Tag: stage magic

Weather Prediction Mentalism Trick

A while ago I wrote a post about me having Trigger Finger, which is a tendon issue in my knuckle. I noticed that it was bad when it was raining, so that means I have an old man super power, my finger can predict the weather!

What can I do with that?

It got me thinking about doing a weather prediction effect. The idea of the trick will be that someone says the name of a city, and I write down what my finger thinks the weather in that city is.

I wanted the prediction to be bigger that something that could be accomplished with a nail writer. After some writing of different ideas, I hit upon using weather icons:

Weather Prediction Mentalism Trick

The flow of the effect is:

  1. A city is chosen
  2. The prediction is written down
  3. The weather is the city is determined
  4. The correct icon matching the weather is removed
  5. The written prediction is shown to match the icon

That’s the flow.

I originally had a step earlier in the process that had me showing all the different possible icons. I decided that’s really dead time, and not needed, because we’re going to go through them later to find the correct one.

The method is really simple, I spent a lot of time writing more complex methods, but this was the most simple and direct method that I came up with.

I tried it for the first time a couple of days ago and it worked! Now to do it more and create a more complete routine.

-Louie

Adding Tech to Library Shows

For my library and summer camp shows this year, I added a screen to my table.

There’s not much to it. It connects to an iPhone that’s running IQpro and controlled by a Flic Button. The main reason I’m using it is to get used to running IQpro.

I want to be more comfortable using production elements in my show, and obviously the best way to do that is to use them!
-Louie

Street Performer in NOLA

I found this picture in my phone of a street performer when I was in New Orleans last month. I just caught the end of the strait jacket escape, which also was the end of the show, so I don’t know if it was a one trick show, or more.

What I saw was fine for what it was, a get the money show. I’m not it’s target audience, so all the standard hack jokes didn’t really do anything for me, but the people watching seemed to like them and that’s all that matters…or is it?

It comes down to what is your art?

What are you giving the audience a piece of you, or a piece of a dozens of other people’s shows that are used without permission?

Is your art a line that you saw another magician get a laugh with, so you started doing it? If it is, that’s fine, that’s your art.

Is your art giving the audience some sort of experience that no one has ever seen before? This is what the kind of art that I like to watch.

Is there anything wrong with this show? No, it’s fine, just not for me. His show would probably also run circles around mine at that pitch in NOLA. There are a tons of places where a guy drumming on a bucket will absolutely do better than the guy with the a million dollar violin.
Sometimes the right show for the right venue matters.

-Louie

You Should Be Working!

Many years ago I heard an interview with Jerry Seinfeld that had an interesting piece of advice. He said your job isn’t having fun onstage, you should be working! I agree, your first job is to work, but that doesn’t mean you can’t have fun at the same time.

Here’s how sweaty I am after a show:

magic show costume

I know it’s gross, but I busted my ass onstage! It was fun, but I worked

-Louie

Summer Library Show

I did a test show of my 2025 summer library show. My show is themed around colors, with an emphasis on the colors of the rainbow. Here’s my view of the show when set up:

summer library show

The Milson Worth Silk Cabby is something that I put in the show for the color blue. The effect that happens is that “my grandma’s scarf” stretches from about 9 inches to 20 feet long while in my grandma’s scarf box. This prop is an outlier in the show as I don’t use magic prop looking things in the show.

After doing it in the show, it really doesn’t feel right as a prop in the show. I think I may just use a double walled bag. The bonus of that is that it will reduce bulk and weight that I need to move around. The downside is that I don’t get to use a fun, vintage magic prop in my show.

For me a test show about a month before the summer library season is really helpful to identify things that don’t work, or I don’t like in the show. Once the season starts, I don’t have a lot of time to build or find a new prop to replace something that isn’t playing how I hoped it would.

-Louie

Travelling with a Magic Show

Recently I hit the road for a short three day run of out of town shows that were done by car. Then I flew out out of an airport a few hours from home to another gig on the other side of the country. That meant that I had to leave my car parked at the airport with a lot of my show gear in the car.

When I do this I lock all of my gear to the car. This isn’t going to stop someone that REALLY wants to steal it, but it will make it harder! If someone’s going to a quick “smash and grab”, then they’re not getting anything. I want to make them work to steal my stuff.

travelling with magic show

Once everything is locked to my car, I then cover everything with a black sheet.

travelling with magic show

The black sheet combined with the tint on the windows makes it hard to see anything in the trunk of my car. While this doesn’t make it 100% invisible, it does a really good job of hiding my gear and definitely gives me some peace of mind that I at least tried to deter people from breaking into my car.

-Louie

Magician’s Should Watch Drag Shows

Magician’s can learn soo much from watching a drag show or professional wrestling. Those two are very similar, every act has a “hook” and they play things BIG! Big gestures, big personalities and they take time to connect with everyone in the audience.

The host of this show did some crowd work and they were really quick on their feet with jokes based on what the audience was saying. This is a place where many magicians could learn something. Most magicians the moment the person from the audience gets a big laugh the magician shuts them down. In my opinion that’s the wrong approach, you should let that person shine! That’s also why people go to live shows, to see a unique show that no one else will ever see!

Go out and see a professional wrestling or drag show. Watch how big they play everything with gestures and how they engage a crowd. Watch how they look at the whole audience. There’s a lot to learn!

-Louie

How to be Introduced

A bit ago I was at a gig and before the show the MC told me the introduction there were going to use for me. It don’t remember the exact wording, but it essentially said that I was “slumming it” to perform for that audience.

Personally I don’t like putting down the audience before I even start. You don’t know about the audience, for some people it could be their big night out for the month or year. I don’t want to do that. I’ll put myself down all day in the show, but not the audience, and especially not before I’ve taken the stage. The audience doesn’t know me or my vibe.

An introduction should build up the performer or inform the audience about what they’re going to see. Not put down the audience.

I politely asked the MC to use the prepared introduction.

Don’t be afraid to tell an MC or show host exactly how you want to be introduced. There are times when I’m the MC and an act insists that I use something that I know is wrong. Like when they hand me four paragraphs to read. I’ll ask if I can shorten it, but if they insist, I read what they gave me.

-Louie

Cutting Up Jackpots!

Performing as a magician with a full magic show (versus an just an act) can be a very solitary job. Most of the time you’re working alone. You do that corporate gig, school assembly, birthday party as the only performer at the event.

Then there are other gigs that bring entertainers together, things like fairs and cruise ships will have multiple performers with shows at the same time. Recently I performed an a ship that had three guest artist magicians, one staff magician and a production show that featured a lot of magic! It was basically a magic convention. Add in some musicians or comedians and it’s quite a group!

cruise ship entertainers

One of the fun things about working with other entertainers is just sitting around a sharing stories. Anyone who has been a performer for any length of time has stories of crazy gigs! Honestly its sitting around and “cutting up jackpots” (carnival slang for telling stories) and having a bunch of laughs is good for the soul.

I’ve mentioned it before, but I don’t understand it when magicians say they don’t hang out with other magicians. It must be a lonely like out there for them!

-Louie