Somehow I got into collecting dead magician’s tie bars! Recently I was visiting with Alan Sands and he gave me one of George Sands tie bars!
If you’re not familiar with George Sands, he created the Sandsational Rope Routine. Most modern cut and restored rope routines are built off of his routine.
Thanks Alan, this will go into my collection!
-Louie
There are some magic products that just shouldn’t exist. This is one of the products:
It’s a cheat sheet for the invisible deck. Let’s start with the memory, you really need to remember two things. You need to remember which side of the deck is even, and hearts to spades, that’s it. For the math, you need to be able to subtract a number from 13.
It’s not too hard, however, it that’s too much for you, you can eliminate the math and memory by simply opening the flap and looking at which side is towards you. Then removing them from the box the correct way and fanning them vertically while looking for the named card. Boom, no math, no memory, no need for an Invisible Deck Crib.
OK, so is this solving a problem? If you’re not going to put the time into learn a trick, you really should be doing it. I suspect that’s what’s behind all the versions of ACAAN that are marketed, it’s to try to make the trick accessible to lazy magicians.
Maybe someone has a learning disability and can’t do the math in their head? OK, there are lots of things that I don’t do because I don’t have the ability to do them. For example I can’t use memory pegs because I have a thing called Aphantasia, however I was able to learn a memorized deck. It took a lot of work and I had to create little things to help me learn it. I wanted to learn to a memorized deck, so I figured out a way.
Now let me mention the worst line in magic advertising:
“eliminates memory and math (or commonly sleight of hand) to allow you to focus on performing.”
This makes it seem like you can’t do the two at the same time. Let’s look at famous magicians:
Darren Brown, David Copperfield, David Blaine, Doug Henning, and Criss Angel
All of them do or have done technically challenging things in their shows and could still entertain with it. Why can’t you?
If the answer is because it takes practice, then maybe performing magic isn’t for you.
Believe in yourself, you can do it!
-Louie
Whenever someone finds out that I’m a magician and asks to show me a trick I always say yes. I’m amazed at the amount of magicians that hate being shown tricks. By saying “yes” I’m promoting someone’s enthusiasm (and my own) for magic.
The quality and variety of tricks that people show me are way better than a decade ago. I think YouTube has helped people learn more than just the 21 card trick.
By saying yes, I met a guy that could do a tabled faro shuffle with a beat up deck and he helped me learn to do it. The other day one I saw a coin trick that I’d never seen before and it was cool!
@louiefoxx Mad skill! #cointrick #juggling #coin #stunt ♬ original sound – Louie Foxx
This is how tricks used to move around, person to person.
-Louie
The other day I had some free time in downtown Seattle, so I swung by the Market Magic Shop in the Pike Place Market. One of the cool hidden things at the Pike Place Market is that they have a giant Ask Alexander poster on public display in one of their less travelled hallways!
I picked up a couple of things at the magic shop, but while I was there I noticed t they had added Play-Duh to their spring snake selection!
I posted my routine for Play-Duh recently and I really love this prop! It’s in my summer library show and my routine is a hit! I’ve said it before, I wish I had thought of this idea!
Support brick and mortar magic shops, if you don’t , they will keep disappearing!
-Louie
I love updating old things to make them modern and more relevant. A great example of this and something that I wish I thought of is Play-Duh. This is the old spring snake in a can, but instead of a peanut brittle or chip can, it’s a “Play-Doh” style can.
Simply putting a spring snake into Play-Doh can won’t work, the lid won’t reliably stay on. This has an adjusted lid to make it stay on.
I’ve been using this in my test shows for my summer library show and it’s a HIT!
The national theme for libraries this summer in the USA is Color Your World, so this fits right into the theme!
Here’s how I use it in my kid show:
Effect: Five container of Play-Doh are shown, each has a different colored lid. One is selected (purple). The other four are opened and they contain a ball of purple Play-Doh. When the selected one is opened, and two purple spring snake jumps out.
This is a really simple routine, all you need to do is to put purple Play-Doh in the four containers that aren’t purple. Two spring snakes go into the one with the purple lid and you’re all set.
All you need to do is force the purple one, I use Phil Smith’s Quinta Force, but the PATEO Force or Magician’s Choice force would also work.
It’s a fun routine, especially when you add in all the Bev Bergeron style bits of trying to put the spring snake back into the can and having them pop back out.
