stage magic – Page 24 – MagicShow.Tips

Don’t Do It!

Oh man, I remember when you had to have an OK act to get work. Here’s a post from a comedian group:

Apparently all you need to get a gig is a speaker and a car! Notice the listing also has not mention of pay for the spot on the show OR the use of the PA. It does mention that they are looking for a host, so typically that’s 15 minutes. That means the comic who does the gig gets minimal stage time AND has to be the sound tech!

Gigs like these unless they are paying a market rate are a horrible idea. I get showing up for stage time. If you’re starting out, stage time is worth more than the paycheck, but if you’re providing sound, you should be getting paid for that. You’re not going to bet a better sound tech by loading in gear for a comedy show. That’s very bare bones audio set up and if you own sound equipment, you can already do that.

Say no to gigs like this.

-Louie

Sound Booth

There are a lot of things that can take focus away from a show. One of them is having stuff happening behind the performer. Recently I worked an event that’s really well run and attended, however there’s one small thing that I’d change about the event. The sound booth is set up BEHIND the performing area and there is no backwall on the stage.

That means the sound guys are clearly visible behind the performer.

Even the most engaging show for the audience isn’t the best show to watch from behind. That leaves a situation where the sound guys are behind the stage, but essentially in the performing area. They don’t necessarily look like they’re into the show, sure they’re working, so they shouldn’t be dancing, but it’s just not a good look in pictures.

If you are setting up an event or have the a voice in the set up, move the sound booth to the side of the stage, not behind it!

-Louie

Unusual Vanishing Bird Cage

Here’s a new addition to my vanishing bird cage collection!

This one has the ends of the large bars pointed instead of square. In theory that is going to hang up less than having the ends square.

This is something that I have thought about, but never did to any of my cages. First of all, not all the corners would need to be pointed, just the ones that are on the leading side of the cage. Next, I think that IF this one did hang up on your sleeve, it would really hang up and wedge the sleeve into it making any possible continued yank up your sleeve much harder.

This is a fun cage variation to add to my collection!

-Louie

Dynamite In a Small Package by Doc Dixon

A month of so ago I picked up the book Dynamite In a Small Package by Doc Dixon. It’s lived in my backpack since I bought it and I’ve finally read it. It’s a quick read and a GREAT book!

The book covers five card tricks with a regular deck of cards. Each of the card tricks has a different flavor and are distinctly different tricks. The big thing for this is that each of the tricks was designed for the stage and plays bigger than you average card trick.

The book has a script for the tricks, and Doc does a good job of not only teaching the WHY, but how to apply his thinking to other tricks. I’m a fan of Doc’s stuff, the guy is a worker and has been for years and it shows in his marketed magic stuff.

For $35, this book is a great part of your emergency plan for when the airline loses your luggage!

-Louie

Bad AI Introduction

Here’s one of the problems with AI, it’s that you have to check it. Basically, you are doing the work anyway. A good example of that is from an event that I performed at. Despite having provided them with an introduction and one being available on my website, this event decided to have AI write it.

I worked as a street magician when I was in high school, but wouldn’t say I’ve worked as one in the last almost 30 years. I have never appeared on Late Night with Conan O’Brian, which I’m assuming is just a misspelling of Conan O’Brien.

This is why AI isn’t useful, if I need to go back an “fact check” everything it’s more work than actually doing the research correctly, or simply asking someone for their intro.

-Louie

Vanishing Bird Cage from Germany?

The newest addition to my vanishing birdcage is also one of the most interesting to me. This one came from a Potter and Potter auction and there really wasn’t much bidding action on it. I got it for $150 (gavel price) and they simply listed it as from the 1920’s and German.

This cage has some very fine detail work on it. Like the super tiny sleeve guard, there were two, but one is missing. The screws that hold it on are very fine!

This cage is missing a bar and it appears to have been repaired at some point. I also don’t think that the ring that the pull attaches to is original.

Another fun this is that this cage has a perch and this perch is a spring! I guess that is a lot easier to attach than a wooden one, and more flexible!

This is a fun addition to the collection!

-Louie

Magic show at 7:40am!

I must be getting better! I did a show for middle school kids at 7:40am and it went great!

Middle school (grades 6-8) are notoriously one of the hardest age groups to perform for. They don’t really relate to silly humor that I’d use for younger kids or smarter humor that I’d used for older kids. It’s just a small age group that I find really hard to perform for. Then add in the 7:40am when they’re still waking up and it sounds like a rough gig.

The show went well. Whenever I perform for a group of kids I try to aim my material slightly older than younger than the group. I’ve found kids will “age up” much easier than down. If I do material that’s designed for younger kids it will turn them off quickly and they’ll dismiss the show as a “kid show”, which they’re above.

I opened the show with my Any Card at Any Number and that immediately had their attention. I know a lot of magicians think that ACAAN is a boring trick and many are, however for this group, if it was, they’d be asleep by the time we got to the card! ACAAN done correctly, I’m not talking about routine/patter, but method is an amazing and compelling trick. Once you start adding procedure into it like rolling dice or a calculator, then it becomes less amazing. Simply saying, “name a card, name a number” and that’s where their card it without any BS is a great trick!

The moral of the story is sometimes taking a show that you know will be a challenge will help you grow as a performer.

-Louie

Play-Duh

Hocus-Pocus in Fresno put out a prop called Play-Duh. This is a snake can that’s built into a Play-Doh style can. I wrote up the routine I’m doing with it here: https://www.magicshow.tips/magic-show-tips/play-duh/

I’m using the Play-Duh props in my library and summer camp shows. The fair I was performing at last week I did the routine for some kids between shows.

here’s what it looks like:

It’s just a solid, fun routine.

-Louie

Single-Lumen Dimmest D’Lite!

Some friends and I were texting horrible variation of existing magic tricks. One of my ideas was the “dimmest” D’lite! Then my buddy Chris used AI to make them into packaged magic tricks.

It came out well! He uses AI for his work, and gave me some tips on how to use AI more effectively to create things. I think that effectively communicating with AI is going to be a skill that will be helpful. It’s a modern version of knowing how to use photoshop (which I don’t know how to use).

-Louie

Hunting Vintage Magic Props

When I have down time when I’m on the road I pop by junk shops and try to find old magic props or unopened bicycle cards from Cincinnati. Usually I don’t find much, but the other day I found a Deland Deck:

I also found this lid that looks like the top of a dove pan!

The lid was lacking the spring clips inside, so a quick search on Google and I learned it’s the lid from a serving tray. I guess that the dove pan is actually something in real life…well halfway. The metal bowl isn’t something that would have been with it, it would be paired with a flat tray.

I always love finding the real life item that props are trying to mimic!

-Louie