The other night I was staying in a hotel and as I was leaving the room I noticed a stage illusion inspired night stand!
I’m not sure why the feet needed the false space, they’re not hiding a lady in there, but the black art is there to hide the lack of gap between the feet. My guess why they have that is a solid base is cheaper to make and more durable.
It’s a great mainstream use of a magic principle!
-Louie
There’s a levitation illusion going around, and there’s something I don’t like about it. Before I go any further, the illusion is fine, there’s just a visual thing that I don’t like. If you can get past this, than it’s a great trick.
Here’s the style of levitation, I think the two pics below are different makers.
What I dislike is the cloth wrapped around the person floating. Specifically how it dangles on the end. This is also my issue with most chair suspension routines. The cloth really serves no purpose, aside from hiding the method.
I get that you can justify the cloth as it’s a magic cloth that makes people float…but then why isn’t all of the cloth floating and some of it dangling?
Yes, most levitations of a human have do deal with gravity. In my opinion the dangling of the hair and dress make the illusion look better visually. Where the cloth wrap doesn’t look anywhere are good as the person uncovered.
I understand that it’s not real magic, and you have to make concessions to hide the method. That’s a valid artistic choice, to have a purpose in your show for a levitation and due to venue limitations you need to use a method that you might not like to move the show forward.
Personally for me, I’d save the levitation for a theater where it can be done without the trade off of having to wrap the person with a cloth.
-Louie
The “need a penny” tray that I’ve been playing with for a little while has been getting good reactions. It was time to tweak the design to make it look better and slightly more deceptive. The new one (on the right) is next to the old one:
The two main changes that I made was that I beveled the edges of the tray and I printed the bottom portion in black. Here’s a few more views of it:
The beveled edged and black bottom make it look soo much thinner. This is a great example of why you should learn about all types of magic. Essentially I took some stage illusion principles and applied them to a close up magic prop to make it more deceptive. I guess reading Rand Woodbury’s Illusionworks book when I was a teenager finally paid off!
For some reason I’ve never really liked the Assistant’s Revenge Illusion. I think that from a method standpoint, it works exactly how anyone would think it does. If you’re not familiar with the trick, here’s what it looks like:
What the trick has going for it is that it has a nice surprise, where the audience is expecting the magician to escape, but it’s a substitution. I’m going to imagine it packs pretty flat and it plays big. I’m not knocking anyone that does the trick, I just think the trick is just “meh”.
Recently this one popped up for sale:
This pic is what got me thinking about why I don’t like the trick. The chains end up soo loose on usually the female “assistant” that there’s really no reason why the person couldn’t just slip out. If you watch the video above, you can see how loose they are at the end. I do understand that at the beginning they are tight, but that’s not the final image the audience is left with.
The trick would be greatly improved with some sort of handcuff type restraint, but I also think that would make the switch much slower.
-Louie