This isn’t a product that I put or make anything on, it’s just something that I think is really cool idea.
You can get more info about them at:
https://hocus-pocus.com/product/play-duh-by-hocus-pocus-magic-deluxe-pack-in-stock-now/
-Louie
It always fills my heart to see people using the magic tricks and props that I’ve created!
Fredric Desmarais is working on a routine using the Remote Control Chattering Teeth that I make!
If you use anything that I make, please send me pics of it in your show!
-Louie
I did a test show of my 2025 summer library show. My show is themed around colors, with an emphasis on the colors of the rainbow. Here’s my view of the show when set up:
The Milson Worth Silk Cabby is something that I put in the show for the color blue. The effect that happens is that “my grandma’s scarf” stretches from about 9 inches to 20 feet long while in my grandma’s scarf box. This prop is an outlier in the show as I don’t use magic prop looking things in the show.
After doing it in the show, it really doesn’t feel right as a prop in the show. I think I may just use a double walled bag. The bonus of that is that it will reduce bulk and weight that I need to move around. The downside is that I don’t get to use a fun, vintage magic prop in my show.
For me a test show about a month before the summer library season is really helpful to identify things that don’t work, or I don’t like in the show. Once the season starts, I don’t have a lot of time to build or find a new prop to replace something that isn’t playing how I hoped it would.
-Louie
People always ask me where I find all of the vintage magic stuff that I own or sell. Some of it comes from conventional things like digging through bins at magic shops or magic auctions. Then the unconventional things like garage sales or whatever.
I just paid $15 for this box of magic and I’ll pick it up later today. I just happened to be doing a show in the town where it is.
It looks like mostly junk from the picture, but at $15 for the whole box, I’m willing to lose that on the very low odds that there’s something worthwhile inside.
Personally I really like the excitement of not knowing what’s in the box! It’s like searching for treasure. I will say that I have no problem throwing away the junk, and I think that’s where a lot of magic collectors go wrong, they keep everything even the junk and end up with a garage full of crap.
Personally I’m a collector, not a hoarder…despite what my wife thinks!
-Louie
In Portland OR there’s the legendary Powell’s Books. They have new and used books and their magic section always has something of interest to me! Last time I was there I picked up the book Magic in Theory by Peter Lamont and Richard Wiseman.
This book is interesting in that it breaks down magic to step by step actions and explains those actions. I’m only on about page 50, so that’s what I’m getting so far.
This book isn’t specifically written for magicians, so it’s a bit clunky as they try to not reveal methods. I think the book would be better if it was written for magicians, or for non-magicians, but trying to straddle that line I feel makes the book not quite hit as hard as it could. There’s great information in it that’s dumbed down so low that I think magicians would gloss over some of the authors observations.
It’s a good read and a deal at what I paid for it as a used book. So far, it’s worth a peek if you can find a cheap copy!
-Louie
The last night of the Magic Collector Expo was their dinner and show. For hotel banquet food, the dinner was good!
The show was three acts, and opened with James Dimmare doing his solo act. This was his solo act, not the dove act he does with an assistant. Having seen the dove act several times over the years and it’s fantastic, the solo is just OK compared to the dove act.
There was a big challenge for Dimmare was that he couldn’t use fire and does candles in the act. When it came time for him to light the first candle, he took out the lighter, struck it and verbally said “fire”. He then did the portion of his act that uses candles without fire. The fire on the candles really makes the multiplying candle trick amazing, when they appear lit. Unfortunately it really fell flat without them lit. That said, it was probably a condition that was dropped on him at the last minute and sometimes you just have to do it as best you can.
Next up was John Carney. When I was a teenager in the mid 1990’s it was very difficult to see a magicians show. You had to catch them performing in your area. When I was a teenager I found a VHS tape of John Carney doing his show. I must have watched it hundreds of times.
He did a few routines that were on that VHS tape, they’re his work horse routines!
I got pulled up onstage to help him with a trick.
It was super fun, but also stressful. I knew the trick/routine really well from watching that VHS tape. I’m not a good actor, but I tried to act surprised at all the right spots!
Closing the show was Mac King.
Mac has been consistently working his show in Vegas for years and really shows. He comes out with a big smile and does great, even in a room full of people who have probably seen his show a dozen times!
It was a fun show and a nice slice of three very different styles of performing.
-Louie
