The snake basket that I’ve been building is finally starting to take shape! I have a completely functional version of it! Here’s what it looks like:
I’m going to make a small change to the code. I’m going to add a three second delay after the button push for the action to take place. I want to be able to have some physical distance between my hands and body when the actions take place.
-Louie
I found a stack of Chinese Laundry Ticket papers in a box of old magic from the early 1960s. This is a torn and restored paper effect with a strip of paper. The theme of this trick is a ticket from a Chinese laundry that’s torn and restored, and this routine is typically filled with offensive (racist) patter lines. A better themed version would be Arnold Furst’s Fresh Fish paper tear.
Anyway, I have these Chinese laundry ticket papers, and I was curious what they actually said, so I ran them through Google Translate and here’s what they say:
This is one of the things that’s problematic with these older magic tricks, is that what’s actually written on them isn’t what it’s supposed to be in the trick. This trick, if it actually had numbers on it instead of talking about rice, would be slightly less offensive. The simple fact that the trick is taking something from another culture, but not taking the most basic step of making sure it’s correct, is just one of the reasons I dislike this trick.
Go out there and be a better human.
-Louie
With the closing of Hocus Pocus (under the Gross family), I need to make some decisions about my magic products. There really isn’t a family run magic shop in the USA that has the reach of them, aside from maybe Steven’s Magic Emporium, and without Joe and the fire a couple years ago, I have a feeling their time is limited.
Personally, growing up in magic in the 1990’s every magic shop and city/state had a culture and style. The magic tricks available in Minneapolis may be different from what we had in Seattle. Back then, it was great when someone would travel and bring back a trick we didn’t have in Seattle. Now that the magic business has changed into a global thing, all the shops are virtually the same. There are very few magic products that are made and sold locally.
With my magic products, I wanted a dealer that I knew and someone that I could give something unique to. Something that gave people a reason to shop with a specific shop that wasn’t just price.
Going forward, what should I do with my product? Should I start reaching out to smaller local shops, or go with Murphy’s Magic and have them distribute it? With Murphy’s, I will move a lot more units and make more money. I’m really not motivated by more money (I probably should be), and I would rather have a relationship with a magic shop that’s a singular home base for my products.
I don’t know…
-Louie
In a box of old magic that I bought, there were a couple of Die Boxes without the dies. Here’s one of them:
Instead of throwing them away, I tried to 3d print the die and shell. Here’s what I made:
For the inside of the shell, I used black adhesive fabric. Here’s the everything:
The end result was great and works! I’m glad I could give this prop some more life!
-Louie
Click here to learn more about building your own magic props!
In my collection of old magic stuff, I had a pack of FAKO cards. This is a deck of gaffed cards and novelty cards.
The pack I had was just the cards without the booklet, so I’m not 100% positive as to what tricks the cards do. One of the cards has a big stop sign on it, and here’s what I’ve been doing with it:
It’s just a second deal until they say stop, and then a timing force for the second time. Every time I do it, the person has a great reaction when they see the card!
-Louie
Yesterday, I posted about the Chefalo Knot and that I created a routine for it. Here’s the routine and a walkthrough of the knots you need to know:
It was fun to put this together and figure out how it all works!
-Louie
One of the tricks in The Bat magic magazine was a description of the Chefalo Knot. This is a series of three knots that are tied into a piece of rope, then dissolve when the ends are pulled. In The Bat it’s mentioned that there are no descriptions of it that are correct. Well, even the description in The Bat wasn’t correct (at least how I read it).
If you ever tried to learn it from Tarbell, the illustrations are incorrect. Here’s the pictures from Tarbell:
In the last picture (fig.51) where the red are is pointing is incorrect. What it should look like is the picture below where the green arrow is pointing:
If you layout the rope with my updated illustration, the trick will actually work.
I put about 90 minutes into figuring out this dissolving knot trick one night and that made me committed to it. I wanted to figure out something to do with it. Since it’s a vanish of three knots, the first logical step was to make them reappear. Then I wanted to add something more, so I added a ring that penetrates onto the middle knot.
I’ll post a video of it when I get a chance.
-Louie
My buddy Glen knows that I love old magic tricks. He brought one to show me in Reno, so here’s The Farmer’s Daughter:
It’s a great little packet trick with a story that’s consistent with the time it was created. Thanks Glen for sharing it with me!
-Louie
A magician posted these pictures of himself performing as a Chinese person.
Here’s my response to the picture, which I replied to in a private magician’s group, and not on his public, personal FB page:
I really dislike that magicians still think this is an acceptable way to perform. Performing in “yellow face” has a long history in magic and one that needs to end.
Here’s Jack Chanin (I think, and if I’m wrong, let me know) performing in Yellowface (yellowmask?):
These “characters” are outdated stereotypes. Part of the history of yellowface was to portray the Chinese as monsters and to give them frightening physical features. The long mustaches and fingernails, the bright yellow skin color were to make Chinese people look less human.
Why would any performer who knew its history want to continue doing that?
In my opinion, it’s lazy creativity. In both pictures above, the performer is using the Chinese sticks prop; however, that trick isn’t from China! Instead of putting the energy into creating a unique routine, the performer does something that they’ve seen done before. The thinking is that if someone else has done it, then that’s the way to do it.
I’ve personally walked out of several shows when a performer did stereotype material. There is an exception to this, does the performer have a point of view with what they are doing. Is it social commentary, relating an actual experience, or something like that? In all of the exceptions to this that I have seen, the person never put on a costume.
The moral of the story is don’t do stuff like this.
-Louie
In a couple of months, the Portland Magic Jam is happening. I’m not able to go to many magic conventions due to my performing schedule, but this one I’m currently available for! I just registered for it!
They’ve got a great mix of performers/lecturers for this convention. If you’re in the Portland OR area, or looking for a reason to visit, this is a convention worth checking out!
Details at: www.portlandmagicjam.com
See ya there (unless work comes in)!
-Louie
