When I was setting up my dealer table at the Portland Magic Jam, someone saw my Joseph Silk Gun and asked about it. I did a little demo for the other magic dealers in the room, here’s what it looked like:
I think that it’s crazy how good this trick looks! It’s hyper visual, and it was way ahead of its time, but using a gun in a show now isn’t something many performers could get away with.
-Louie
Awhile ago I aquired a Joseph Silk Gun. This is a pistol that you put a silk ontop of and the silk disappears.
Here’s what it looks like in action:
The vanish looks like trick photography! Unfortunately, there’s really nowhere that I would use a gun in a performance. Maybe if you did some sort of vignette, but that’s about it.
I’m going to try to find time to make a video of it with a Crystal Cube prop. Both the vanish and production would be instant!
-Louie
Are we at the point where this is modern card magic:
I’m trying to decide whether I’m a grumpy old man afraid of change, or if something like this is a step in the wrong direction. Sure, you can do a cool trick with this deck, but is this what card magic needs?
Are we at a point where someone asks you to show them a card trick and you can’t because your deck isn’t charged?
I don’t know.
-Louie
One of the tricks that I’m working on for a tour in April needs an opaque, tall, tulip-style ice cream cup. I spent hours searching thrift stores online and didn’t quite find anything I liked…well I did, but I also didn’t want to buy 36 of them!
I finally gave up on trying to find one that already exists and decided to design my own. The nice thing about this is that I get something that is what I want, instead of the potential limitations of gimmicking something that is already made.
Here’s what the trick looks like in my garage:
The ice cream scoop is something that Dan Harlan sells called The Scoop and he even posted this on his social media:
The cup is my design, and here’s what is it:
Obviously, you don’t need to use The Scoop with it; it would work great with a loop ball or just sleight of hand with a ball. Anything you can fake put into it would turn to the streamers.
Ok, so why did I make a full glass, when I don’t show it empty at the start and could just put confetti in it?
Simple, clean up.
There’s no cleanup with streamers; no one needs to sweep or vacuum them up.
For me, this is the perfect solution for the second half of turning ice cream into something exciting!
-Louie
PS: If you want one of these, contact me for pricing!
I’m still working on the show I’m doing for a school assembly tour in April. One of the tricks that I had planned is a cards across type effect using postcards. I had a method worked out, then I realized the trick involves counting to ten.
Counting to ten means I’ll have to deal with kids and the 6/7 trend that’s still happening. It’s not as crazy as it was a year ago, but it’s still a thing.
In the past, I’ve used the Piano Card Trick‘s method of pairs to do an object across types of trick. That version has no counting, just moving pairs of cards. That eliminates using the numbers six and seven in sequence.
The downside of using the pair method is that only one thing moves instead of two or three cards. I guess the big plus is that since I’ve used this in shows before, I have a lot of the “bits” built in, so I don’t need to do a lot of figuring out gags. That’s also a bad trap; I shouldn’t be lazy and should be writing new gags.
-Louie
PS If you’re interested in using the piano card trick onstage, look into Jim Steinmeyer’s Apples and Oranges trick.
I’m still working on my Snake Basket Magic Routine. The basket won’t be a basket; it will be a box. I’ve written on this blog before about why I’m not using a basket for the snake. I want the box to look like a shipping crate, but it also must be light and pack as small as possible. I started with a cardboard frame with gaff tape hinges.
I then covered the middles of the panels with wood patterned contact paper.
Finally I did the corners with a wood patterned duct tape to give it the crate look.
This gave me the look that I was going for without the weight of wood, and it packs flat!
-Louie
This snake basket magic trick I’m working on feels like a “project car” that’s in someone’s garage that they are constantly working on. It’s something I keep finding ways to improve. The first version is barely finished, and I’m working on a second one!
The big change is that I’m going to move it away from a card trick. I’m going to merge it with Terry Seabrook’s Chattering Teeth Routine. The snake will chew holes in the paper, and the reveal will be when the paper is opened. A paper is physically larger than a playing card, even a jumbo playing card. Bigger is better for a reveal!
Moving to paper also allows me to customize the routine to a show. For example, if I were doing a safety-themed show for kids, the snake could chew a stop sign in the paper. It could still be a card a la the original Seabrook routine, or spots (like on a die) or even the image a piece of art!
I’m liking flexibility of this idea!
-Louie
This is an idea I had a while ago, and 3d printed it:
This is a three phase mental magic type routine. I read someone’s mind, then they read my mind, then a magic trick happens. I took it to a magic meet up and here’s what the magicians think of it:
Billy McComb, in one of his books, mentions an easy way to create new routines is to combine two tricks. I think his example is a thumb tie and card to wallet. The block trick I came up with combines the Color Vision Block with a super old stage magic trick. I don’t think people are expecting the part that uses the old stage magic effect, and by the time that part is revealed, I’m way ahead of them. Also, people newer into magic may not recognize it as it’s not really used much anymore.
-Louie
The more I work on this snake basket, the more I want to simplify the wiring in it. The previous versions had an LED to indicate that it was on. I eliminated that using the ESP32’s built in LED, so that took out some wires. Here’s the current wiring:
One thing I have that’s redundant is that each action is triggered by a button press. The first version just had a single button that started all of the actions that would be timed. I didn’t like this as it makes me a slave to the preprogrammed timing. To give me more freedom, I added a second remote control button, and both buttons trigger each action. I could eliminate the wired button, however, I can see a situation where it could come in handy, like if the remote unexpectedly ran out of batteries.
The next tweak will be in the code, and that will be adding some delays after the button press. That will get my hands away from the remote control or the wired button when the action takes place.
I think this is coming along nicely, and I’ve learned a lot about using microprocessors!
-Louie
Recently, I acquired a 60+ year old box of magic tricks. I’m guessing this belonged to Portland, OR magicians Duane Duvall. One of the things I think is interesting is looking inside the working cases of magicians. How did they keep their props in the case during their show?
Here’s a look at the case from the 1960s:
Simple solutions to holding things on the lid and around the inside of the case.
-Louie
