Key and Ring…

The trick “Stirring Silver” by Jay Sankey has always fascinated me. I can do the trick, but really only do it in impromptu situations when I need to bang out something quick. I’m not sure what I don’t like about it, I think that ring spends way too much time on the handle of the spoon in the first phase. I do understand that it needs to be there for how the trick works.

Here’s a version of it that I came up with and I posted a video of it on Tik Tok a bit ago:

@louiefoxx Magic trick while waiting for the store to open… #waiting #ring #key #sleightofhand #magictrick @therealjaysankey #magician #louiefoxx #closeupmagic ♬ original sound – Louie Foxx

The method is different from Jay’s routine, but the effect is visually the same. The challenge with a key is with the shaft soo much shorter than a spoon you have less room to hide things, which is why I had to go in a different direction with the method.

I think the trick came out well, but it’s something I’ll probably never do in my actual work.
-Louie

Producing Confetti

One of the things that I really like is using confetti in my show. I think it’s something that makes a lot of tricks “pop”. It’s an interesting challenge to frequently use in a show. It’s not easy to steal as a pack, unless you’re using a snowstorm packet, which is a lot more than I want to use for most tricks.

The closest solution I’d found was Viktor Voitko’s SnowShot:

It’s got some limitations, and I don’t like that the gimmick ends up on the floor after the trick. While it sorta blends in with the confetti, if it’s in the performing area, you will need to pick it up, or kick it out of the way.

Yesterday I hit another solution. A while ago I picked up one of Jay Scott Berry’s FS2 gimmicks from a junk magic bin. I just happened to see it the other day and realized that it would be a perfect confetti holder!

Here’s the trial run:

I don’t know if Jay Scott Berry has used confetti in it or not, but it’s looking like the solution I need for the confetti production I was trying to add to the end of my ball routine!

This discovery for me is a classic case of having routines never being finished AND having your vision of what the trick will look like and constantly trying to achieve that. Sometimes you won’t get there, other times you figure it out quickly and usually for me it’s a years long journey to hit the solution. The key is sticking with it!

-Louie

More Work on the Cup and Ball

Sometimes I have ideas and they are works in progress that make slow steps. The Stand Up Cup and Ball routine that I’m working on is still making baby steps towards what will hopefully be a cool routine.

Here’s an early version of the Stand Up Cup and Ball Routine:

What I don’t like about is that I go to the pocket, so that needed to be eliminated. There are also some rules for this routine. It needs to be done solo onstage, done without a table, and my hands don’t openly go into my pockets. I can do steals, use sleeving or things like a topit or holdout.

Here’s the current routine idea I’m playing with:

I’ve eliminated the ball going to the pocket, but I also had to eliminate a phase that I really liked. Where I toss the ball out of the cup, the ball is put in the pocket and it’s immediately reproduced by tossing it out of the cup. If I could come up with a way to vanish the ball without going to the pocket, I could add that phase back in. I haven’t given up on that phase, but it’s not looking good to keep it in.

This trick is a good example of a trick that will probably never be finished. The first version was alright and passible, but not what my vision for the trick is. There’s always things to discover and improve.

-Louie

Stand Up Ball Thru Cup

In playing with the stand up, cup and ball routine, I came up with this move:

I like it, but it’s a little be angle sensitive. I like the ball going up into the mouth up cup more than I when the ball drops into a mouth up cup and comes out the bottom.

I don’t know if it’ll make it into the final routine, but it’s adding to my move vocabulary for this routine!

-Louie

Stand Up Cup and Ball Routine

For years I’ve had an idea of doing a chop cup style routine that doesn’t use a table. The big drawback of a chop cup onstage is the table, it cuts blocks the view of anyone who is sitting below the table top.

Probably 20 years ago I saw Charlie Chaplin’s daughter’s husband do the chop cup in their theater show. I saw it twice, once from the balcony and it was great, and the second time from the floor and couldn’t see much.

Seeing that show really changed how I perform, I don’t have any action that happens on the table top in my parlor or stage shows. If they can’t see it, they can’t enjoy it.

