magic show tips – Page 95

Choices Routine…

I’ve been working on a trick for my platform/stage show that’s essentially an invisible deck. Well, it started out as an invisible deck and has gone through a lot of changes and doesn’t really resemble a traditional invisible deck routine.

The effect is that the audience eliminates half of the cards over and over until there is one card left, and that card matches the prediction.

I’m working on a platform version of it for my carry on luggage magic show. This will end with the card in an envelope in my wallet. Here’s video of an early test of it:

This is essentially Mark Oberon’s Bang On, but modified so that I only need two wallets and can show the back of the card as it comes out of the wallet.

This routine is really no longer the invisible deck or the Bang On routine. It’s now a mix of methods and you couldn’t do the trick how I do it with the standard props that come with either of those tricks. To me this is what more magicians should be doing. Taking standard tricks and really making them their own, not just with adding a joke or “filtering it through your personality” but actually changing the trick to fit your artistic vision.

Got out there a make actual art, not paint by numbers art.

-Louie

What’s Next!

A couple of weeks I wrote a post about making a themed What’s Next prop that’s a road sign with bullet holes in it.

I ordered a cheap What’s Next prop that was black with white spots. I peeled off the stationary white spots so I was left with a black metal board and put an arrow that I cut out of vinyl sticker paper on both sides of the board. Then added the two bullet hole stickers to one side and five to the other side. For the gimmicks, I simply added the stickers to the tops of gimmicks that came with the set and trimmed them around the stickers.

It came out looking pretty good and works great!

Here’s what I don’t like about it: It’s a prop that pretends to be something in real life, but isn’t. Ideally it would look more like this:

However if I used a sign that was more like that, I’m worried that the bullet holes would be harder to see against the text. The simple design that I used makes the bullet holes clearly visible. It was a choice that had to be made, a realistic sign or visibility and I chose visibility.

-Louie

Magnets to the Rescue

In the school assembly show that I’m working on, I have a need to steal a FS2 gimmick (modified Sanada Gimmick). The challenge is that it’s going to be loaded, so it can’t open. The solution that I came up with is to put magnets on the bottom of it, and have it stick to other magnets inside of the opened lid of my case.

FS2 gimmick by jay scott berry with magnets

The magnets in the gimmick and the magnets in the case will hold the gimmick closed so that nothing will fall out of it.

I marked my case so that I know exactly where to put the gimmick when setting up the show. This is more to make setting up easier, as I can visually see the gimmick sticking out of the case when I need to steal it.

In the actual routine the gimmick will be stolen when I pick up a book that I had previously set on top of the case.

The book serves a double purpose. It facilitates the steal of the FS2 gimmick and when it put the book back, it allows me to ditch a palmed ball.

One thing that a lot of children’s performers neglect is making the magic technique solid. Sure I could ditch the palmed ball in my pocket, but it’s really not deceptive to do it that way. With kids performers there’s a myth that “it’s about the journey, not the destination” and I totally disagree with that. If you have an awesome trip to disneyland, but turn around when you get to the gate and go home, there’s some disappointment. With magic, you need the journey and destination to be great!

-Louie

The Next Step is Magic

One of the challenges of the sponge tennis ball routine I’m working on is to make it more “magically sound”. I’ve gotten a lot things figured out. Yesterday I posted about the steal of the FS2 gimmick and the ditch of the final palmed sponge ball. Something I didn’t like was that a lot happens between the false transfer and the reveal that the sponge balls is gone.

The sequence is:
1: False transfer
2: Hand palming the ball takes the book that I’m holding under my arm, gestures and says a line.
3: Put the book away in my case and ditch the palmed ball.
4: Reveal the ball is gone

There’s a lot of motion, and I think it would be easy for someone to doubt they actually saw the tennis ball in my hand. I wanted to show it after the ditch and I remembered recently reading in a set of Tommy Wonder’s lecture notes about appearing to show the item after the ditch. I also remember seeing this in action the time I was lucky enough to see his act live.

Here’s Tommy Wonder’s act:

For the vanish of the lemon, he’s able to show its there after it’s been ditched. That’s the part that inspired my path to show the tennis ball after the ditch.

This is a simple addition to the back of the FS2 gimmick. Now the tennis ball can be seen after it’s been ditched in my case. It’s been a long road to get to to this point with my sponge tennis ball routine. I’ve always said that creating magic is solving a series of problems and this sponge tennis ball routine is a good example of that!

-Louie

Sponge Tennis Balls

For years I’ve used a sponge tennis ball in my show. I only use it as a one time production item. The first two sets I had were made by Alan Wong. Sometime between my two purchases, he changed how they were made and the newer ones were more dense and didn’t pop open nearly as well as the first (older) set.

I’ve been searching for a new set as my original set is pretty beat up looking and I recently found a set of sponge tennis balls by Daba

I will say that I’m not a fan of the routine, as when you squish the balls, it takes away from the earlier productions. The first half of the routine is good, but the second half I don’t like. The sponge tennis balls are great! They compress very small, and pop open nicely! They will make great replacements for my original Alan Wong set!

If you need a sponge tennis ball, I recommend these!

-Louie

Emergency Show Props

When I did an overnight flight on Quantas Airline, they gave us little fabric cases with a couple of toiletry items. I thought the case might be useful as a holder for some prop, so I kept it. They measure about 6.5 x 4.5 inches, but about half an inch on the short side isn’t really usable due to where the snap closure is located.

