Adding a Line…

Recently I got to try out the “Free Picture of Beer” gag on a couple of different people. It got the desired laugh, so that’s good.

I also got to try to follow up trick where the full pitcher of beer becomes empty. I’m using the Out to Lunch principle to do the switch. The first time, they didn’t really notice the change. I think this is because they looked at the card and it registered in their brain as just a pitcher of beer, not a FULL pitcher of beer. It’s like showing someone a two of spades, but the spades are red. The average person won’t notice it’s the wrong color until you point it out to them.

The second time I added a little line which made the trick work much better. Once I got the laugh, I asked them, “what kind of beer do you think that is?” This question makes their brain actually process what they are looking at. That made the change at the end a lot more amazing!

I’m glad I got to try out the trick, and glad that I noticed what I needed to change!

Chop Cup Load…

Sometimes I think younger magicians don’t give old timers enough credit. The other night I was at a magic club meeting over Zoom and we got talking about chop cup. One of the older members showed us a really cool loading technique that I had never seen before. He used to use it when he did magic behind a bar. The best way to describe it was it was like the Sylvester Pitch done into the cup. It was a really great way to load the cup!

I remember being a kid and while I’ve always loved hearing old magicians talk, many times their moves aren’t very good. It’s not that they aren’t good, they’re just older techniques that have been replaced by better methods. It’s easy to have this cloud your judgement and quickly dismiss what they are doing or talking about.

An example of this is when I was a teenager, I could produce single cards from a back palmed stock in the modern way where you keep the stack behind your hand and peel off a single card. I remember talking about back palming with Mickey Hades and him telling me I was doing it wrong. He taught me to do it the old way of moving the whole stock to the front, peeling off a single card, and then reback palming the stock of cards. It’s a way less efficient way of doing it compared to the more modern way. I can still do it that way (not very well anymore), but more importantly it gave me time to chat with Mickey and that was fun!

If you’re a younger magician, or even an older one, don’t immediately dismiss a magician just because they are older.

Flexing an Old Muscle

A couple of nights ago I performed at the Mostly Magicians Virtual Open Mic. It was a lot of fun and Ryan Kane is a great host for it. It’s an open mic, so a great place to work things out.

I was second to last in the show, and I brought two tricks, one that was pretty solid and one that I was working on. Unfortunately I only got to do one trick which wasn’t the one I was working on as I ran out of time.

It wasn’t a total loss as far as working on material goes. I did something I haven’t done in while…wrote some jokes about the other acts. When I MC in person shows I would write jokes about the acts and use them in the transition between acts. I didn’t plan on doing this, it’s something I just did.

One of the interesting things about doing jokes about things happening NOW instead of prepared material is that the audience is aware of that. Your joke doesn’t need to be the best joke, they will give you a lot of leeway. They can instantly relate to your joke, you don’t need to set up a backstory. I think any of the jokes I told, if you took out of context of the show would fall flat…even if you described the act before the joke.

The first half of my show was a stand up set about the show. It was fun, and good to flex that creative muscle.

Test Pickle Matrix

Yesterday I wrote about an idea of doing a matrix with pickles on the bun of a hamburger. I made some mock up bun shapes out of cardboard and gimmicked some pickles and worked out the trick.

Here’s it in its proof concept video:

Obviously it’s still got a long way to go. Figuring out a way to make the bun rigid will be my next challenge. I also need to buy or make some fake pickles that are all uniform in shape. Those are the next two challenges (that I’m aware of).

Pickle Matrix…

One of the things that I love about magic jams is having people improve on your ideas. I had an idea of doing a trick with a hamburger. I’d make 4 pickles disappear and one at a time, they’d reappear under the bun. I mentioned that and the idea quickly grew to “what if you did a matrix with pickles under the bun“.


That idea is way better than what my idea started out as. I’m super lucky to have the magic jam partners that I do have. Today I started playing with the idea. I cut some circle of cardboard to be the hamburger and some cardboard to be the pickles.

I kinda got the sequence worked out, but the trick still needs some work. Mostly it needs to be built into an actual hamburger. This is something that would be better for a social media video than a live show. It’s fun to do, and I can’t wait to actually record it!

Commercial Magic…

Normally I don’t watch a lot of TV, especially live TV, so I don’t see a lot of commercials. I just saw a Therabreath commercial that came out in June that has a magicians in it. Here’s the commercial:

What I like about this and the current trend with magicians in commercials or TV shows is that they are using actual magic tricks. It’s way better than doing a quick cut and then showing someone pull out bunny out of a hat. I think most people can tell the difference between CGI or a camera trick and someone actually doing it.