Now, back to the chop cup, I’ve always said creating with rule makes creating much easier. Here are the main conditions:

1: Plays big enough for parlor/stage no table

2: No one from the audience onstage IF their only purpose is to use their hands as a table/surface

3: Quick set up, ideally just grab the cup and go
I think this is the condition I may have to bend on as when there’s a final load, it’s usually not self contained.

The idea is that this will be something that could be used as an MC spot or a solo piece in a bigger show to break up things where you use people from the audience.

Here’s what I’ve come up with so far:

Here’s what I don’t like about what I have:

1: The steal of the second ball from the sleeve.
-I need to make a ball dropper/hold and steal it from the edge of my coat

2: Don’t like that my hand goes to the pocket.
-It makes the final load production more impossible if you never put your hand in your pocket.

3: It really needs a second kicker after the pool ball appears.
-Not sure how to make this happen…if you have any ideas let me know!

This is definitely something that I’m going to keep working on, I really like the idea. I don’t know if it’ll ever meet all of my conditions and desires for it, but you never know until you try!

-Louie

Magic Jam Highlights!

When magicians get together and have a magic jam playing with tricks they are working on, it’s a ton of fun!

Magic Jam highlights from Nov 2022

I learn a lot at these magic jams, and get to hang out with some great friends! I don’t think I’ll ever understand magicians that say they don’t hang out with other magicians.

Do you self a favor and make friends within the magic community!

-Louie

Stage Marked Cards…

I’m working on an idea for a card trick that would be done on the stage…or at least not in a close up context. It uses two banks of cards that are duplicates, however in the course of the trick, they could get mixed up a little bit and I’ll need to sort them for reset.

The cards don’t need to be in a specific order other than the two banks being separate, so the simple solution to sorting them after the trick is marking one half. With these cards being used onstage and never handled by the audience, I can get pretty bold with the marks.

Marked Cards

In the picture above I just took a red pen and colored in the face of the birds on half of the cards. After the trick it only takes a few seconds to sort them using the Green Angle Separation move to get the top and bottom halves separated.

It’s an easy solution for a stage routine!

-Louie

Card Routine…

I’m playing with a little card sequence where I reveal a selected card three times. The first uses two hands, the second time one hand and the third time is no hands. Here’s an early test version of the current version:

I need to figure out a slightly less clunky way to get into the third card reveal (haunted deck). I’m not sure if there’s going to be a streamlined way due to using the method along with the other two card productions (Piet Forton Pop Out and Daryl’s Hot Shot Cut).

One idea I had was to do this as a multiple selection, however from a method standpoint, I can’t really do the final phase with the card in the deck the whole time. I’d need to take it out.

…well, if I put each selection back into the deck after the reveal, I could switch the second card for the third card, and could set up the Haunted Deck at that point. The drawback is that I visually like the cards staying on the table after each reveal.

I’ll play with it and see how audience like it…

-Louie

A Sip of Water

Last week I was working with Lanky the Clown and he always has tons of little gags in his clown costume. He showed me a fun little gag where you offer someone “a sip of water“, then offer them a tiny bottle of water.

I thought the gag was hilarious and he gave me one of the tiny bottles.

You can get the Tiny Water Bottles by clicking here!

After playing with the gag, I have a little magic trick with it. I do the gag, then the bottle disappears and reappears from a handkerchief, which ends with the production of a full size unopened water bottle!

If you’re a Paul Harris fan, you’ll recognize this as King Soloman’s Drink from his book the Close Up Entertainer and in republished in The Art of Astonishment Volume 2.

It’s a fun little routine to do!

-Louie

Full Face Peel – Trials

The trick I’m currently working on is more of a gag. It’s for the end of my ambitious card routine. After the trick is done, I peel off the signed face of the card, leaving a blank card.

Here’s a video of one of the trials of it:

I quickly realized I need to do it backwards, giving them the sticker and leaving me with the blank card!

poker size card sticker by alan wong

The full face sticker plays as fun, not strange. Almost like it’s something that you could do with any playing card, but never knew you could. The other version of the trick that I’m doing that leaves the pips behind plays more like a strange thing.

I think either version would be elevated from a bit or gag to an pretty good trick if you did it with a borrowed deck or a deck at the bar. If you added in the sticker card and stole out the duplicate, you’ve got a very memorable moment!

-Louie