here’s my act condensed down to 10 seconds:

If shadowgraphy is something you’re thinking of learning, you can get the special cap I use on my flashlight along with a video of the workshop from KAX for $20. You can order them here:

http://www.magicshow.tips/shadowgraphy-light-cap/

Bottle Vanish…

Last night I was cleaning out my phone and found a video of an idea. It’s an interesting idea, however one that I’d probably never use, but might be good for an instagram video.

I’d have to play with it a little bit more to get the ditch cleaned up…but honestly it doesn’t really fascinate me enough to put the time in for a 20 second video.

Coin To Glass…

About a month ago I make a blog post about how a version of Copentro that I’d been thinking about for while and was finally working out. It was more of a coins to glass than Copentro. What I mean by that is in Copentro the coin appears in side a glass that’s covered in a glass.

Also I should note that what I’m calling Copentro is Jack Hughes Visible Coins to Glass. I grew up calling it Copentro due to Bob Kline marketing it as that.

I like the coins to glass that I’ve been doing, but something inside me wanted to make a coin appear inside a glass that was covered by a glass. Luckily it really didn’t take much to make that happen. Here’s what I came up with:

I think it captured the spirit of the Jack Hughes / Bob Kline effect. Unfortunately I can only do it with one coin

Magic from Taiwan!

One of the fun things about magic, is while social media magic is pretty much the same around the world, in person magic has very different trends in different places. Recently I found a couple of DVD’s of a magic convention in Taiwan.

I already had the 2010 DVD, and now have 2014 and 2016. What I love is the difference in how routines are put together, what the emphasis is on. I really enjoy watching them. If you get the chance to watch convention DVD’s from other countries, I highly recommend it!

Back to Back Trials…

Last week I did two virtual open mics, I did Tricks of the Trade on Tuesday and The Mostly Magicians Virtual Open Mic on Wednesday. I’m trying to hash out my torn and restored postcard. It’s been hit and miss and I’m trying to figure out why. Here’s a compilation video of the two tear and restore sequences from both shows back to back:

In the first clip I’m going a little bit faster than in the second clip. In both clips I’m in a hurry to ditch the pieces. At the Mostly Magicians open mic that was a piece of feedback I got was that the ditch that time was obvious. That’s great feedback! There’s no reason that I can’t hold out the pieces longer. In fact I can hold them out the whole time, either palming them or holding them behind the postcard.

I also still think it lacks a “tah dah” moment. I think by that I mean a magic moment. I think the unfolding of the card visually isn’t very triumphant. When I was a teenager I put together a jumbo torn and restored playing card for a friends act. The tearing sequence was JC Wangner’s, but the restoration was something I thought of. The four pieces just popped open quickly into a restored card. I had forgotten about that flash restoration until now. I’ll have to give it a try!

The 5th Shuffle

A few weeks ago I posted about a Quad-Triumph routine. It’s a triumph style effect that used four shuffles. Then about a week later, I came up with a kicker where the deck starts and ends in red/black order. I liked the idea of this kicker, but didn’t like that to accomplish it I had to do a straight cut. My Goal was to only have shuffles.

After a bit more work, I “cracked the code” by adding a fifth shuffle. The fifth shuffle was the key to making this work without a cut. Here’s a quick practice video of the sequence.

I think I should restate that this isn’t as good as the standard triumph routine with one shuffle, cutting at the natural break and flipping that half over. That standard way is much more direct. This initially was a fun challenge as I was trying to get the deck into a specific order. I wanted the deck to go face down card, rest of deck face up with the selection face down within the face up deck. That was for a reveal that I wanted to do, but then this kinda grew out of that.

It was fun to figure out, but I’ll probably never do it in a performance.