Egg Bag Routine

For some reason I’ve been dinking with the egg bag off and on for the last 10 months. This summer I have the egg bag in my library show, it’s a non-traditional routine, that is really more like a miser’s dream with with balls.

When I was reading Charlie Frye‘s book, he had his egg bag routine. It’s got the standard “sucker” phase, but then his ends with a production of four eggs from the bag, with them all between your fingers like a multiplying billiard ball routine. I like the ending, and I got all the stuff to do the routine. I also got a new egg bag as I’m not sure that I like the standard black egg bag that I had been using. I wanted a color that’s more visible.

egg bag

I’m trying to work out a routine when I have time that has Charlie’s ending. I’m not positive how I’m going to do the first parts. I just need to play with it more.

-Louie

Using Projection in my Senior Show!

Last week I had a travel day where I got into the city a day before a week long gig. I booked a show at a retirement community that day as I wasn’t doing anything but loading into the fairgrounds.

senior magic show

My current senior show equipment is essentially a briefcase show. Here’s what I bring in with me (not including my audio equipment)

magic show case

One element that I’ve added to the show is using projection in the show. I have two bits that use a TV screen.

using projection for a magic show

Most senior facilities will have access to a screen in the performing area. Before I rely on it, I always ask to confirm that they do. I also have alternate things, so that if there’s an issue with the TV or whatever I still can do my time.

Here’s my theory on using projection, I don’t use it as a “look at this cool thing I can do“, everything I do on it is very interactive. The two tricks I do are my That Way More card trick, and my Russian Shell Game. The card trick uses someone in the audience (who stays in their seat) and the shell game uses the entire audience.

-Louie
if you want to learn more about performing for seniors in retirement communities, check out my book How to Perform for Seniors!

Creating a Bit From Reality…

Last month I was at an AirBnB. I was sharing the house with a bunch of the other performers at the Ohio State Fair. Behind the painting on the walls we found strange “Alien Postcards” from October of 2016

The first one was behind the paint of an apple, then we started searching the AirBnb and found the second one inside of a picture of Groucho!

OK, so that’s what happened in real life, now how do I turn it into a bit for my show?

I started by telling the story.

I’m staying at an AirBnB with some amazing performing, acrobats, jugglers…and a mime. He’s not even performing here. But that guy never shuts up.

One night I was looking behind the paintings and found some “alien postcards”. When I mentioned it to my wife on the phone she said, “why were you looking behind the paintings”, not “what’s an alien postcard.

I was looking for my keys.

Here are the postcards. On the front they say, “Materials deployed for reflective and connective purposes”. On the back this one says, “Thank you for signaling that you are anticipating my transmission”.

The other says, “Thank you for sending the signal that you are invested in receiving this signal…You’re going to die…JK, LOL LOL…but seriously, we’re watching…no parties!”

So now I’m searching the AirBnB for cameras, and you know what I found?
My KEYS!

That’s the story. I’ve embellished it a little bit added some punchlines. The nice thing about being in a house with other performers is that we could workshop the story a little bit.

The next step is going to be figuring out what to do with this. Is it a little stand alone bit, or is it a segue to something else. Like a trick with a key and/or postcards?

One idea is to have borrow a key, cover it up with a handkerchief and have that held by someone in the audience. Then 5 postcards are shown, each has a place where I’ve found my keys. These could be funny places, like in pie, or whatever. One is selected, and the key disappears and ends up inside of the postcard.

I don’t know what will happen with this bit…

-Louie

Billy Kidd’s Show

Last month I got to work with Billy Kidd for a week.

Billy Kidd

Billy does a great show, and has a strong stage presence and persona. Off stage she is super cool as well!

If you get a chance to check out Billy’s show, I highly recommend it! You can learn a lot about performing from it. Like how she talks to the audience, not at the audience, which is a skill a lot of people need to be aware of!

