sleight of hand – MagicShow.Tips

Does Flash Paper Go Bad?

Recently, I bought an old box of magic props from the late 1950s/early 1960s, and it contained some 65ish year old flash paper. People frequently ask in magic social media groups, “Does flash paper go bad?” Well, let’s find out!

I’m amazed that it worked as well as it did and that it didn’t burn my fingers!

I think the issue that people have with flash paper is that they store it wet for safety, which is absolutely what you should do. Then dry out what you need to use a few days before you need it. That said, I think the paper sitting wet in a sealed bag over time will deteriorate. That takes years, and you really should be buying decades worth of flash paper at one time. It’s something you really should be buying a few months supply at a time. I personally wouldn’t want to store a ton of it at home.

Be safe.

-Louie

Coin Matrix Layout

One of the things that I’m playing with is a Coin Matrix. One thing I thought about is why the coins are in the corners of the performance area rather than in some other shape. I get that there’s a lot of tradition, as the modern coin matrix is based on Yank Hoe’s Sympathetic Coins. Then, when Al Schneider created the modern version, he called it Matrix, and I think in math, those are traditionally a square or rectangular shape.

I was playing with some other shapes and layouts for the coin matrix. A straight horizontal line, a diagonal line, however I think I’ve settled on the classic Ace Assembly layout. With a leader coin in front and the three follower coins in the back.

I really like this layout, as in my routine, there’s some other stuff that needs to happen, and it moves all of the empty spaces once the coins travel to my edge of the table, which makes the next part for me a lot easier to do!

I want to say there’s nothing wrong with the standard coin matrix layout; however, there’s also nothing wrong with changing it!

-Louie

Five Minute Magic Spot

While I was on the cruise ship I was asked to do a 5-7 minute spot in the farewell shows. I don’t do short spots as often as I used to do them a couple decades ago. They stress me out because you don’t really have time to establish a character or vibe and you don’t have time to win back the audience if you lose them.

Here’s my props for the 5-7 min spot:

Here’s what I did: My stand up chop cup routine (see my lecture notes) which ends with the production of a tennis ball. Then I did a card to pocket routine with a signed card. The routine ends with the signed card coming out of the tennis ball.

One thing to note is that aside from these props, where everything happens in my hands, the only other thing I used (but not necessary) is a stool to set the tennis ball on after it’s produced, so that it’s visible the whole set. The stool was already on stage from the act before me and the one after me, so there was zero moving of props for my spot.

Oh, the black string thing is one of Nick Lewin’s Ultimate Microphone Holders. That allows me to use a handheld mic, so I don’t need to get mic’d up with a head set.

It’s an action packed 5ish mins, with a nice little surprise at the end.

-Louie

Ah Nertz: a Card Trick From 1943

In the second issue of The Bat Magazine from 1943 there’s a packet trick called Ah Nertz. Packet tricks didn’t really exist at that point, there were things like 3 card montes or tricks with the four aces, but nothing like post 1960’s packet tricks.

Here’s Ah Nertz as written:

If you think about the effect, this is an early version of twisting the aces.

I wanted to update the trick with a few modern moves, so here’s what I came up with:

One thing that the original lacked was showing all the cards going the same way. To do that I added a modified DM Move/2 for 4 Count. I also wanted a reveal of the one the upside down cards, but where you see all of the cards. That was accomplished with an Elmsley Count.

Here’s a walk through of the updated version of Ah Nertz:

What I think is interesting is that in theory you could theme the trick very easily with customizing the last card. It could be a trade show trick, “all the options for buying X got your head spinning…”. Or a story could easily be attached to it, like a kid who always felt different. Then the reveal on the final card ties it all together!

I think this trick’s premise is one of the hidden gems in The Bat magazine!

-Louie

Working Through The Bat Magic Magazine

Yesterday was the end of one cruise itinerary and the beginning of another. It looks like my theater shows this week are on the 18th, so I have a few days off. One of the nice things about doing a show later in the cruise is that no one knows that I’m the magician, so I can be anonymous on the ship.

