My Eyes Hurt…

Oh man, someone sent me a video a Rich Freeman performing at a sweet 16 party. The guests seem to enjoy what he’s doing…but the video is unwatchable:

Here’s the thing, I’m not trying to crap on the guy, but he made the video publicly available and out there. There are a lot of things wrong with this video.
After the title screen, he opens with an immediate transition. That transition then ends with him yelling at a kid about toilet paper with no context. The constant shapes that appear in the video make it impossible to see anything that’s going on. Outside of his control, you have a kid sitting behind him the whole show that looks bored as hell.

I’m not sure of the purpose of this video. Is it to try to get him work, or for social media content? It’s listed on the video section of his website, so I’m guessing it’s promo to get him work. Whenever you put a video on your site, you need to think about what it’s purpose is. Is it a fun video or is it to get people to book you? If it’s fun, it belongs on your social media. If it ends up taking off and getting millions of views, then you might want to move it your main site.

Upload videos with a purpose…and make them watchable!

-Louie

Handheld Mics…

When I was first starting out performing in comedy clubs in the early 2000’s I had to use a wired handheld microphone. As I progress through my career, I switched to a wireless headset. I’m now playing with going back to being able to do my show with a wired handheld microphone. The main reason is that it’s logistically easy. I don’t need to travel with my own gear, and it also makes trying out new stuff and open mic’s much easier.

I’m performing all month doing three shows a day at a fair, and aside from working on some new material, I’m also trying to relearn to use a handheld microphone. My preshow right now is a stand up set of jokes, which runs about 7 minutes, and I’m now doing that all with the handheld mic. I’m still wearing my headset during this, but using the handheld.

I picked up Michael Kent’s video Microphone Management For Magicians and it’s a great resource! There’s a lot of good info on the video and totally worth the $49.95!

Right now my goal is every day to move the handheld one bit further into the show. Right now, I have my preshow stand up set, my two new “preshow” tricks and then first actual trick in the show all done with the handheld. The next routine is really three tricks in one routine. I was dreading figuring out how to add the handheld microphone to it as parts of it are pretty physical. Then it hit me, I need to look at it as three tricks, not one routine. Once I broke it down that way, it’s much easier to start figuring out how to do it with a handheld microphone.

Shure sm58s

I was chatting with the sound engineer at my stage about what microphone to get and he suggested the Shure SM58S. This is the version of the Shure SM58, but it has an on/off switch which is something I want. Right now if I’m jumping back and forth between the headset and the handheld, I need that switch so that I’m not being picked up by both mics.

If you’ve never used a handheld, I suggest you learn how, it’ll be helpful the one time your headset dies right before showtime.

-Louie

Some Card Trick Love!

One quote that soo many people like to say, which I dislike is

“A magician is an actor playing the part of a magician.” 

Jean Eugène Robert-Houdin

The reason I don’t like the quote is usually who says it. It’s a lazy way to say you don’t like someone’s routine. Not all people who do magic tricks pretend to have magical powers. The people who quote the above are usually the same people that dislike card tricks.

Here’s fun Houdin quote I came across the other day:

Of all the marvels produced by Sleight-of-hand, card tricks are, beyond question, the most amusing, and the most generally appreciated.

Jean Eugène Robert-Houdin
Jean Eugène Robert-Houdin card trick quote

You can’t have one quote and not the other. They came from the same person. I think I’m going to try to popularize this quote whenever people show their dislike for card tricks!

The Moisture Festival Podcast – Jay Alexander

This week the Moisture Festival Podcast is joined by the magician to the stars, Jay Alexander!

The talk about Jay’s beginning as the doorman at a rock club, his relative that was a vaudeville strongman, living on a boat and owning his own magic theater! This is a great episode, where you’ll learn about Jay’s amazing life!

The Artist’s Way…

A couple of weeks ago I was performing at a fair and another act mentioned she was going through a book called The Artist’s Way. This is a book about how to be more creative. It’s more than a book, it’s a series of things you need to do and it’s broken down by week. It doesn’t feel like a lot work, but it is. There’s a lot of writing that needs to happen. I’m not afraid of writing, so it’s not as daunting as it may be for me. If you’re someone who really hasn’t done much writing, it may be a little bit of a challenge.

I’m only on day three, and the book gives you things to do by the week, so I’m on week 1. The first week seems to be identifying the things that are holding you back, and while I did know some of the things that I’ve brought up in my writing, there were a couple of surprises as well.

