Jerry Andrus Gravesite

I was driving some Seattle to California the other day and on a whim wondered if Jerry Andrus’s grave was on the route. I pulled over and a quick google search showed that it was about 5 mins off the freeway in Jefferson, Oregon! I took the detour to visit it and left some safety pins.

Jerry andrus gravesite

If you don’t know who Jerry Andrus was, he was one of the most innovative magicians of my lifetime and that I’ve ever met! He was doing cardistry 50 years before it was a thing. His Zone Zero trick is still a standard stage magic trick. Jeki Yoo has a huge chunk of his lecture devoted to that trick.

Besides magic, Jerry Andrus was a genius with optical illusions!

I also swung by the Castle of Chaos where he lived

It’s now a historic place!

This was a fun little side trip and great way to break up a long drive!

Magic Collection…

Many years ago I used to buy magic collections of magicians who had passed. I would keep the books or props that I wanted and resell the rest. It’s been a while since I have done that for myself. Last year a did sell off a collection of magic that was a friend of mine who had passed and all the money went to his son.

The other day I was contacted about a magic collection and went out and picked it up. The person had one of my Evaporation tricks, and this was from the original run of 36 that I sold at a magic convention in Canada.

One thing that I think people don’t realize is that most of the stuff in a magic collection is worthless. Usually about half is unsellable because it’s damaged, counterfeit or shipping would cost more than the prop.

You should be realistic about what your collection is worth and to not really count things that have a used value of less than $20. Sure, they do add up, but they are hard as hell to sell!

Empty Venue vs Full Venue…

A couple of nights ago I went to a Seattle Mariners baseball game. It was interesting as there was virtually no one there. In the state that I live in they can have vaccinated sections as well as pod seating. I sat in the vaccinated section, which was pretty empty…the whole ballpark was pretty empty.

What was really interesting was the things that they played to get the crowd pumped up. All the little graphics with sound effects fell flat on the crowd. Whoever plays the sounds was playing them like it was a bigger crowd. I don’t know if they have incentive to mess around with other techniques, especially when our state opens up in less than two weeks.

Performers know that you really need to work a small, spread out crowd differently than a packed house.

Here’s what worked: The interactive things on the jumbotron, we have a hydroplane race where the crowd cheers for a color, and they do a shellgame with baseball hats and a baseball.

Seeing that I would have tried doing some facts or trivia about the batter, then rolling the reaction into a sound/graphic that pumped up the crowd. I don’t know if it would have worked, but it would probably have done at least as well as what they were doing.

Trying to Support…

Last week I while I was in the Bay Area, I went up to San Francisco with a bunch of other acts that were performing at a fair. We walked by a Houdini’s Magic Shop and one of my friends asked if I could help him find a good bar trick. I knew exactly what would be good for him.

When we got in the guy working the counter never looked up at us. He was doing trick for someone at the counter and despite us standing right there he never even glanced at us. He was soo focused on one person he lost out on a sale.

I ran a magic shop for a long time when I was a younger and the thing is whenever anyone walks in you greet them. You don’t need to do anything fancy, or stop in the middle of a demo. A simple “hi” really goes a long way.

Is the lack of the $20 sale going to hurt the shop in a high tourist area?

Probably not.

Over time it does add up, and pausing between demos to sell me something wouldn’t affect the sale he was working on with the customer in front of him.

Table Top View…

In my show I primarily work out of the little bin on the top of my table. It allows me access to my props without having to reach squat to reach down into a case that’s on the floor. It also lets me look into the case and see everything quickly and easily. This is what my table top looks like at the beginning of the show:

As some of the larger props get used they get moved to the trunk on the floor. This is a fairly efficient way for me, as a one man act to manage my props.

Many years ago, I used to work out of my show case that was on the floor. When I was younger I didn’t mind squatting down and grabbing props. As I’ve gotten older, I don’t like to do that, also, ducking behind a case visually doesn’t look good onstage.

Back in Time…

One thing in magic is that people get hung up on is who created what and that if they thought of it without outside influence, then no one else could have possibly had the same thought.

My Russian Shell Game routine was inspired by a magazine column that Gary Oulette wrote. His ending used stacks of cups as the final loads to a cups and balls routine. In the article he “reserved all manufacturing rights“, I’m assuming he did this thinking no one had thought of the idea before.

Recently I was looking for something else and came across Cups and Cups and Cups and balls by Geoffrey Robinson

It’s the exact same idea as Gary’s, but it Gary never had a set made. Geoffrey did and it appears he had to do some problem solving. If you notice the small holes in the top, they are there (I’m assuming) to keep them from sticking together from the suction created if they are too tightly nested.

At the end of the day, you can’t assume you are the first person to have an idea!

The Magic Garage!

Over the last few years I’ve heard about The Magic Garage in San Francisco. Last night I got to pop in and check it out! It was a very cool place, and a ton of fun!

The amount of magicians that came in and out while I was there was really amazing. Will, whose garage it is said “it’s not a magic club, but a magic community” and that’s really what it is, a community!

There was a nice blend of BSing and jamming, it was the perfect mix. I’m looking forward to my next time visit!

Don’t Do It…

One of the things that I hate as a reason for why people do certain magic tricks is that “it’s a classic for a reason” or “just because you know it doesn’t mean the audience has seen it before“. To me these are lame reasons to justify doing a magic trick.

I’m performing at a fair right now and the vendor at the back of the audience where I’m working has a magic coloring book that he’s using to entertain the kids of the people he’s trying to sell insurance to. He’s a nice guy and he’s using it for a solid reason. However if that was a trick I did in my show, no matter how great my routine was, if someone had been to his booth, my routine wouldn’t play as well.

This is one of the reasons why I try to do more unique tricks, so I don’t have to deal with situations like there…or being in variety shows because someone is doing something similar and that forces me to cut duplicate material.

Still Masking Up…

This week performing at the fair, we’re not required to wear masks when we’re performing. That’s great, however I found for my roving magic, people were more receptive when I was wearing a mask. I think it shows respect for them as people that walking up unmasked and assuming they are OK with that doesn’t.

One thing I’ve noticed when performing with a mask is that my whole face is still animated. You can’t see much of it, but I think it adds to the overall energy when I perform. That and it will be automatic to do in the future when I’m not wearing a mask.

Back on the Road…

After about 19 months, I’m back out on the road performing at state and county fairs across the USA. This week I’m at the San Mateo County Fair in San Mateo, California. Having a wide scope of what my work is this week made me pack pretty much everything!

My “road tip” is that I never leave my show in my car at the hotel overnight. This is the stuff that I need to do my show, and if I don’t have it, I can’t do my show. Yes, I can do a show with things from the local walmart, but that’s not the show that was hired, or the show that I want to do.

Lugging all your gear to your room adds 10 mins to your day, but it’s way better than getting your car broken into and you losing your show!