Tricks – Page 63 – MagicShow.Tips

New Book Day!

I’m always trying to expand my knowledge about magic and magic techniques. I just had four news books arrive!

These four books are on vary different things within magic! I think it’s important to be well rounded and know as much as you can about as much of magic as possible. It makes you better in an impromptu situation, and it makes you a better creator.

Knowledge is power and sometimes you can find a technique from a style that’s something you wouldn’t normally do, but can find a way to apply it to what you do!

-Louie

Fiddling Around

Play is important! You should play with magic as a creative exercise. Learning from a book is good, but sometimes just fiddling around with a deck of cards or whatever with no purpose will lead to some fun things.

Here’s what I came up with the other night:

@louiefoxx Quick Card Trick! #cardtrick #cardmagic #sleightofhand #louiefoxx #magictrick #cardchange #aceofspades #bigfoot ♬ Vibes – ZHRMusic

There’s not much to it. I discovered I could drop an outjogged, double card from the deck into my hand below it. Once I kinda figured out the technique, I needed to figure out what to do with it. That ended up my a slightly flourishy card change.

Will I ever seriously use this? No.
Was it fun to figure out? Yes

-Louie

Feature Act Set List

The comedy bar gig I did the other night had a pretty simple set list. It was some stand up comedy, then four tricks and it ran 22 mins. The set list was

Tape Measure Prediction
Choices Routine
Whip Act
Hoop and Cup Balancing

This set list only uses one person from the audience onstage, and that’s for the whip act. This makes for a show that’s much punchier and doesn’t have the dead time of bringing people on and off stage.

The Tape Measure Prediction and the Choices Routine both use people from the audience, but they stay seated. If a persons only job onstage is to pick a card or something very basic like naming a number, I’ve been leaving them in their seats. This saves time if you only need someone to perform a basic task, and breakup up the constant flow of people coming and going from the stage.

Look at your show, are there routines where you don’t need the person physically onstage? Try using them from their seats!

-Louie

Audio Magic

When I was at FISM last summer a guy showed me a really cool stunt…it wasn’t really a magic trick. It was more like Paper Balls Over Head where the audience sees something and there was a bit of a payoff later. What happened was I sat in a chair and he had two coins. He clinked them together. You then closed your eyes and he clinked the coins and you pointed to where he was. You did this several times and the final time you heard the clink and pointed to where you heard the noise. Let’s say you pointed behind you, you opened your eyes and the guy was in front of you.

It was really cool and I’d never seen anything like it.

Last night I was reading Body Magic by John Fisher and guess what I found?

Yep, I found the principle for the trick that was written up in 1979! The version that I saw at FISM was definitely a more fleshed out version of the stunt, but it was fun to run into the trick in that book!

-Louie

Body Magic by John Fisher

For years I’ve been interested in the book Body Magic by John Fisher. I like the idea of a book of tricks that just use your body, however the older edition when they popped up was priced usually at $100+ and I wasn’t that curious about the contents.

It was republished a while ago and I finally picked up a copy:

I’ve only flipped through the book and it’s not quite what I expected. There’s more than physical magic, there’s some things like mnemonics in there and some math stuff. I’m not saying that those are bad things, but expected it to be all physical, not mental stuff.

I’ll probably have a different opinion once I actually read it!

-Louie

Paint it Black!

Over the past few months I’ve written about working on my Pitata Magic Time Hacker routine. One thing I noticed in a picture of it was that the gray hands on the white background don’t really pop visually onstage.

I took a black marker and colored in the hands on one of my clocks:

It really makes the hands easier to see and the clock play a few rows further back in the audience. The bigger issue that I think this trick is fighting visibility wise is glare off of the plastic clock face. I don’t think there’s really a reasonable solution, unless there’s an easily applied anti-reflective coating, but even then I don’t know how much that would actually help.

-Louie

Working Onstage

Years ago I heard Jerry Seinfeld in an interview talk about how comics say they should have fun on stage. Jerry’s thought was you shouldn’t have fun, you should be working your butt off onstage. What I think he was getting at was that there’s actual work at being a comedian. There’s a lot more than simply going up there and having fun.

I totally agree with him, you should always be working onstage, that doesn’t mean you can’t have fun or play while you’re up there. Sure there are some acts where looking like having fun isn’t what they’re going for, but the majority of acts aren’t that.

One thing I try to is to look like I’m having fun, and it’s usually easy because I am having fun.

The audience can feel it when you’re having a good time!

Working your ass off on stage can be fun!
-Louie

First Batch of Take Out Boxes

The first batch of my Take Out Box has arrived to Hocus-Pocus in Fresno, CA!

The Take Out Box is a chinese style take out box that allows you open it up and show it empty and then produce, vanish or change items from it!

I use this trick at the beginning of my school assembly show to produce a tennis ball. This then leads into my tennis ball manipulation routine.

I’m really proud of creating the Take Out Box. It reminds me of the old Davenports Demon WonderBox, but with a more organic, real world look to it!

-Louie

Manufacturing Magic Tricks

One of the things with marketing magic trick is figuring out the most efficient ways to make them in bulk. Making a single prop is pretty straight forward, you go step by step. When making in bulk the challenge is how many steps per unit do you do before you move onto the next unit.

For something as simple as opening up these Chinese food take out boxes for my Take Out Box trick, I found that doing it in two steps was the fastest and easiest for me. This all goes back to sleight of hand, and the idea of economy of motions.

What’s the most efficient way to move a card to the top of the deck? Is it a pass where you’re moving half the deck or the side steal where you’re only moving one card? A lot of times the situation, your skill level and confidence with the move will dictate which is more efficient.

-Louie

Let Them Have Their Moment!

Recently I saw a show and a performer did a trick with a Rubik’s Cube. The trick was good, the routine was good, but there was a bump in the road. The person that was brought onstage knew how to do a Rubik’s Cube and that led to some awkward moments where the performer didn’t really know what to do.

The performer handed a mixed cube to the person from the audience and asked them if they could solve it. The person from the audience said, “YES” and started to speed solve it. The performer stopped them from doing the solve and moved on with the routine.

Personally I think the performer missed a great moment where the person from the audience could have really shined! Let them have their moment, and celebrate it! Once they get the glory you can move on with the routine. Being a generous performer, you get all credit for what the person from the audience does, plus the credit for whatever it is that you do!

let them shine!

-Louie