I brought an old magic book, well bound version of The Bat magic magazine.

This bound version covers the years 1943-1945. There are some interesting things in it, and a lot of patter that doesn’t hold up in modern times. I’m going to try to make some videos of some of the tricks that I have the stuff to do or make.

I did find time to make a video using my Meta Glasses. I like the idea of performing into a mirror so the audience can see both sides of the trick. Here’s a four ace assembly:

I’m going to play with this framing a bit more this week with my free time. I like the concept for social media videos.

-Louie

My Impromptu Card Routine

One of the card routines I do for impromptu situations is a revelation of a selected card three times. There’s really not much to it, and I’ll give sources for what they are below, but first, here’s what it looks like:

Let’s start by me saying that in the video above, I messed up the second card revelation, but that’s OK because it still worked. The three revelations are:
1: The (Piet Forton) Pop Out Move
2: Daryl’s Hot Shot Cut
3: The old trick where you sidejog the top card and drop the deck.

It’s not a crazy sequence, but it has a feel of build with the diminishing hands for each revelation.

Have fun with this!

-Louie

Flying Spots by Lubor Fielder

A couple weeks ago when I was in Las Vegas, I visited Trick Supply. One of the tricks that I picked up was Flying Spots by Lubor Fielder. There’s nothing crazy about this trick, it’s a paddle trick that I’m guessing he put out in the 1980’s.

I had an idea with it. Here’s my idea:

I’m not sure where I’m going to go with this, however I do like the look of the googly eyes a lot more than the black spots. Now I just need to write a routine!

-Louie

Slippery Cards Gag!

When I open a new deck of cards and have them shuffled by someone in the audience, 90% of the time they will comment that they’re slippery. That’s where this gag comes in.

When they comment on the cards being slick, I take out a little caution sign and set it on the table. That gets a laugh, and it’s a gag that will introduce the prop. I like using a gag to introduce a prop, another example of this is my Bodega Coin Tray. Also, when you use the prop for a gag, it serves a purpose and is less suspect later, since the audience thinks it’s already fulfilled its role.

What happens is that during your card tricks, at one point, the signed card appears under the little sign (like card under glass). Then later, you say the card is under the sign, but it’s not; however, the sign has changed to say the name of their card! Then, a moment later, the signed card has reappeared under the sign again!

I’m having a lot of fun with this little prop!

-Louie

Card to Impossible Location

When it comes to the Object to Impossible Location type of tricks, I like them when the object never disappears. I don’t like how things like the next of boxes are typically presented. You borrow a watch, the watch disappears, and then you show the box. The audience knows the watch will be in the box. There’s no surprise there, it’s a puzzle at that point.

I’m working on a card to impossible location for my show. The thing about this is that I need to get the card from the person who signed it at the end of the trick, but I want the audience to think that the person who signed it gets to keep it. My solution to this is the card below:

I’m simply top changing the signed card for the thank you card. I hand it to them and say, “This is a thank you for helping me out,” and let them see the card’s face, but not the audience. I tell them they can put it into their pocket and keep it. What that does is make the audience think they walked away with the signed card, when in reality, I have it and can load it somewhere later.

I’ve done this once so far, and it worked. We’ll see how well it works long term.

-Louie

Magic TV Appearance

A couple of weeks ago I was on a local TV show to promote National Magic Week. It was a fairly quick appearance and I did one trick which was a card trick, and you can see it below:

The trick uses The Fortune Teller prop for a routine that’s in my 2025 lecture notes. What I like about this prop is that people react positively when it’s introduced, and it’s got a nice three-hit punch at the end of the trick!

When doing TV appearances, I try to do one trick with big impact over multiple tricks. It makes the appearance cleaner. I also did have other stuff in my pockets if I needed to fill time!

-Louie