Adding Production Elements

While I was on the road last week I ran the production for my buddy’s in person show. I’ve been running the production for his virtual show, so I know his show well. I can’t imaging having to run tech for a show I’ve never seen off of a cue sheet!

One of the cool things about doing virtual shows is that it’s taken a bit of the mystery out of using production elements in my show. Typically I’m a one person operation, so one of the challenges for me was how to use video projection.

Here’s what I did the other night:

The ATEM mini camera switcher that I’ve recently added to my virtual shows, I used for the camera feed in my in person show the other night.

I simply used the Fade To Black (FTB) button on the right to turn the video projection on or off. This was on the floor and luckily due to the placement of the button, it was easy to tap with my toe!

This allowed me to add the camera and be able to easily control it without adding a laptop and running the Media Star software to the mix. I’m not opposed to using a laptop as part of my show production…but this is a lot smaller and more convenient for smaller shows.

Still Working On the Polaroids…

One of the “quarantine” trick I’ve been working on for the last year is the trick with the Polaroids that disappear and reappear under and envelope. A couple of weeks ago I mentioned that I removed one of the pictures, so now it only uses three which really streamlines the trick. I also altered it so it’s not just the same vanish and reproduction three times. Finally I figured out how to make one of them appear face up under the envelope.

Here’s a video of me working on it:

It’s crazy the changes this trick has made in the almost a year since I started working on it. It started out as Goshman’s Cards Thru Newspaper, but now I can say it’s completely it’s own thing. There’s really nothing left of that routine in what I’m doing now…except the under the envelope switch, which isn’t unique to his routine.

When people say to make a routine your own, I think this is kinda what they mean…

Complete Cheapo Copentro

I’ve written about my fascination with the coins to glass magic effect. One version that I’ve always likes is the Jack Hughes Visible Coins To Glass, or in the USA we tend to call it Bob Kline’s Copentro. That’s the version where the coins visually appear in a shot glass that’s covered by a larger glass.

There are other version of the trick where the glass held mouth up with your hand above the opening of the glass. The coins then “drop” into the glass from your hand. Here’s an example of this version of the trick:

The problem with the version with the handheld glass is that it’s pretty obvious to anyone that the coin came from your hand. The glass doesn’t really isolate where the coins are appearing. The glass does add a fun sound when the coin arrives and adds a prop which may make the trick play a little bit bigger. Both of those a great additions, but they are really aren’t additions to the magic effect. They don’t make it more amazing or really any different from a coins across that happens in the hands.

That’s why I think I really like the Hughes/Kline version where the cup is isolated. It is something more than an in the hands coins across.

Over the last 18ish months I’ve worked on several versions of the trick. One that I will probably never use is this one:

The video above is the more complete version of the one I posted back in January (see it here). I wanted to figure out not just how to get the coin into the shot glass, but how to make the whole thing work start to finish. I’m glad I did that and have that version of the trick out of my mind now…until I try to start to work on how to make multiple coins appear in the shotglass…

Follow Mario!

If you’re not following Mario the Maker Magician on the social media, you are missing out on seeing some amazing, fun and totally unique magic! He built a cardboard robot that does magic tricks, and it’s better than most magicians!

Hopefully something will pick him up and start using these. I can see that being a bit on Saturday Night Live, or a reoccurring bit on a family variety show. The robot would also crush it on America’s Got Talent!

He’s doing some interesting things from a method standpoint because he can’t use a lot of traditional methods. These videos remind me that I need to work harder!

X Ray Coin Vanish

Last night I was walking my dog and was thinking about an amazing idea of my friend Bri Crabtree. She uses a green screen spot, which is a genius idea! My idea was to use it as an xray for a vanish. Here’s a rough idea of what I’m think of:

I’m thinking if I get a ping pong paddle that’s green on one side I can make it work. Show the non-green side that says “x ray” then flip it over, show the skeleton of my hand with the coin and d do the vanish.

It’s not the deepest mystery in the world, but it is fun!

