stage magic – Page 54 – MagicShow.Tips

Color Match!

Currently I’m on the first half of a twelve day contract in Fresno, CA. I used to do Promystic’s Color Match in my show a while ago and I’m recently cycling it back into the show. At the beginning of the run I had one of the pens start to do strange things, so I ordered a replacement part for it…but that doesn’t help me for the rest of my current contract.

Luckily, Hocus Pocus is only 5 minutes from where I’m performing, so a quick trip there and I picked up one of Murphy’s Magic’s Anverdi Color Match sets.

I honestly don’t think that the Color Match that Muprhy’s Magic sells is Anverdi’s…especially when at the beginning of the video they show how it’s different. It’s Murphy’s way of justifying something that may be an ethical dilemma.

I do like how the Murphy’s Magic set has an auto cycle off for the signals. That’s handy in 91% of instances, however in that remaining 9% it makes it harder on you as the performer. Yes, they do have a work around, but it’s not really practical for me. Method wise, I guess it’s solid, I’ve only practiced it, because somehow my Promystic gimmick that was acting funky, magically started work fine once I bought the Murphy’s Magic set.

While a few bucks more, I still prefer the Promystic Color Match set, I think it more solidly built. I also like that I can easily have two thumpers operate at the same time, where I don’t recall them mentioning that using two was possible with the Murphy’s Magic set.

I think I’m going to keep using my Promystic set as long as I can, as I prefer how it works. It could just be me being old and stuck in my ways…

-Louie

Presti Cup

A couple of weeks ago I picked up Presti Cup by Edouard Boulanger. Here’s the trailer for it:

What I like about it is a lot of the action happens off the table. He method is interesting and the wand could be replaced by something like an Enigma Gimmick. I do think that the wand makes the moves more deceptive, however I don’t use a want in any show other than my children’s show. So if this is something I end up doing, I’ll need to figure out how to justify the wand, or how to eliminate it.

I think with an Enigma Gimmick this routine would end up similar to Axel Hecklau’s Just a Cup, which is a great routine. I do like that the ball is physically larger than a die.

We’ll see what I can come up with…

-Louie

Adding Production to Your Show

I’m always thinking about how to use video screens to make the show play bigger. It’s technology that 10 years ago really wasn’t within the grasp of the average magician, but now for less than $1,000 you can have a compete set up…even less if you already have a laptop computer!

One of the things about the Micheal Buble show that I was recently at, was that the screens weren’t just for making him bigger. There were three screens and sometimes there was a “set piece” like a the moon above. Sometimes it was a close up of a band member or the audience in the middle with Buble on the sides or vice versa.

This is something that doing a couple seasons on Masters of Illusion taught me, that the background adds a lot. In their tech sheet they ask if there’s something you want as your background. Something simple like adding a picture of a workshop when you’re doing a bit about inventing a trick, or a picture of your wife when you’re doing a routine about your wife adds a lot of production value to your show, and that’s just still images.

-Louie

Changing Seats…

Somedays I get to a gig and see that it’s really set up for my show to struggle. Here’s the set up at a recent fair:

The hay bales are probably 35-40 feet way from the stage, and in full sun. Due to the direction the stage faced, there really wasn’t much I could do about the sun, but I could work on the hay bales. I drug most of them closer to the stage:

Closing the gap to the audience really helped me connect. It also stopped people from using the area in front of the stage as a walkway through the fairgrounds. I always do what I can to give my show the best possible conditions based on the situation.

-Louie

Plan Ahead…

One thing that’s important is to be prepared when you go to a gig. Recently I was performing at a fair and hanging out with a sound guy who is my friend at his stage. He was at the community stage and had an act that didn’t bring a converter to get the audio output from his phone to a 1/8 inch jack.

This act was a singer, and sang to a music on his phone, so his only “instrument” was his iPhone. He didn’t bring the adapter dongle to convert the lightning plug to something that the stage’s sound system can plug into. Converters to specific phones aren’t something standard that a sound company normally has. They have audio cables that end in a 1/8 inch audio jack.

This singer spent all of his tech time running around to try to find an adapter, and finally had a friend bring him one from home. He was so frazzled when he started, he had rough show. When your show hinges on a $20 adapter, you should have three of them. One in your glove box, one in trunk of your car and one in your pocket. Honestly, that person should be travelling with a DI box as well, that was there have zero issues when they arrive at the venue.

Looking at little things like carrying an adapter, or audio cord can make your life a lot easier, and shows go a lot more stress free!

