magic show audio – MagicShow.Tips

Hand Held Microphones

In my audio box I have a lot of things, one of them is an extra handheld microphone. This is a Shure SM58 that has an on/off switch. The reason I have the switch is so that sound guy can leave that channel on and I simply switch in on or off as needed. That way I won’t have the delay of the sound guy realizing I’m using the mic and him turning the channel on.

If the venue has a handheld with an on/off switch I will use theirs. However I did an event recently and their handheld microphone sounded like talking into a marshmallow that was inside of a metal can. I plugged my Shure SM58 into their cord and it was much better sounding!

It doesn’t take much to travel with that in my audio box and it comes in handy much more often than you’d think!

-Louie

UnProfessional Sound

Sometimes the “professional sound company” was professional in the early 1980’s! This was the mixer that the sound company had for an event I was performing at recently.

You’ll notice that this mixer has no XLR inputs. Those are the standard inputs for microphones, so this was unusable by me. Of course the sound company didn’t have any adapters to get an XLR to 1/4. I think that this mixer is more for a guitar, than vocals.

So what did I do? I used their corded mic with a Microphone Holder and did the show with no music. Always having one of the Microphone Holders with my gear is frequently a life saver!

-Louie

New Sound System

Earlier this month my decade old Sennheiser wireless mics died and I needed to replace them. I ordered the Sennheiser AVX system, but sent that back as it didn’t work for what I needed. The AVX has an auto gain level, which tries to keep your sound level. While in theory this is a good idea, it ends up ducking and messing with my voice too much to where I keep cutting out. I sent the AVX back for a refund.

I ended up ordering the Sennheiser G4, which is the current version of the Sennheiser G3’s that I had previously had.

This bonus is this set came with the “brick” which can be plugged into a handheld mic to turn it into a wireless handheld mic. I guess if I really wanted to buy another receiver, I could run my music through the brick.

There’s a reason why the Sennheiser G3/G4 are the standard for variety acts. They’re reliable, they’re easy to use and they’re durable!

-Louie

Wireless Mic Dropping Out…

Last week at the fair my good wireless mic system stopped working and I was using my back up wireless mic system. When I used it the first day it was intermittently cutting out, so I switched to the sound company’s wireless handheld and that was doing the same thing. That told me it wasn’t a hardware issue and I finished the day using their wired handheld mic.

Overnight the sound tech did some research and learned that vertical metal poles (especially aluminum poles) can affect how wireless mics work. At the stage the wireless receivers were on the other side of a stage wall that was made up of vertical poles!

We moved my wireless receiver to the stage side of the poles and everything worked perfectly! I’m glad that he did some extra research to figure out why it was doing that and now we both know how to solve the problem in the future!

-Louie

New Wireless Mic System

Well, after spending some time researching and asking around about different wireless systems, I settled on the Sennheiser AVX system.

Unfortunately Amazon couldn’t deliver to an Amazon Locker, so I’ll have to have it sent hope and it will be there when I get home in a few days.

Hopefully this system will work out for me!
-Louie

Wireless Mics

Well, after about a decade my Sennheiser EW 100 G3 mic packs stopped working properly. Over the last 10 years I have sent them back to Sennheiser to be repaired and repaired them once myself.

With the help of Mark (the sound tech at my stage this week) I managed to diagnose the problem, it’s my 1/8 audio input that needs to be replaced. If I send it to Sennheiser to be repaired, it’ll cost about $250 or more. I’m thinking that money would be better put into a new wireless system, than into a 10 year old system.

While at the event I luckily had a back up wireless set with me!

These aren’t as nice as the Sennheiser ones, but they are helping me get through the gig. I don’t normally carry a back up wireless set, but for some reason I threw them in with my gear for this gig. I can use a handheld to do my show in an emergency, but prefer not to.

-Louie

Music Remote Holder

Once again my 3d printer saves me a big headache in getting something made! I need a holder for two Flic Buttons that someone from the audience will use to run a music cue for me during a comedy escape. I spent about 5 minutes designing a simple holder and then hit print!

Here’s what the finished prop looks like:

The piece on the left is the cover, however after putting the Flic Buttons into it, they pressure fit into it, so I don’t need the cover as they won’t fall out.

It’s really worth your time to learn to use basic 3d design software like TinkerCad even if you don’t have a 3d printer. You can design things and then email the file to someone else to print.

-Louie

Travelling With Audio

A few months ago I put a strip of elastic on the back of my audio box, so that it could ride on the handle of my show case. This frees up a hand to pull my suitcase through airports.

After using it for a few months, I’m happy to report that it’s holding up and working great! Finding little ways to make travelling with your show easier add up to a HUGE difference!

-Louie

My Audio Lifeboat During Stage Shows!

In my tech sheet that I send out for stage gigs, one of the things I ask for is a corded microphone in a straight stand. This is my emergency microphone, in case something strange happens with my headset mic. I ask for the mic to be muted on the mic, no the soundboard. If I need to use it, I simply grab it and switch it on. I don’t need to ask a sound guy to hand me one or switch it on.

Here’s my emergency mic at a large corporate event sitting behind their projection screen:

I don’t always get a corded mic, less and less venues and sound companies have them. I frequently travel with my own handheld mic with a switch, however I don’t travel with cord. I’m OK with a wireless handheld as an emergency mic, but prefer a corded as if something is causing interference with wireless, I definitely won’t have the same problem with a handheld.

-Louie

Final Kid Show of the Summer!

In the summers I do shows for kid’s summer camps. I just did my last one of the summer! My goal this year was to create a show that was something that I could set up and pack up in 10 minutes.

The case that the show fit into is the size that fits into the overhead bin of an airplane. I don’t fly with this show, but wanted it to take up minimal space in my car.

The tricks in this show don’t borrow props for any other show that I do, so what’s in the case stays in that case and it has it’s own audio gear. The only thing in that show that I use that’s in other shows is the speaker.

It’s super hand to just grab the case and go!

-Louie