I love magic history, and learning where things I did come from. I’m still working through the JP Vallarino book and got to Vallarino’s Ambitious Card routine.
In it he mentions the first place that the Ambitious Card was publish. It was in a french book called Recueil de Tours de Physique Amusante. That title sounded familiar, so I went to my bookshelf and I have that book!
Unfortunately I can’t read french, so I can’t confirm it’s in there. It was cool to be reminded of a bit of history that lived on my shelf!
Recently I was hanging out with some magicians working on some new magic and someone looked up and saw the cards on the ceiling and wondered who put them there.
I immediately knew, it was Cliff!!
In the 1990’s I met Cliff Gustafson, he was a Seattle magician who worked a lot of bars in the Seattle area. It feels like he worked 1-2 bars a night seven nights a week! He stood out, he wore a tuxedo with a bowtie and everyone knew him!
Cliff wasn’t the best technical or original magician in the world, don’t get me wrong, all the tricks he did were solid! What he excelled at the hardest part of performing magic, he was likable! When you watched Cliff perform, you instantly liked him!
Cliff was always really cool to me, and you can watch a short documentary about him that has some clips of him performing at: robhanna.com
Cliff passed away in 2016, and Seattle lost it’s hardest working magician!
I don’t know if Ricky Jay ever really published a book on the material he performed. It appears he published mostly historical stuff, and not so much technical “how to” material.
Here’s a notecard that I came across where Ricky Jay explains a cup and ball style routine that he did on the Mike Douglas show:
I did some internet searching and couldn’t find video of this appearance, if you have it, I’d love to see it!
In this episode we welcome in magician Jason Andrews. We talk about how growing up as a kid in Las Vegas gave him access to magic shows and how he was able to get a scholarship to magic camp.
He explains what it’s like competing in magic competitions and how he once competed against Louie. We learn about his career in magic and how he made the decision during the pandemic to give it up and follow a different passion. The best interview with a magician turned pilot to date.
One thing that drives me nuts is how performers use and treat the US flag in their show. I’m not the most patriotic person in the world, however one thing that stuck with me from school as a kid is when we learned about the US Flag Code. The Flag Code are rules that define the US flag, but also how to display and handle it. Once you learn it, you’ll see violations everywhere from flags hung backwards at the grocery store, to displayed on vehicles wrong (FYI, flying it from the middle of the tailgate of your pickup truck is incorrect).
Now let’s get to performers using flags. If you do the bag you put silks into and then that turns into the flag, technically you’re violating:
§ 8 (h) The flag should never be used as a receptacle for receiving, holding, carrying, or delivering anything.
However using the flag as a receptacle isn’t seen to the audience, but does that make it right?
If you do mismade flag, its it neatly folded before you load it into the change bag, or do you stuff it in there? And then at the end of the trick, what do you do with the flag? If you put it in your case, do you make sure no other props get set on it?
A few months ago I worked with a band who had a flag hung from their singer’s mic stand.
Unfortunately the flag is hung upside down! This is a big NO NO for hanging the flag. There’s a very specific reason to hand a flag upside down and it is: § 8 (a) The flag should never be displayed with the union down, except as a signal of dire distress in instances of extreme danger to life or property.
If you use a US flag in your show, you should read and know the US Flag Code and follow it!
If you know me, you know I don’t believe the theory that you should do classic magic tricks because, “classics are classics for a reason“. You should do classic tricks like linking rings or whatever because they have a purpose in your show.
I do believe that as a beginner, learning and doing those trick has a purpose. However as you grow, you should grow out of them, or create a reason why they’re in your show.
Audiences are smart, and contrary to a lot of “advice” many have seen a lot of magic on TV and social media. With shows like Fool Us and America’s Got Talent, your typical audience has seen stuff and you just banging out the linking rings because “it gets a reaction” doesn’t cut it anymore.
If you’re doing a classic, figure out how to give it purpose in your show to move the story of you further and not because it fills time.
One of the holiday parties I did this month was a HUGE event with 1,600 people. One thing the event planner didn’t give me was any sort of credentials to get in and out of the building once the event started. I honestly didn’t think about it until after my roving set and I was going to move that gear and clothes to my car to make packing out after the show quicker.
Luckily the green room was for all the “vendors” and I happened to be chatting with someone from the security company. I asked if the security at the parking lot door would let me back in and he said no. His suggestion was to call the event planner and ask for a lanyard. With the event underway and an event this large (it took up two floors of the convention center!) they last thing I want to do is bug the event planner for a lanyard/badge. They’re probably dealing with a lot of problems, like catering issues or whatever.
Here’s the solution I came up with. I learned that the security company was all retired cops and they all knew each other. I took a picture with the guy I was chatting with and got his name and number.
When I tired to get back into the building I was stopped by security how pressed me about me not having a lanyard with a badge. I showed them the picture and told them to call Jeff and he’d vouch for me. As soon as they saw the picture, they let me in!
Sure, asking the event planner for a badge is 100% reasonable. However I try to be easy to work with and minor problems myself. That’s a big secret to success in entertainment, be easy to work!
It’s been a long time since I’ve had to do show wearing a mask, but recently did one!
This was a show at a senior assisted living facility and many still have mask policies, however most allow you to take it off while performing. This show didn’t allow me to take it off during the show.
Performing while masked makes connecting with the audience soo much harder! One thing that I do is I smile soo much bigger than I would do in a normal show. People can tell when you’re smiling while wearing a mask, but you need to smile BIG to have it play further back.
Also the show that I do at senior facilities can be done as a “no contact” show with no audience volunteers onstage or handling any props. This is a good option to have for your senior show as its not always an option to bring people onstage.
A common thing when performing in ballrooms is that your performing area is the floor. For whatever reason there is no stage, or the stage is unusable. Working on the floor is like performing standing in a hole. Pretty much anything held below your armpits can’t been seen by the second row.
Here’s my “stage” from a recent gig:
To add some height to my show I travel with a folding stool.
I stand on the stool for a lot of parts of the show to elevate me to make my hand held props much more visible. It also makes ME much more visible to the audience and makes it easier to connect with them as I can look them in the eyes.
A folding stool is cheap and easy to travel with. Get one, put it in the trunk of your car and you’ll always have it ready to go!
My favorite deck of cards are the old Cincinnati, OH Bicycle Cards. They moved to Kentucky in 2009, so these cards having been made in almost 15 years! As I travel I visit junk shops and whenever I find these unopened or decks with the seals intact, I buy them.
Here’s my current hoard of them!
I don’t use these cards for shows, I use them as my person practice/fun decks.
