Awhile ago I aquired a Joseph Silk Gun. This is a pistol that you put a silk ontop of and the silk disappears.
Here’s what it looks like in action:
The vanish looks like trick photography! Unfortunately, there’s really nowhere that I would use a gun in a performance. Maybe if you did some sort of vignette, but that’s about it.
I’m going to try to find time to make a video of it with a Crystal Cube prop. Both the vanish and production would be instant!
-Louie
Last week I was doing a show for a senior community and here’s what my 45 min show looks like:
The props are in the bottom case, and on top of that is my Bose s1 pro. I’ve seen pictures of some people who bring in elaborate setups, and that definitely makes the show look bigger, but it’s not for me. I no longer bring in backdrops, for me, it didn’t make the show play any better. Sure, there are times I wish I had them because whatever is behind me is distracting or makes the show hard to watch, I don’t encounter them enough to make me want to pack and set up a backdrop.
I’m also using the facility’s TV or projector more and more. I don’t do close up magic to it, but I use it to make smaller things play bigger! This is easy to do, just plug a camera into their TV’s HDMI port. Boom done.
I used to take a wireless system HDMI to these shows, but it’s just easier to have 25 feet of HDMI cord. Simple and quick set up.
-Louie
PS: If you’re interested in doing shows for senior communities, check out my book How to Perform for Seniors at
https://www.magicshow.tips/how-to-perform-for-seniors-book/
Are we at the point where this is modern card magic:
I’m trying to decide whether I’m a grumpy old man afraid of change, or if something like this is a step in the wrong direction. Sure, you can do a cool trick with this deck, but is this what card magic needs?
Are we at a point where someone asks you to show them a card trick and you can’t because your deck isn’t charged?
I don’t know.
-Louie
One of the tricks that I’m working on for a tour in April needs an opaque, tall, tulip-style ice cream cup. I spent hours searching thrift stores online and didn’t quite find anything I liked…well I did, but I also didn’t want to buy 36 of them!
I finally gave up on trying to find one that already exists and decided to design my own. The nice thing about this is that I get something that is what I want, instead of the potential limitations of gimmicking something that is already made.
Here’s what the trick looks like in my garage:
The ice cream scoop is something that Dan Harlan sells called The Scoop and he even posted this on his social media:
The cup is my design, and here’s what is it:
Obviously, you don’t need to use The Scoop with it; it would work great with a loop ball or just sleight of hand with a ball. Anything you can fake put into it would turn to the streamers.
Ok, so why did I make a full glass, when I don’t show it empty at the start and could just put confetti in it?
Simple, clean up.
There’s no cleanup with streamers; no one needs to sweep or vacuum them up.
For me, this is the perfect solution for the second half of turning ice cream into something exciting!
-Louie
PS: If you want one of these, contact me for pricing!
One trick I learned as a teenager from Al Schneider was the Zombie Floating Ball. It’s also trick that I’ve never really done as more than a one off sort of trick. In the school assembly tour I’m doing in April I need to make a rock float, so the zombie method is what makes the most sense.
My gimmick is based on the Tommy Wonder style gimmick from his books, but modified to something that I could make and it’s detachable from the sponge rock.
I’ve also never really had any levitation’s in my show, so I’m excited to learn the ins and outs of performing one!
-Louie
PS Tommy Wonder’s brother has posted the VHS that came with Tommy’s Zombie on youtube: https://youtu.be/MRTY4jjtH1o?si=gkcGjQaMjRLXAuUK
I’ve got the current version of the snake basket and aside from some potential minor changes, this will be the final version (for now). For context, here’s the first version:
And here’s the new version:
You’ll notice a couple of changes from the original version. The first version was a card trick, and this isn’t. The original ending, with the snake jumping out with the card in its mouth, always felt anticlimactic to me. The ending is the snake jumping out; the card was a lower point than the surprise of the snake jumping out. Using the snake jumping out as the end to close the routine makes more sense to me.