This book has a pretty hippy vibe. There’s nothing wrong with that, but I guess that writing style may turn some people off. So far, I’m down with this book, but it’s a twelve week thing, so we’ll see how I feel by the end (assuming I make it to the end).

Back in the Virtual Saddle…

The virtual magic show that I did a couple days ago went well. It had been a while since I had done them, so the show wasn’t as tight as it could be. Also I didn’t really have time to run the show a few times, so I had forgotten a few bits. Overall it was a decent show.


With the COVID delta variant out there, I think there’s going to be a lot more people looking for virtual shows than there were a few months ago. I just booked another virtual show that will take place in October. I’m flying home for this show to do it from my virtual studio.

One of the things that initially was cool about virtual shows was that in theory you could do them from anywhere in the world for an audience anywhere in the world. The reality is that many hotels don’t have good internet, and the room isn’t necessarily a good background. That doesn’t mean it can’t be done, but it’s an additional challenge. You may need to book a room at a nicer hotel, or book a conference room. Sometimes those costs can make it cheaper to just fly home and do the gig.

What I need to do is put together a virtual show that can be done with basically just my laptop camera (or small webcam). All of the props would need to be hand held near my face, with no action taking place on the table. This would then work for most situations and could easily be packed.

This is a backburner project to work on for me…

Tarbell System…

My day got exciting, through a unexpected exchange the other day, I ended up with and original Tarbell System (Tarbell Course in Magic)!

This is a first edition (5th printing) of the Tarbell System. The key about how I ended up with this is simply talking to people and being open to the wacky things that they ask!

I’m a HUGE fan of the Tarbell Course, I even had some shirts made a long time ago:

Final Virtual Show…

My final scheduled virtual magic show was yesterday at 9:30am…and it was for a group of middle school aged kids. I’m going to say that middle school age isn’t the ideal demographic for 9:30am. They had fun, and so did I!

This show had some problems which are why virtual shows stressed me out. The big one was my internet dropped about 2 mins from the start of the show. I was back in the zoom before the show started. it’s one of those things that had it happened 5 mins later, it would have been a bigger issue. Zoom also wasn’t recognizing my mic, so I had to use my laptop’s mic. That also wasn’t a huge deal, but it just adds to the stress of these gigs.

I ran this show solo, normally I have my daughter run the production on the show. It was fun, but I’m glad to be back to performing in person.

I had a great time learning to perform in a virtual venue, and I really loved creating magic for virtual shows. I’m not saying I will never do another virtual show, there are just no more on my calendar.

Friends of Magic (The Society of American Magicians)…

There are somethings in magic that confuse me and somethings that don’t. The big one that makes total sense is the decline of membership in magic clubs. There are several reasons why, but the main one is the internet. You can get you gossip, see new tricks, etc online. The second, closely behind the first is most clubs are d*cks to younger people. Old people telling kids who are into flourishes that what they are doing is wrong. It doesn’t matter how you get into magic or what you like, welcome them into the club.

Last night I saw this ad from the Society of American Magicians for the SAM Friends of Magic:

I’m trying to figure out why think selling this is a good idea. It’s all stuff that should be included in your membership! This is like a “light” version of full membership, but being sold as an separate product. Is this trying to generate revenue or increase the Society of American Magician’s membership numbers?

I think it’s ultimately going to do neither.

Figure It Out First…

The other day a magician I know texted me asking me if I could put him into one of my virtual shows so he could do 5 or 10 mins. Here’s a little bit of backstory, the magician is a good in person magician, but hadn’t done any virtual performing. It’s the lack of experience on the virtual stage that made me have to say no.

Unfortunately doing virtual shows isn’t as simple as turning on a camera and performing. There’s a lot of things you need to figure out at it’s most basic level where it’s just your laptop cam and some magic. Having a choppy show that kinda bumbled through the zoom was acceptable in March – June of 2020 when everyone was figuring this out and we were converting in person gigs to virtual gigs. We’re now in a world where we’re selling virtual gigs and you need to have a show that’s barely treading water while learning to navigate the virtual stage.

The silver lining to virtual shows it’s that it’s easer than ever to get your flight time on stage. There are virtual open mics you can do and you aren’t limited to what you can drive to, these happen at different times and time zones around the world. You could probably perform 3-5 times (or more) a day! That’s tons of chances to learn how to perform virtually. That’s in addition to just getting some friend to informally hop on zoom and you do a few tricks for them.

Basically what I’m saying is you haven’t performed virtually, you need to bang out a few free shows to figure out how it all works and how your show fits onto the screen.