Yes, I do understand that there are times and places where you shouldn’t expect to have to bring your own DI box, like in an equity theater, however you should also have noted that you need one on your tech sheet. I should say that I would never expect the venue to provide a phone adapter.

If you need it and it’s possible, bring it!
-Louie

Clean Your Gear!

One of the things about working a lot is you see your gear a lot and how dirty your stuff gets sneaks up on you. I try to give all of my gear a good cleaning at the end of every run. One thing that I missed was my microphone windscreen. It’s probably been a month or so since I replaced it.

It’s pretty gross!

Then there’s my shoes, I wipe them down every day. Here’s them at the end of a 6 day fair run:

They get a good cleaning at the end of the run. If I didn’t give them a quick clean everyday, they would get crazy gross and the deep clean a the end of the week gets them ready for the next contract!

…so the moral of the story is clean everything, not just the show props!

-Louie

Here’s a Joke For You…

One of the things I hate is when people tell me they “have a joke that I can use in my act“, then proceed to tell the me the lamest, street joke. I always let them tell it to me, and laugh to be polite, but it’s never a good or original joke.

I recently had a musician working the same event as I was “give” me this joke:
You show a beer and say, “I’m going to make this beer disappear” then you drink the beer. It’s a stupid joke because everyone gets to the punchline before you can deliver, that and the payoff isn’t that good. I’m sure some hack comedy magicians will tell me they kill with that gag, and if they actually do, good for them.

One of the reasons I always let the person tell me the joke is you never know what it will spark in your brain. The joke made me think of the old Ever Filling Glass. If you’re not familiar with this, it’s a glass that you drink from and then it’s full again.

Here’s a demo video of it I found:

If you pared that trick with joke, you might have something that has a magical pay out.

You show the glass and a handkerchief. Say “the beer will disappear” and cover it with the handkerchief. Pretend to drink the beer from under the handkerchief and then show the cup almost empty. You then recover the glass, say, “it’s going to reappear…now!” and whisk the handkerchief away to show it’s now full again!

I think this would also work with Mago Murphy’s Appearing Beer Trick, you’d just have to work it slightly differently, starting with the full beer and stealing the gimmick while you pretend to drink it.

I don’t think I’ll ever do this, but it’s an idea…

-Louie

Roving and Stage Highlights…

Here’s the highlight reel of my shows at a fair last week!

You’ll notice the peeling off the center of a card trick in there. I’m really liking the trick and starting to think that I don’t necessarily need to custom print anything, and that I can use what currently exists to do the trick. One of the cool things about doing roving at a fair, you can do a trick hundreds of times in a short amount of time. You learn if something works or not very quickly!

-Louie

Struggling on a Stage

This week I’m performing on a stage that has always given me trouble. I’ve performed on this stage on eight of the last eleven years and always struggled.

There are a couple of problems with the stage, it’s really dark and deep, so my show gets lost on the stage. Then you add in that you have about 25 feet between you and the first row of benches. Keep in mind the first three rows benches are in the sun most of the day, so unoccupied and basically a physical barrier between you and the audience. That puts the first row of people closer to 40 feet away from you!

The last time I was there was in 2019 and realized that if I moved the drum riser to the front of the concrete dance floor it would move me closer to the audience. That made a huge difference and this year I remembered to do that and my shows are doing well on that stage…well technically doing well on a drum riser on a dance floor.

If your show is struggling in a venue, look at the obstacles that are there and try to figure out solutions. Sometimes there are no solutions that are reasonably fixable, like a post in front of the stage. However many times there are solutions, if you think about the problem.

-Louie

Repairing Props…

As magic has more and more electronic tricks that are mass marketed a few problems are popping up. First one is customer support if they don’t work correctly. Usually the manufacturer doesn’t have incentive to repair the item. Sure they may replace it if you recently purchased it, but after that your main option would by buying a new one.

That’s why I like companies like ProMystic. They sell higher end products, and they will repair them. For example I’ve used their trick Inception for about four years and the screen went out on it. This is not their fault, I’ve used it in close to 1,000 shows across the USA (and North America) and over the years it’s been dropped, gotten wet, and still worked like a champ, even without the screen!

I finally had a gap in my schedule where I don’t need it and sent it in to them for repairs. For way cheaper than I thought it would cost for a screen replacement, they put a new one on it and it’ll be waiting for me when I get home in a few days.

For me having the option to have a four year old prop repaired instead of buying a new one is great! If you’ve been on the fence about getting anything from ProMystic, they are a great company and stand behind their products and help with support long after your purchase!

-Louie