Recently when I was travelling, I came across this magic set in a junk shop
And here’s the picture of the lower tray
They really don’t make magic sets like this anymore. Everything has it’s own neat package, there’s some glass props, if I had the space to properly display it, it’d probably be more interested in it. However I think a bit overpriced at $795! I’m not a magic kit collector, but based on the people I talked to it priced about double what it’s worth.
-Louie
A couple of weeks ago I was travelling from Nebraska to Arizona and drove a few hours out of my way to visit Steven’s Magic Emporium in Wichita, KS. I’ve gotten their catalog since I was a teenager and attended several of their Desert Magic Seminar conventions in Las Vegas as a teenager.
I think with my visit to Steven’s Magic Emporium I’ve hit all the major magic shops in the USA. I guess the only one that I haven’t been to is Daytona Magic, but I’ve worked their convention, so I feel like that counts.
Unfortunately when I was there, there weren’t any “magicians” working, so I had to tell them what I was looking for. That’s fine, however chatting and then having the person working the counter say, “have you seen…” is very helpful!
I did pick up Craig Petty’s Apparition. When I was in Grand Island, NE, Nate Myers showed it to me and it was similar to something I was working on. I also picked up a couple of other things, like some Hypno Heat for an idea I have.
This is a pretty cool coin transposition using a silver dollar and a Chinese coin. There’s a lot that can be done with the coin set, and I’m excited to start playing with it!
-Louie
I was killing time between shows and was walking through a junk shop and they have a briefcase full of magic. They wanted too much for it at $60, so I negotiated a bit and got it for a reasonable price.
Most of the stuff was garbage, but there were a few cool things. There were four sets of Johnson Scotch and Soda sets and I have a buddy who uses that, so he now has a lifetime supply of them!
One of the interesting things was a trick called Space Coins.
It’s essentially a boston box, but it’s got the fake see through bottom that’s “black art” or more like red art. I’m not a fan of the fake see through thing were you needed to put the prop on a specific surface.
I will say I was super surprised when I tried it out of people that it got great reactions, so I’m not always right. It’s always good to be proven wrong.
-Louie
On this podcast we welcome in the troubadour himself Eric Haines. We discuss all the disciplines Eric implements into his show, how he came to be so good at all of them and how he found his calling with the One Man Band. We learn why someone would want to play so many instruments at once and all the great opportunities it has granted him. A really great conversation over Zoom with a one man Moisture Fest.
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The other day I posted about an act leaving their backdrop onstage during my show. Besides it being clutter on stage I did voice a concern about it in the wind.
They blew off my suggestions
Well, the next day it got windy and the backdrop started swaying and I took this picture as it blew onto another act on the stage!
The sound guy and I jumped onto the stage, pulled it off of the other act and laid the backdrop flat on the ground. I then went to the backdrop’s owner’s trailer and of course they weren’t onsite. I told them about it when they returned and they blew me off again.
I have a mindset onstage that’s “Your convenience is not my inconvenience“. What that means is that if something makes your show easier to set up, but makes my show harder to do, then I say NO and am firm about it.
Before my next show the act that had the back drop was trying to tether it and I told them it could not be up during my show. They said they’d tether it better and I told them it couldn’t be up onstage during my shows. It’s a safety issue for me, my props and anyone from the audience onstage.
They told me that the event said they could leave it onstage, so I sent the picture of it falling on the other act to our boss along with me voicing my safety concern. Included in the message was that I wanted a record of my safety concern for their backdrop onstage incase something happened during my show to reduce my liability.
Guess what?
They had to take it down during other peoples shows. I’ve watched them set it up and take it down after their shows and it literally takes a few minutes. The only reason to leave it up is laziness.
Don’t let someone else’s laziness affect your show. Working with a band that wants to leave guitars in your performing area, tell them to move them. It’s your stage during your set, if you need 10 X 10 feet or whatever to perform in, tell them that and they need to move their stuff.
Now your show is a success or failure on your terms, not because you have to deal with a backdrop smashing your stuff or shrinking your show because a band won’t move a guitar.
-Louie
The other act I was sharing the stage with had a large banner that they left onstage, I’m not a huge fan of other people’s stuff in my performing area. They cleared it with the “boss” to leave it up, so I put my pop up banner in front of it.
