close up magic – Page 13

Tiny Bible Magic Trick…

Yesterday I posted a dollar bill trick where the dollar was used to produce a tiny bible. The “bible” was one I made was just some paper that was stapled together, covered with duct tape and wrote on it in white pen (These pens are also handy for marking cards!).

The homemade bible is fine for a test run, but the first thing the people I’ve shown this to did was flip through it. That tells me it needs to be a real bible or at least pass the flip test. There are certain things where having the object people want to touch be real and not something that pretends to be real makes the trick stronger. There’s a sense of disappointment if someone realizes that the oranges you use in cups and balls aren’t real. It doesn’t make the trick any less amazing, but it takes them out of the magic headspace there were in. With that in mind I went out and hunted down a tiny bible!

Sometimes it’s the little things that add a lot to the trick. Having it be a real bible makes it more than a sight gag…not much more, but it does elevate the trick!

-Louie

Money Magic with a Bill…

I’ve had an idea in my head for a while to do something with the “In God We Trust” on the back of a dollar bill. I went out and made a bill that doesn’t have it, normally it’s printed just above the giant ONE on the back of a dollar bill.

This one turned out great and it’s got a nice texture and doesn’t feel altered. The next thing was to figure out what to do with it, here’s what I came up with:

Ideally I want to borrow their dollar bill, call attention to a lot of the “hidden” things on a bill, and also call attention to the “in god we trust”. Then I’d do some sort of trick with one of the parts of the bill and during that trick I’d switch the bill for the one that didn’t have “in god we trust” and I’d do the bible production.

The next challenge is going to be figuring out what the first phase would be…

-Louie

Out For Beers – Review

I woke up today to a great review of my Out For Beers trick!

I really love this trick, the play on words gag really works with my personality. I also think the trick works better than most of the Out to Lunch style tricks because it starts as a gag that is motivated. The trick sneaks up on the audience, which make it even more amazing!

This trick has been a huge hit at the booking confrences I’ve been at over the last few months and has driven a lot of traffic to my tradeshow booth and gotten me a lot of work. Get yours now!

Out For Beers $19

-Louie

Tooth Fairy Magic…

The other day I had a strange idea. I wanted to do a transposition between a tooth and a quarter. Using the toothfairy as presentation hook is a no brainer for this. The challenge was that I wanted one of them to be held in the spectator’s hand and obviously they are very different shapes.

The solution finally hit me, why not hand them a folding coin that was folded in thirds? This will have roughly the same shape as a tooth, and have some textures like a tooth. Once that was figured out, the rest of the mechanics were pretty simple. Here’s me trying it out:

It works! This was a great solution for strange problem.

– Louie

Out For Beers!

Last month when I was at the Abbott’s Magic Get Together, I was doing my trick Out For Beers. This combines a brand new gag card with a classic principle. Many of the magicians who I showed it to asked if I would sell it to them. I didn’t have any with me to sell, so I couldn’t. Because of that demand, I made up some sets for sale.

Here’s what it looks like:

What I like about it, is you are using the gag to get into the trick. Where most of the tricks that use the Out to Lunch principle, the cards are the focus of the trick. They have no reason to be there aside from the trick. That’s what makes Out For Beers great, the trick is unexpected.

Here’s What You Get:
*Gimmicked card to show the full beer pitcher
*50 cards showing the empty pitcher
*Rubber band
*Instructions
*BONUS: 5 extra cards that show the full beer pitcher

Out For Beers $19

A Class Act…

Before I headed out on the road, I was cleaning up and noticed a book that been kicking around my office forever. I’m not sure how I ended up with the book, but I’ve never read it, so I threw it in my car. The book is Class Act: The Magic of Tony Binarelli.

When I was a teenager I think I had seen Tony Binarelli lecture at the Desert Magic Seminar in Las Vegas. At that time he was lecturing on mentalism from his book My Way to Mentalism. Honestly, I don’t remember much of lecture, but I picked up a set of the lecture notes for a friend of mine.

Ok, back to the Class Act book. There’s a lot of hype in the introduction of the book about innovative moves. The first two card sleights are a top palm and second deal, both of which I think predate Tony. However it’s also entirely possible that they are his.

