One of my current projects is a utility device for magic. I had a version that worked for me, then I sent out some to other magicians and am learning that not everyone works like I work. That means that I need tweaking the design further than how I’d do it. That led me to … Continue reading “Building a Better Mouse Trap…”
One of my current projects is a utility device for magic. I had a version that worked for me, then I sent out some to other magicians and am learning that not everyone works like I work. That means that I need tweaking the design further than how I’d do it.
That led me to a challenge this week. I hit a roadblock that I didn’t think I’d be able to overcome. I kept thinking about it, and it hit me yesterday while driving, “a mouse trap”! I needed a spring, and the spring in a mousetrap was almost exactly what I needed.
I bought a mousetrap took it apart and it worked perfectly! The next challenge was figuring out how to integrate that spring into the prop. I sat down at the computer and this is what I came up with:
The picture above was used in the first version of the big redesign. In less than 18 hours I’m on design number four and it’s all little things I’m tweaking to make it more efficient and elegant! We’ll see what today has in store for redesigning…
Right now I’m a couple days deep into over a week off, no shows until next Wednesday! While enjoying my time off, I came across a video of Doc Docherty‘s routine for the Gozinta Boxes. The Gozinta Boxes were created by Lubor Fielder and the effect is a red box fits inside a black box, … Continue reading “Great Effect for a Bad Trick…”
Right now I’m a couple days deep into over a week off, no shows until next Wednesday! While enjoying my time off, I came across a video of Doc Docherty‘s routine for the Gozinta Boxes. The Gozinta Boxes were created by Lubor Fielder and the effect is a red box fits inside a black box, then the black box fits inside the red box.
Here’s a video of David Ginn doing the Gozinta Box:
What I don’t like about the trick in it’s purest form, is that it’s more of a puzzle than a magic trick and really lacks a magic moment. Then I think Tenyo put out ParaBox which had the production of sponge balls, which I think took the trick from a puzzle to a magical puzzle!
Here’s Paul Daniels doing Parabox:
Comparing the Parabox to the Gozinta Box, I feel it’s a huge leap. The thing that’s lacking with the Parabox is producing sponge balls isn’t a huge production. You are making something that can be squished down appear. A sponge ball is better than no production, but something solid would be much better. Let’s get back to Doc Docherty, and his version called In Through the Outbox, which you can watch below:
The productions of the solid pieces of metal are great and takes the routine to an impossible level. I think it’s a great addition to the trick and really cool! One thing that I’d change with it is the pacing of the productions and do them one at a time. I think it’s be stronger to produce one block get the reaction, prove it’s solid and then produce the second one. Once you’ve established what the first one is, you don’t need to prove the second one is solid. However as is I think it’s a great magic trick.
If my roving consisted of more than an deck of cards, a few coins and the shell game, this is a trick that I’d do!
One of the great things about performing at fairs is that you have a lot chances to work on new material. A couple of days ago I mentioned an idea for quickly getting a borrowed dollar bill (you can read it here). I tried it at two of my three shows yesterday and it played … Continue reading “Well, That Worked…”
One of the great things about performing at fairs is that you have a lot chances to work on new material. A couple of days ago I mentioned an idea for quickly getting a borrowed dollar bill (you can read it here). I tried it at two of my three shows yesterday and it played a lot better than I thought it would.
Basically a kid draws a picture and it turns into a dollar bill, and I will borrow that dollar bill in the next trick of the show. Later the picture reappears in an impossible location.
Here’s what I learned yesterday. The first show I asked a kid to draw a picture and the girl drew a heart. As far as giving me material to work with, the heart didn’t give me much. The second show the kid drew a picture of me and this gave me a lot to work with! Today when doing the trick I’m going to ask the kid to draw a picture of me and I’ll make jokes about it.
With a drawing of ME it’s easier for me to make fun of the drawing without it feeling like I’m crapping on the kid, because I’ll be making fun of me. This is a huge distinction in how the audience could possibly form impressions of me.
One of the things that I’ve been trying to do lately is slow down a lot more. This is something that I’ve struggled with my whole life, however in the last few years I’ve gotten a lot better at slowing down. This is something that makes my show better and I know it, but still … Continue reading “Slow It Down…”
One of the things that I’ve been trying to do lately is slow down a lot more. This is something that I’ve struggled with my whole life, however in the last few years I’ve gotten a lot better at slowing down. This is something that makes my show better and I know it, but still struggle with it.
This summer letting things marinade, or waiting for the laugh to start dying off before I keep talking is making noticable differences in my show. It make what I’m doing or saying feel much more real, and in the moment when it’s scripted stuff. Rushing to get to the next punchline makes it feel more scripted.
I’m a big fan of letting the show breathe, and it’s something that physical comedians do all of the time. They let the audience get caught up with them, instead of constantly being ahead of the audience. Once you get too far ahead of them, it’s hard for them to catch up.
This week I’m at another fair and doing three stage shows a day. This is a good chance to work on new stuff. I’m going to be putting some more time into my silk and coat hanger routine this week. I’ve been working on the technical end of the trick, now it’s time to work … Continue reading “Working It…”
This week I’m at another fair and doing three stage shows a day. This is a good chance to work on new stuff. I’m going to be putting some more time into my silk and coat hanger routine this week. I’ve been working on the technical end of the trick, now it’s time to work more on the routine.
Here’s the routine as of about a month ago:
Since that video was recorded, it’s changed a little bit. I’ve added a phase to the routine, and a couple of jokes. My goal is for this to end up being about 3 minutes.