Also I think it’s worth looking at how that 15 second commercial frames the magic. It’s just the “punchline” not the “set up“, we really don’t see the whole trick. We don’t need to see the guy show the card on both sides before it floats, we just need to see it float. Now think of how you can apply that to your promo video.

Nut Production…

Ever since I was a teenager I’ve been fascinated Don Alan doing his giant nut production. What’s cool about a giant nut, is that it’s a simple object, there’s not much to it. It’s basically a big chunk of metal that you make appear.

Here’s Don doing the nut production:

Now let’s fast forward to a few days ago, a non magician friend of mine posted a picture of a couple of giant nuts he saw at his parent’s antique shop. I gave them a call, made a deal, then drove 90 mins each way to pick them up!

Giant nut production magic

These things are massive! They also need some love, so today I started cleaning them up. Here’s a side by side comparison of one that that’s in the process of being cleaned and the other that hasn’t:

Don alan nut production

I’ve got an idea for the routine that I will do. It’s going to be a transposition of different colored metal nuts from under a hat. Then a walnut will appear and inside that walnut will be a signed silk (that was used earlier in the show) and end with the production of the giant nut. We’ll see if that works out, but it’s my idea for now.

Fan Art…

It always amazes me that some of the magic tricks that I create end up featured in other magician’s shows. Recently someone posted a picture that their kid drew of them doing a virtual magic show.

The trick that the kid decided to feature was my Snake Wand Surprise! This is a gag that has a magical production of a dozen spring snakes at the end. It’s a lot of fun to do, and something that had sat in a notebook for years before I finally made one. Then a few years after I had started using it myself, I started selling them and it was an instant hit!

I just want to say “THANKS” to any magician that uses anything I’ve invented!

Even More Ring On Rubber Band

Last week I started working on a routine for the Ring on Rubber Band trick. I learned that my initial opening line didn’t play how I wanted it to. I added in a line at the beginning that’s was in a routine I used to do in the show, but don’t do anymore. It kinda works as an opening line, however it really doesn’t answer the “why am I showing you this” question.


I’ve performed this trick across America, including it’s minor outlying territories, Guam, Puerto Rico and Canada. The ring represents the 18 years I’ve been married and the a rubber band which memorializes the one time I bought broccoli just to let it rot in the crisper”

Show ring and rubber band. The rubber band is around your left index and thumb. Point to the sides of the rubber band as you say:

“This rubber band has two sides, just like congress…the Senate and the deep state. And this ring also has two sides, a left and a my wife is always right side.”

“The ring will go through each side of the rubber band defying the restraining order I got from the laws of physics.”

Push the ring through the first side of the rubber band

“Through one side, that’s the easy side. It’s the bunny slope of the rubber band. The second side is the most difficult, it’s the Mount Everest of Magic. Three men have died trying this next part, but they all had preexisting conditions…and latex allergies.”

Push the ring through the second side of the rubber band.

“Like Coachella, we’ll take it off one band at a time.”

Pull the ring off the rubber band one side at a time.

“and that’s how I wrote my wedding off on my taxes!”


I also added in a joke about the ring having sides which is a tag on the first joke. The routine is starting to take shape. The current sequence of moves I’m doing makes the routine feel more like filler to me, than a solid, good routine. It’s still lacking a punctuation on the ending.

Unseen Kicker…

Lately, I’m trying to be better at directed practicing. This is working on something specific, versus just playing around with palms, or whatever. Last night I was I was practicing the Quad-Triumph that I posted about recently. Basically this is a Triumph type card effect that uses four shuffles instead of the traditional single shuffle.

One thing that hit me was that at the end there could be a subtle kicker. Right now the cards start in a mixed order and they end in a mixed order. If they ended in a known order, that would add a layer to the trick. Ideally that known order would be new deck order.

Last night I was able to figure out how to get the cards into an order that was one half red and the other half black and the end. Unfortunately this little touch will largely go unnoticed as it happens at the same time as the cards all facing the same direction. It’s one of the those things that if a magician see it, it will add to the effect to them. It’s the little things, things that don’t need to be there and won’t be seen by most people are what makes something art.

This is visually pretty good, and definitely takes the trick a step further. It’s a good compromise for now, but I have a feeling I’ll be working more to figure out how to get it into new deck order.