It’s nice that it shortened the depth of the the stage, so that was the silver lining.
I try to play nice with other acts, but honestly it’s not a big deal for them to move their back drop off the stage after each show.
-Louie
About a week ago I was able to switch back to using the ProMystic Color Match and I’ve been using it with 100% success! I’m glad to be able to not Anverdi Color Match set where I was constantly getting a missed signal. That doesn’t mean that the Anverdi set is bad, it just doesn’t work for how I work.
The ProMystic set is the set I’ve used for years, and that may be why I prefer it. I know why it works, and when it doesn’t, I know why it’s not working. I feel like I definitely committed giving the Anverdi set a chance. I know tons of people that prefer the Anverdi set over the ProMystic. I think ultimately your performing style will dictate which works better for you.
-Louie
My friends that do roving acts like stilt walkers or unicycle have mentioned to me that kids the last year or so ask them to “do a back flip“. I think this is a Tik Tok thing, but I’m not positive. They’ve tried to come up with something witty to say, but really there’s no where to go with that and it’s something completely unrelated to what they do.
It’s never happened to me…until last week. I wanted to come up with something to do, so here’s what I came up with:
@louiefoxx Do a Back Flip! #doabackflip #backflipchallenge #backflip #louiefoxx #magic #magictrick, #surpriseending #old #magician #cardtrick ♬ original sound – Louie Foxx
Here’s the problem, by rewarding them saying that, it could simple open the door to them yelling more in the show. Also, I should be clear that I don’t consider a kid asking me to do a back flip a heckle. It’s really not malicious, they’re having fun…but it’s still an interruption in the show and I don’t want to encourage that.
Since I made that card, I haven’t had someone ask me to do a back flip, so I don’t know how it plays, or if it encourages interruptions. The nice thing is that it doesn’t take up any space, so it’s not a big deal to have with me during the show.
If I ever get to use it, I’ll report back on what happens…
-Louie
Right now I’m reading Doc Dixon’s book The Show is the Mother of Invention. It’s about having a show that you can take as carry on luggage onto a plane and making that stuff play big. I’m about 2/3’s of the way through it right now and I really like it!
For me this is a very interesting read as I do travel a lot, both by car and by plane. Even when travelling by car, it’s important to try to pack small, or at least efficiently!
I used to be a “Pack as small as your artistic vision will allow you to…” sort of person. That led me to travelling around the country with a four foot metal spoon that required it’s own case! And that prop was used only for a 15 second gag! I’m no longer that person, I still have that spoon and case, and can do the routine whenever I want, but the it’s not currently in my show.
Doc’s book has a lot of strategies for getting more time out of what you already have, and how to make small things play larger. There are many techniques that I already do, that I didn’t know were techniques, like telling stories about what’s happened when you did the trick at another show.
Making a show that I can hand carry onto a plane is something that I’ve been playing with for a while now and you can see my current version at:
https://www.magicshow.tips/tag/carry-on-magic-show/
One thing that’s important to me is texture. I don’t want the show to feel like it was designed to fit into a case…even though it was. For example one of the things that’s in my show is my Applause Please trick, which is an applause sign that’s part of a larger routine. This is technically an “illusionette” in that it’s bigger than a hand held item, yet smaller than a zig zag. This prop has a lot of negative space that I can use to fill with other things when it’s packed up.
In addition to confirming what I was already doing, I’ve learned several new things that make Doc Dixon’s book totally worth buying for me! If packing smaller and getting more mileage out of what you already are doing is something that interests you, I highly recommend getting this book!
Louie
About a month ago I worked with Roy McCoy, The Quick Draw Cowboy in Wyoming. Roy is an cartoonist, and his show is him drawing stuff (there’s a couple of other things in it as well). Roy only does the fair where he lives, however he has one of the best stage set ups that I’ve seen.
I think if he was doing more than one fair, he’d probably have less stage dressing to lug around, set up and strike. The show was probably as good as it could get for someone who doesn’t do a lot of shows. It’s missing a lot of the bits to fill dead time, however for what it is, it’s fantastic!
I really enjoyed this show, it was something different and fun!
-Louie