Taking Away One…

One of the first tricks that I started working on since the COVID pandemic started a year ago was my Polaroid to Envelope trick. This trick started as Goshman’s Cards thru Newspaper, but then evolved a lot. It’s pretty much been unchanged for months, here’s what it looked like:

Yesterday I was going to work on it some more as I was going to be doing the Nashville Magic Company’s Tricks of the Trade magic open mic in the evening. That’s when it hit me, I don’t need four pictures, I just need three. One of them doesn’t do anything, it cleans up some clutter and tightens up the routine a little bit.

After the open mic they do a little bit of a workshop for the performers to ask other performers for thoughts on what they performed. I got a couple of great suggestions and ideas. Someone asked why the pictures appeared face down, instead of face up. This is a great idea, that because I was building from a another trick, I didn’t think about that.

I started playing with having the pictures face up and I think I got a workable sequence out of it. Having just three pictures is soo much more manageable than four! I’ll probably record a video of the new sequence later today and post it when I get a chance.

If you’re not using these virtual open mics to work on material they are a huge resource that didn’t really exist a year ago. Not only to practice material, but to get specific feedback from other performers.

Comedy Magic

About a week ago I did a little chat with Nick Lewin and Fielding West about performing comedy magic. It was a live Zoom chat and it was a lot of fun and the feedback was very positive. A few people have asked if it would be available afterwards. It looks like Nick has it as a download on his website www.lewinenterprises.com

If you missed it, here’s a little video teaser

One of the key takeaways from this talk is that most magicians that call themselves comedy magicians don’t understand comedy. You need to go out and learn to write jokes, and create comedy. There’s a real interesting moment in the talk where we create a joke to fill a spot in the show that’s just expository patter. Not only do we create the joke to fill an slow spot, we tweak it and add a tag to it!!

I was honored to be part of this panel and it was a lot of fun!

Vertical Three Shell Game

Last night I was playing with a set of mini cups and balls that I have. This particular set was made by Leo Smesters. These are a great little set, however honestly I don’t have much of a use for them. When I originally bought them I had an idea, but haven’t done much with them.

I had the idea of doing a vertical three shell game. The ball would switch places vertically while the cups were stacked. Here’s a quick video of the basic idea:

There’s a little bit more to the full idea I have. Right now the cups are ungimmicked and they will stay that way. However the balls have magnets in them and they stick to each other through the cup. So the cups can sort of function like a chop cup or regular cup depending on the positions of the two balls.

My idea is to have one ball with a very strong magnet in it and then two others with smaller magnets in them. The audience is only aware of one ball. You will steal the ball with the strong magnet and use that magnet like you would a use thumbtip with a magnet inside of it. That will give much more options with what you can do with the cups.

Now I just need to make the balls…

Four Ace Production…

Here’s a little four ace production I thought of a few nights ago.

I have a feeling the book Principa by Harapan Ong led to this, it feels like several of the ace productions in that book.

The work is pretty simple, you need the four aces on top of the deck. They alternate face down and face up, with the uppermost ace face down.

Take the deck and slip cut two cards (a face down and face up ace) off the top of the deck on the lower have. Do a faro shuffle, it only needs to be a perfect faro for the first four cards and leave the cards outjogged (don’t complete the shuffle).

Your left index finger pops the top card off the top forward half and the thumb on your other hand does the same with the top card of the inner half. When you do that the four aces will be face up.

It’s it the best, or most practical four ace production? Probably not.
Was it fun to play with? yes

Do what you want with this new knowledge!

Removing Visual Clutter..

I’m trying to free up floor space and visual clutter in my performing space for my virtual shows. One of the ways I’m doing this is switching from using camera tripods to using mic stands. I found some mic stand camera mounts and using them to attach the camera.

The mic stand in the picture is a tripod style, but also using the pedestal style. Visually there’s a lot less clutter that I have to see while performing. Also these pack down much smaller than a traditional cameral tripod.

I’ve done one gig using these and I like it. I really like having to see less clutter while I perform. Got another gig tonight and hopefully I’ll still like using them.