I’ve got a choice, do I do jokes in between every magic phase, or front load it with jokes and then have the back half be magic. I think it needs jokes between each phase. I’ll play with it both ways this week…
In my hotel room last night I made a ton of color changing card gaffs. I made them with latex and with elastic. I made them flip vertically and horizontally. Here’s what I learned, I prefer using the ones with the seam the goes across the length of the card. I also prefer them to … Continue reading “Finding the Right Gaff…”
In my hotel room last night I made a ton of color changing card gaffs. I made them with latex and with elastic. I made them flip vertically and horizontally. Here’s what I learned, I prefer using the ones with the seam the goes across the length of the card. I also prefer them to have the elastic thread, so basically I’m using the “Hondo” style gaffed card.
I think trying a lot of different ways to make the gimmick will let you know for sure which is right for you. Sometimes what’s available to buy isn’t quite right for what you are doing. For example my hands prefer the gimmick to be latex and with the flap’s seam going across the short sideof the card. However how the gimmick is used an elastic thread gimmick with the seam running the long way visually looks better.
It’s important to know why you use a gimmick over another one or variation of it. If I stuck to what feels good in my hand, what actually looks better to the audience would be lost. In theory, it’s all for the audience!
I posted a while ago about the Gypsy Thread trick and trying to figure out how to make it work in my library shows. The problem I was having was kids had two ridiculous explanations of how the trick worked. Either magnets or trick string that just goes back together. I heard both enough that … Continue reading “Gypsy Thread…”
I posted a while ago about the Gypsy Thread trick and trying to figure out how to make it work in my library shows. The problem I was having was kids had two ridiculous explanations of how the trick worked. Either magnets or trick string that just goes back together. I heard both enough that it’s something I need to address.
Here’s my solution, I bring a kid on stage to help with the trick. This is good and makes the trick play bigger. The kid tries to put half of the pieces of string together and they can’t on the first try. This effectively cancels out the theory of magnets or trick string. Then the kid ends up holding all of the string and it restores while they hold it. After making this little change, it’s playing a lot better.
However there is a change I want to make to the trick. I just need to find time to work out the handling. I want the kid to hold all of the strings at the first failed restoration attempt. There are two ways to accomplish this. The first way is that I could add in the length of string with the ball of string on it after they’ve handled the string the first time. This wouldn’t be hard to do. The second method would be much bolder and have them hold all of the strings including the one with the ball of string. I’d just shove it into their fist and have them hold it.
Either way I think would make the trick stronger from someone trying to back track it. I know it’s a trick I’m doing in a kid show, but what makes art is going a step further.
P.S. I think Nick Lewin sells the best thread for the Gypsy Thread trick…at least for how I do the trick.
One of the tricks that I’m working on is the Silk and Coat Hanger. This is basically a silk and ring routine, if you dig around this blog you can find more about it. Basically the silk goes through the coat hanger in different ways. It’s a fun trick for me to do as a … Continue reading “Selling a Trick Onstage…”
One of the tricks that I’m working on is the Silk and Coat Hanger. This is basically a silk and ring routine, if you dig around this blog you can find more about it. Basically the silk goes through the coat hanger in different ways. It’s a fun trick for me to do as a perform, and so far the audience seems to enjoy it as well.
Here’s the problem with it, I’m having trouble selling it on stage. Most people who do it, do it to music, not talking. I think I need some jokes upfront and then do the trick to music. Music is nice because it fills the gap while I wait for the audience’s brains to catch up with the effect. As a talking act, you stand there for what feels like an eternity while the audience processes the trick.
I really like the trick, and it’s semi unique to me. I’m going to keep plugging away with it and hopefully I’ll figure out how to make it work better on stage!
A year or so ago I was chatting with Jonathan Friedman and he said something like, “Instragram is now a perfectly valid performing venue…”. He’s 100% correct. Social media magic has really launched the career, or kept them going for many magicians. Shin Lim is a good example of this. His fanbase is HUGE outside … Continue reading “Instagram Magic”
A year or so ago I was chatting with Jonathan Friedman and he said something like, “Instragram is now a perfectly valid performing venue…”. He’s 100% correct. Social media magic has really launched the career, or kept them going for many magicians.
Shin Lim is a good example of this. His fanbase is HUGE outside of magicians. He’s using magic trick to keep people who follow him engaged and promote upcoming shows. A lot of the stuff he’s doing is social media only content. It’s stuff that he’s really not going to do in a show, it’s just to reach or connect with fans.
On a smaller scale than Shin Lim, I do this. The main reason is to give me an outlet for ideas. Things that I know I’ll never really do in a show. Here’s a good example:
Having a reason to work out little ideas and a place to share them is great. I’ve had a couple of ideas I’ve posted videos of get big responses, and I’ve figured out ways to work them into the show.
The moral of the story is to not be upset with social media magic tricks, they have place and a purpose. You need to grow with the times and stop being a dinosaur!
One of the “impromptu” tricks that I do is the mismade bill. It’s an amazing trick, and I’ve got a great routine for it. The flow of the trick is that I borrow a dollar, rip it up and it ends up mismade. I leave the dollar bill with them and don’t restore it. When … Continue reading “Never Restore It!”
One of the “impromptu” tricks that I do is the mismade bill. It’s an amazing trick, and I’ve got a great routine for it. The flow of the trick is that I borrow a dollar, rip it up and it ends up mismade. I leave the dollar bill with them and don’t restore it.
image from www.mismadebill.com
When I do the trick I normally don’t turn it back, I offer to buy the dollar bill back. It’s a much stronger trick to leave it messed up and give them the option to keep the bill. If they want a dollar back, I simply give them a fresh dollar out of my wallet.
Here’s why I never turn it back. People at that point try to bust you. They’ll remember the condition of the bill, or serial number and call you out on the switch. You are in a much better position buying back the bill with a separate dollar or ideally letting them keep it.
