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Sponge Peeps – 2nd Attempt

Yesterday I wrote about a failed attempt at making sponge bunnies that look like Marshmallow Peeps (read about it here). I made a second attempt, and this one turned out much better. Instead of using actual Marshmallow Peeps to create the mold, I sculpted them out of clay.

My mold is one full size bunny and then two smaller ones. My thinking is that I can get a full set out of two castings in the mold. I can make additional molds if this is something I want to make a lot of.

I used foam in the mold as I already had that at home, so it was easy to make a test with.

They came out with a workable density, I think that I would like them to be a little bit softer, so I’ll have to explore some other densities of foam. The next step will be to play with adding pigment to them so that they’re yellow.

-Louie

Sponge Bunnies

Last year around easter I had the idea to make sponge bunnies out that look like the Marshmallow Peeps.

I bought this pack of them last year and I just got around to trying to make a set. The first step was to make a mold of them.

I started to make the mold using actual Peep’s, but unfortunately it was a failure. I think the sugar or some ingredient of the Peep didn’t play well with the mold material.

I’m going to give it another try, but I think I’ll have to make the Peep’s out of clay and then make a mold of that. Hopefully it will be sooner than another year before I make another attempt!

-Louie

Money Paddle Idea

One prop I don’t really like, but spend way too much time thinking about is the Money Paddle. I’m not sure what it’s supposed to be.

Is it an olde tyme drink stirrer?

And if it is, how do you give it context for a modern audience?

One thing that it reminds me of is a strop for sharpening blades.

The strop pictured above is probably 18 -24 inches long, where a money paddle is about 6 inches. That’s a small point to give it context. A knife and a strop belong together, so the props are connected.

I glued some black and white paper to my money paddle and now the next thing is to try to figure out a routine to do with them.

Also on a side note, the only reason I own a money paddle is that some were made out of wood from Houdini’s house in New York. I thought that was a fun thing to own, but since it see it everyday, I want to figure out something to do with it!

-Louie

NW Ring of Fire Magic Club

On Thursday night I made it out to the NW Ring of Fire magic club in Lynnwood, WA. There were about 15 magicians there. It’s been years since I’ve visited this club as it’s over an hour drive (without traffic) for me to get there .

The club president Tony Blei kept things fun, positive and moving along!

While I was there, I won the raffle and my prize were two magic VHS tapes

I don’t have a VHS player, but I discovered a long time ago that the tape can be removed from VHS tapes and they work as hat coils!

It was a fun night and if you’re not going out and meeting other magicians in your area you should! They are a good source of ideas, referrals, and people to cover gigs if you get sick.

-Louie

John Cassidy is a BEAST!

About a year ago I saw John Cassidy perform (you can read what I thought about his show here) and I got to chat with him the other day. He’s an amazing performer, but more than that, he’s like me, he’s passionate about magic.

There are very few comedy stage magicians that are also into sleight of hand. We BS’d a Juan Tamariz move and packet card switches, which was a ton of fun!

If you ever get a chance to see him perform, go do it!

-Louie

How I Like To Book Gigs

One of my preferred ways of booking gigs is through showcases. A showcase is where you do a sample of your show in front of people that book entertainment. These exist for pretty much every market that uses entertainment regularly.

What I like about this is that I get to let my show do the selling. If my show is good, I get booked. My calendar has nothing to do with how good I write ad copy or can layout a brochure.

There are downsides to booking gigs through showcases. Normally I have to travel to them, so there’s plane, car and hotel costs. Then there’s usually a fee associated with showcasing (not always) and that’s not cheap! Also the caliber of entertainment is usually fairly high, so you need to be able to deliver a good, short version of your show. Another challenge is that you could have a bad show, and it’s no fault of yours. Like the audio or lights could be bad, or someone in the audience has a heart attack right before you start or you could just be off that night.

This isn’t a good way for beginners to get work, there’s no do overs, you have to crush it every time!

-Louie

Small Changes

I do a routine that I call my “choices” routine. This started as an invisible deck sort of routine, and methodwise moved to the Al Koran Five Star Miracle. Essentially the effect is a card is picked and it matches a prediction in an envelope.

Previously I used a red jumbo deck and a red card in the prediction envelope. Recently as I was getting to the reveal of the prediction and said, “…if this card is the same as yours…” and someone from the audience said, “it won’t there’s only one five of diamonds in the deck“.

They were right, I wasn’t selling that the prediction was from another deck. However, I think it’s wasted energy to tell that’s it’s from anther deck. To save time explaining, I found some blue backed jumbo cards and I’m not using a different colored deck for the prediction card.

This slight change isn’t a very big change. Probably only one person in fifty shows would have the same thought that the prediction couldn’t be the same as the selected card. However of 1 in 50 mentions it, probably 1 in 20 thinks it. By changing the back color, that makes the effect a little bit more clear, with virtually no extra work on my end during the show.

The takeaway from this is listen to your audience!

-Louie

Yeah, Don’t Punch Me

Last month when I was performing roving magic at a fair, I had an interesting interaction with a family. A guy approaches me and asks me if I would show his family a magic trick. Of course I said YES, then he said, “I’m not going to watch because I’ll probably get frustrated and punch you.” Then he looked away and his family had a great time watching some close up magic.

I personally thought it was really cool of him to give his family a moment to see a magic trick. I should add that the guy looked like he’d punched a few people in his lifetime. I’m glad he knew his personal limitations and didn’t put himself in a position where he would punch me!

I mentioned this to another performer who was shocked at how “violent” and inappropriate this guy was. I look at this like someone who had a problem with alcohol not wanting to see me do a show at a bar. This guy wanted his family to have fun, even if it was something he wasn’t into. Did he need to tell my why he wasn’t watching? Probably not, but I would have wondered why he asked, then didn’t watch…and probably would have tried to engage him (and gotten punched!)

-Louie

Shell Game Set (Homemade?)

I just added a new shell game set to my collection:

I’m pretty sure this was a home made set, as they look like nothing I’ve ever seen. The look like they started as candle snuffers, and someone took the stick off of them and glued a bearing over the hole. I like their weight, but don’t like how tall they are. The height and strange shape makes working with them a bit awkward.

They’re a great addition to the collection, but won’t replace my working set!

-Louie

Magic on the News in Fresno

Here’s an OK news appearance I did last week while performing at The Big Fresno Fair:

It’s an alright appearance, nothing crazy amazing. It’s a decent spot, but could have been much better. I was told I’d have about 3 minutes, but then that changed to two minutes and then at the last minute it changed to 90 seconds.

The change of the length totally threw my plan out the window. That’s why I typically will show up to news spots with material to fill 30 seconds, 90 seconds and three minutes. I try to plan something special and fun for the set length I’m told I’m doing, but that doesn’t always happen! That’s why it’s important to have a lot of material on you when you show up. There are some exceptions, like when you do in studio stuff you’ll normally know exactly how much time you have…but they’ll forget to tell you about a quick little “bump” you’ll be in and need a visual 5 second trick you can do.

Being prepared is the key to these news spots!

-Louie