With this no longer a card trick, I could get rid of the card fountain. That’s good, because when the cards shoot out, they need to be picked up. With confetti, it’s just swept up after the show.
I also like that the ending plays bigger than with a card. A card is hard to see clearly what it is from a distance, this will play much further back!
-Louie
I’m still working on the show I’m doing for a school assembly tour in April. One of the tricks that I had planned is a cards across type effect using postcards. I had a method worked out, then I realized the trick involves counting to ten.
Counting to ten means I’ll have to deal with kids and the 6/7 trend that’s still happening. It’s not as crazy as it was a year ago, but it’s still a thing.
In the past, I’ve used the Piano Card Trick‘s method of pairs to do an object across types of trick. That version has no counting, just moving pairs of cards. That eliminates using the numbers six and seven in sequence.
The downside of using the pair method is that only one thing moves instead of two or three cards. I guess the big plus is that since I’ve used this in shows before, I have a lot of the “bits” built in, so I don’t need to do a lot of figuring out gags. That’s also a bad trap; I shouldn’t be lazy and should be writing new gags.
-Louie
PS If you’re interested in using the piano card trick onstage, look into Jim Steinmeyer’s Apples and Oranges trick.
A couple of nights ago, I went out to see Magic Uncorked in Portland, OR. This show happens every few months at a wine bar called Ora et Labora. It has close-up magic in the bar, then a parlor-style show in the event space.
Unfortunately, I didn’t really get to see any of the close-up magic as I rolled in a bit late. I thought it started at 7 pm, not 6 pm, however Jacob Grier showed me a cool card trick in the hands triumph as everyone was moving from the bar to the event space.
The show is hosted by Dave Gregory, who, along with his wife, owns the wine bar. Dave is a great host, and does a trick to open the show and after intermission.
The first half of the show is done by John Stevens. John does a solid show and one of the highlights for me is the version of 100th Monkey he did! Most of the versions of it that I had previously seen fell flat, but not this one! The only other version I’ve seen was the one Darren Brown did at the Cort Theater on Broadway.
This month’s show had Jonathan Molo as the headliner. I’d briefly met Jonathan somewhere in CA (probably Fresno) a few years ago, so I was excited to see his show. Jonathan puts on a fun, high-energy show. The show’s frame is really his family, which is a super relatable throughline!
One thing I noticed was that both John and Jonathan use handheld microphones rather than headsets. More and more performers are moving away from the headset mics. It takes a bit more skill to use a handheld mic as a magician, however, it allows you to have conversations with people onstage and easily get them mic’d.
-Louie
I’m still working on my Snake Basket Magic Routine. The basket won’t be a basket; it will be a box. I’ve written on this blog before about why I’m not using a basket for the snake. I want the box to look like a shipping crate, but it also must be light and pack as small as possible. I started with a cardboard frame with gaff tape hinges.
I then covered the middles of the panels with wood patterned contact paper.
Finally I did the corners with a wood patterned duct tape to give it the crate look.
This gave me the look that I was going for without the weight of wood, and it packs flat!
-Louie
For a show I’m doing in a couple of months, I needed a way to force a number (really a position in a row of things). I didn’t want to use the Hot Rod Force, and my normal default is the Quinta Force, but I wanted to try to figure out something new.
My idea was to put a die in a film can and have someone shake it, and that would force the number.
First of all, I didn’t want to use a die that’s missing a number, and you eliminate numbers as they’re rolled. I’ve seen too many shows where that method is used, and it takes forever to get the last item eliminated, as that number just doesn’t come up.
Other methods I didn’t want was to use a die that’s all the same number or a magnetic die. My goal was to try to come up with a NEW method before I resorted to old methods. Even if I don’t use the method I came up with, it’s fun to try.
Here’s what I came up with:
I think this method had potential. Is it a lot of work to accomplish what a magnetic die could do? Yep.
Is the method interesting? Yep!
-Louie