The top palm is a two handed top palm and it’s not very good as written. It’s something that I was doing as a teenager because I couldn’t quite do the one handed top palm. Essentially, it’s a two handed, one handed top palm. In my version I slightly slid the top card forward with the deck held in mechanics grip. Then my other hand pressed down on the outjogged part and the card pops into your palm. In Tony’s version, he slides a lot of the cards forward, it looks strange. The one advantage to Tony’s that they don’t really mention, but kinda hint at is that it makes it easier to palm off multiple cards. You pinkie count them with your ring finger as you push down and they pop up.

The second deal is a turn over deal, you can’t deal face down from a face down pack. I was just chatting with Chris Beason about this second deal technique a few weeks ago. It looks good, but not a natural looking deal.

So far, I’m glad I’m reading the book instead of getting rid of it without reading it.

Jam Hog…

Recently I was jamming with some magicians, and the one tip I want to give younger magicians is that they shouldn’t “hog the jam“. What I mean by that it is to share the time by passing it along, not just showing off the whole time. When you’re younger, I think it’s hard to pass it along if you’re getting positive feedback. However that’s what builds a jam is the sharing.

For me the fun thing about jamming is the sharing and seeing what other people are doing, or working on, not the showing off. I think the difference is that I have regular audiences to get my showing off fix, where not everyone does. People who don’t get a chance to show off their stuff often need a place, I get that, but honestly they don’t need to hog the jam, spread it out!

Still Masking Up…

This week performing at the fair, we’re not required to wear masks when we’re performing. That’s great, however I found for my roving magic, people were more receptive when I was wearing a mask. I think it shows respect for them as people that walking up unmasked and assuming they are OK with that doesn’t.

One thing I’ve noticed when performing with a mask is that my whole face is still animated. You can’t see much of it, but I think it adds to the overall energy when I perform. That and it will be automatic to do in the future when I’m not wearing a mask.

Almost There…

We’re finally hitting the “light at the end of the COVID tunnel” and things are starting to reopen. I just updated the calendar on my main website that lists my public shows. Moving forward, I’m curious how much interaction in magic (especially close up) that people are willing to do.

Having spent the last 10 days helping out at a drive thru zoo that was operating when my state lifted its mask mandate (for vaccinated people), it was very interesting how people reacted to the interaction. Before the mandate was lifted about 60% of the cars were wearing masks, and after about 5% were wearing masks.

For close up magic, will people be willing to hold sponge balls? Personally I thought they were gross pre-COVID. If 95% of the people are willing to hold them, what do you do for the 5% that doesn’t? If it’s your main trick, then you need to have a strong backup. Thinking about this now will give you a huge advantage when the situation presents itself.

Hybrid Magic Shows…

This week I’m doing a series of hybrid in person / virtual shows for a small school that has about 20 kids in each show. Yesterday’s group upper elementary school age and the rest of the week will be middle school aged kids. Doing the show, I was very chatting with the kids and the kids were very chatty with me, however I held them and no one logged off the zoom as this was an optional event. The principal was impressed that I held them all and kept the kids engaged the whole time.

Now…going forward for the next school that contacts me for a hybrid show, I think if I know it’s going to be a hybrid event, I may try have my daughter run the Zoom part of it. The experience the kids at home got wasn’t the best. They had an iPad in the back of the room, so it was just a blurry wide show of me 30 feet from it. Having a camera that could move (pivot) and zoom in and out would be a huge advantage. They also had a large projector screen with the Zoom screen on it, I think I would ideally have that behind me, so then I could use that screen to my advantage and do some close up stuff.

All of that would be the ideal way to do it. Unfortunately, that’s probably not how it would actually play out. How it would probably actually play out is this:

I’d ask them to log me into their Zoom room and they’d say they couldn’t due to privacy reasons.
I’d ask to have the screen behind me and they’d say no because of how the room has to be laid out for social distancing
I’d ask to plug my camera into the computer they are using for Zoom and it would crash it because their computer doesn’t have enough power to run an external camera.

Knowing my ideal hybrid situation now will hopefully get me at least one of the three. Now that I know what to ask for, it’ll be easier to get something!