The goal was to put together an emergency show that could be performed close up or for a stand up venue like a black box theater (up to 100 seats). Everything used in the show has to be contained within the fabric case, so you can’t borrow anything from the venue or audience like a cup or dollar bill. The reason for that is you can’t 100% guarantee someone will have a dollar bill for your to borrow, or that the venue will have a clear pint glass.

Another condition is you must be able to perform with a corded mic in a stand. If I needed to use a hands free mic holder, that will need to fit into the fabric case.

Any props you normally carry on your person are bonus, and don’t count towards this. For example, if you normally have a set of B’wave cards in your wallet, you would need to put another one in the fabric case if you wanted to do it in this show.

Here’s what I came up with:

The props are:

Jumbo Linking Pins
Mismade Bill
Regular Bill
Throw Coil
Production Coil
Thumb Tip
4 Sheets of Tissue Paper
Business Cards (that are blank on one side)
Sharpie
White 9 inch silk

And here’s the show list:

Everything on the list are tricks/routines that I currently do or have done in the past. There’s no learning curve for these, I can grab the prop and immediately do the trick. I chose to add the production coil and throw coil as things to add production value to the show, so it doesn’t feel like things were cobbled together. The also add texture to the show, it’s not all flat props.

When putting together the list I also had to factor in not duplicating effects. For example, if I did gypsy thread and torn and restored tissue paper, they are essentially the same trick.

The premise is that this is an emergency set up, so it’s a show I’m forced to do, not a show that I want to do. Artistically, this isn’t necessarily my current voice, but it’ll get me through the emergency situation.

This pack currently lives in the trunk of my car.

-Louie

Ball Manipulation Routine

One of the routines I’m working on for my school assembly tour next month is a ball manipulation sequence. It’s going to use sponge tennis balls. I’m choosing these because them fit the theme I’m going for AND they play very big. For the routine I need to steal two balls, one at a time. I don’t want to do pocket steals, and they look bad on stage, the work better close up.

Years ago when I used to do a multiplying balls, my routine had a body steal and I used this holder:

billiard ball holder for multiplying balls magic trick

This one is great and it lays flat after you steal the ball. However stealing a sponge ball is a little different that stealing a ball that is solid. So to experiment, I bought several different styles of ball droppers to play with:

After trying them, I think the winner is the Sponge Ball Dropper!

This has a couple advantages over the other ball droppers, mainly that it’s designed to hold sponge, and not a solid ball. I like the release action being a squeeze and not a pulling motion. Also it completely hides the sponge ball when it’s in my coat, so if my coat opens, you don’t see a bunch of colorful balls pinned to the inside.

My worry about things that have moving parts is that if it breaks and needs repair while I’m on the road, it might not be easy to fix or get another one. I’ll probably travel with a couple of normal billiard ball droppers as back ups and hope I won’t need them.

-Louie

Prestige Mentalism Trick

One of the ways to add a bonus trick to a routine, is to introduce the prop you’re going to use for the routine as part of a prediction. In the school assembly show that I’m working on, I’m doing a routine with a tennis ball and will be using it as the reveal of a prediction, then going into the tennis ball routine.

The way I’m going to be doing this is using a trick called Prestige. This prop is visually similar to Tom Stone’s routine Of Dice and Men. It has 5 numbered options on cards and someone from the audience names one of the numbers and on the back of that is your force item.

I picked up the dry erase version of Prestige, I’m not sure this was the right version as I have a feeling I’m going to have to keep redrawing the pictures on the cards. I guess I could draw them in Sharpie and it won’t be an issue.

The trick comes with numbers that stick to the cards with magnets.

The magnet numbers are used for a bonus trick where all the numbers disappear except for the chosen number. I’m not doing that and having the numbers removable add bulk to the folded up packet and makes setting up a little bit harder.

I took some vinyl numbers and stuck them to the outside of the sleeves.

This has less stuff for me to break, or lose while I’m on the road and a good solution for the routine that I’ll be doing. We’ll see how this trick goes next month…

-Louie

Magic Show Set List

Every show that I do, I write out a set list. This helps me with packing, set up and general planning, like not having similar effects back to back in the show.

Here’s a recent set list for a 60 min corporate holiday show:

I also have notes as to who to thank during the show. By the end of the show, I’ll probably won’t remember the names of anyone helping me out without a note.

I’m always amazed when I work with people that don’t use set lists. But those are usually people who don’t really have a set show and just go up and “wing it” every time. Personally I know my show, but the are many different configurations of the show, I’m not always doing 60 mins for adults, the show length and audience make up changes.

-Louie

Close Up Dancing Hank

Last week in Seattle, he had an ice storm where the city got covered in a sheet of ice from freezing rain. That gave me a day off to play around, no shows or emails to return. I used this time to get to some ideas that have been in notebooks for awhile.

Here’s a close up dancing hank style magic trick that I had a while ago:

@louiefoxx Hot damn, the ol' dollar in the swear jar! #magictrick #illusion #dollarbill #iceday2022 ♬ original sound – Louie Foxx

I’m also posting stuff on TikTok, so give me a follow there at:
https://www.tiktok.com/@louiefoxx

The ending with the smoke in the jar was an idea I had for another trick that didn’t work out, but added something to this trick.

Is this trick better than a standard floating bill? I don’t know, it’s potentially more workable as there’s less issues with the IT being visible. It could work in a parlor type setting. It would take away my biggest issue with using IT and that’s dealing with lighting or having to cut the bit because you can’t make it work with the existing lighting.

I may play with this a bit more, as the jumping action for me works better with my performing persona that the bill floating.

-Louie
PS I’m aware that this is essentially a smaller version of Sean Bogunia’s Extreme Dancing Hank, but with a different, but similar gimmick and a slight variation in method.