-Louie

UnProfessional Sound

Sometimes the “professional sound company” was professional in the early 1980’s! This was the mixer that the sound company had for an event I was performing at recently.

Live magic show audio

You’ll notice that this mixer has no XLR inputs. Those are the standard inputs for microphones, so this was unusable by me. Of course the sound company didn’t have any adapters to get an XLR to 1/4. I think that this mixer is more for a guitar, than vocals.

So what did I do? I used their corded mic with a Microphone Holder and did the show with no music. Always having one of the Microphone Holders with my gear is frequently a life saver!

-Louie

Filling the Moat!

When you work corporate parties (especially in December) you will frequently encounter a dance floor between the stage and the audience. A lot of performers call this the “dance floor of death” because it’s really hard to connect with the audience when the first row is 30 feet away.

This moat between you and the audience isn’t exclusive to corporate gigs, I recently encountered it at a county fair that I was performing at. Here are two view, one is from the stage looking towards the audience and the other is from the audience looking towards the stage.

You can see my show set up on the stage, and since I was the first show of the day, I left my gear up there until just before I started to “talk up” my show. About 10 minutes before the magic show’s start time, I moved my gear to the floor and in front of the stage. That closed the gap between me and the audience.

Since the audience was seated in bleachers, I didn’t have to worry about people not being able to see things as I wasn’t on the raised stage. It worked out great and I filled the bleachers for both of my shows!

Being on the stage is a power position, but sometimes the floor can be more powerful!

-Louie

Playing BIGGER!

Last week I wrapped up a 12 day gig at the Ohio State Fair. One of the challenges for me was how big the stage was. It was very wide and deep, then the backwall was about 6 feet beyond the end of the stage. That makes a lot of magic hard to focus on. Especially for an act like me that uses handheld props.

Here’s what the stage looks like:

Over the two weeks I learned to play my show BIG using large gestures and working to get bigger reactions out of people onstage. Here’s the highlights of week one:

@louiefoxx Comedy Magic at the Ohio State Fair: Week 1 highlights #ohio #columbus #comedy #magic #statefair #louiefoxx #sizzlereel #familyfun ♬ original sound – Louie Foxx

This stage was a fun challenge!

-Louie

AirDrop for Pics of Your Show

I had an idea to get pics of my show. I told the audience that I’d allow anyone to airdrop me “pictures of my show or their pets” after the show. Here’s what I got:

airdrop magic show

The first pic is of me that someone ran though a filter to make me old! Then I got a few show pics and two dogs! It was a fun experiment to see if people would send me stuff.

When I do close up I ask people to AirDrop me pictures or video and this is a great way to get those of you doing close up. From a stage context, I’m not sure if it’s as good, but I’ll keep playing with it.

-Louie

Variable 30 minute Magic Show

Recently I wrapped up a twelve day run at a fair. I was doing 30 minute stage magic shows. Here’s what my case and tabletop set up looks like:

The show set list is pretty simple:

ACAAN
Rope Trick
Cup Trick
Drawing Routine
Tape Measure Prediction
Marshmallow, blindfold, or whip and safety pin routines
Hoop and Cup

The second to the end position is a variable spot in the set let. It could be one of three routines based on time, how much of the audience are repeat, and general vibe I’m feeling. That variable is great when there are people who just saw the show, you can have a slightly different show for them!

-Louie

The Thrill of the Hunt!

I’m a huge fan of antique magic, and I think when the current young generation of magicians gets old the antique magic trade will have greatly diminish. The kids coming up in magic over the last decade or so are growing up with downloads, so they aren’t connected as emotionally connected physical props.

I recently found a Merv Taylor Glass Penetration at an auction in Indiana and was the winning bidder!

Merv Taylor Glass Penetration

Looking for auction houses that have some magic stuff is one of my hobbies when I’ve got time between shows. The auction house was only a couple of hours away from where I was performing in Ohio! This was a great find to add to my collection!

-Louie