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Naypes by Roberto Mansilla

A couple of weeks Matt Disero mentioned the book Naypes by Roberto Mansilla on his Facebook page. His post got me curious about the book, so I picked up a copy of it. It’s a book of card magic for parlor or stage shows. I cracked it open on the plane yesterday.

In the beginning Roberto does a good job of defining what parlor and stage magic is and the difference between the two. He also talks about four techniques to make cards play to a larger audience.

I’ve read a few tricks into it and I like the approach to Out of This World, and the routine for Card in Envelope. I’ll probably finish reading it on the flight home in a few days. I’ll keep you posted with what I think…

-Louie

Magic Inc!

I’ve wanted to visit Magic Inc for a long time, however every time I’ve been in Chicago it’s been closed. I finally made it to Chicago when it was open.

Inside I noticed they had my Evaporation trick in stock! It’s always fun to see my trick out there in magic shops.

While I was there I picked up a copy of Theseus by Nathan Colwell.

It’s an interesting idea, it’s basically a book that’s just one trick, with a lot of methods for it. It sounds like it’s a bit of a journey through how the trick was created. I haven’t really had a chance to dig into it yet, but I’m excited to read it!

Tarbell System…

My day got exciting, through a unexpected exchange the other day, I ended up with and original Tarbell System (Tarbell Course in Magic)!

This is a first edition (5th printing) of the Tarbell System. The key about how I ended up with this is simply talking to people and being open to the wacky things that they ask!

I’m a HUGE fan of the Tarbell Course, I even had some shirts made a long time ago:

Ching Ling Foo’s Bowl…

Right now I’m reading the book Ching Ling Foo – America’s First Chinese Superstar. Honestly I didn’t know much about him, other than he did a bowl production. I’m about a third of the way through it and am really enjoying it. The author does a great job of describing the challenges of being a Chinese performer in a time that was very anti-Chinese.

It’s just now getting into the feud with Chung Ling Soo who was an American who pretended to be Chinese. In the book, they frequently talk about the bowl production, duck production and the production of Chee Toy (Foo’s daughter).

Apparently at some point there was film of Foo performing, but I haven’t found any online. I did find someone that tried to replicate the three productions that Foo did:

What’s I’m wondering is how big was the bowl that Foo produced?
The one in the above video is probably bigger as the title is “outdone”.

The Darkest Corner…

A few months ago Master Payne turned me onto a book called The Darkest Corner by Ben Hart. I wasn’t familiar with Ben, but Payne told me the book has some unusual magic trick and some unusual methods in it.

I ordered the book right way and have been doing one trick in it at my shows (virtual and in person) this summer. That trick is his Silk in Peach, where the effect is a signed silk reappears inside of a peach. It took some playing to come up with a fun routine, and I think it’s a perfect trick for in-person, no contact, socially distant magic shows.

My solution to having something signed when you can’t get 6 feet from someone and they can’t touch any props is that I ask them to name an animal. I then draw the animal on the silk and write their name. Pretty simple. The production from the peach is visually amazing and that quickly made this trick the “meat” of my summer show.

Look into the book, it’s great!

Scripting Magic…

A few days ago I finally finished volume one of the book Scripting Magic by Pete McCabe. I’ll admit it took me a lot longer to read it that a book normally takes, that’s because I had a lot of projects I was working on, not because it was a hard read. I was really glad I read this book and it’s something that I think more magicians should read.

For me the main take away was the importance of writing what you say down. You can learn a lot from writing it, but it also makes you review it. You can more easily spot places for jokes and just looking at the words makes it easier to write jokes.

I really liked the interviews and while the book goes a bit into the author’s process for writing scripts, I really wish it had more activities to do, more like a workbook. I get that that’s a hard thing to do because everyone has a different process and style. I would have liked a bit more “hands on” type activities.

Scripting Magic Book…

My current book that I’m reading is Scripting Magic by Pete McCabe. This book is interesting and I’m only about 145 pages into volume one and it’s pretty good. When I was younger I used to have a loose script, but nothing formally written down. As I’ve gotten older I’ve realized the huge advantages to writing down what you say in your show.

For me writing out a script makes it a lot easier to see where jokes should be. It also makes it easier to work on them. One thing I don’t like very much is the script format that this book uses when it’s showing scripts. I find them hard to read, however I’m 99% sure it’s simply because I’m not used to that format. I think the more I use it the easier it will get to read.

I’m working on my Polaroids to Envelope trick that I wrote about a week or so ago. I decided to write out the script using the format in Scripting Magic. What I did was simply use a practice video and wrote down what I said and added the actions.

Polaroids to Envelope Download

In the version in the document above it’s pretty basic and narrative. It’s got a rough presentation hook, and a chuckle in it, but it needs more work.

Creative Funk…

Creativity isn’t something you can force, but there are things you can do to stimulate it. Lately I’ve felt pretty uncreative, however I’ve had a tough performing schedule which didn’t leave a lot of time to play with ideas. Then somehow like magic, the last couple of days I’ve had some great ideas.

The main thing that changed in the last few days was that I opened myself up to new ideas. I starting looking for them, not waiting for them to pop into my head. Taking control of creativity is the first step to being creative.

Another big change was that I was playing with things a bit more. I’m back to working through card tricks at night while sitting on the couch while my wife watches TV. Sure going through a book on card tricks isn’t exactly creative, but it’s making my brain learn new things, and that opens up my brain to forming new ideas.

Work It Out…

One of the things I do when I buy a magic book, is that I try to work through everything that’s reasonable to work through. What I mean by that is that I I’m not going to build an illusion if it’s in the book, but I will build simpler project. I try work through every trick that doesn’t require a crazy gimmick I don’t have.

I think this makes me a better magic creator and performer. It allows me to improvise much better as I’ve already done something a few times, it makes it easier to recreate when the moment occurs. It also makes you look at props differently.

When I travel, I try to make little videos of magic tricks with things found in my hotel room, or in today’s case my state room as I’m performing on a cruise ship this week. This morning when I was brushing my teeth, I noticed the cups in the bathroom were big enough to hold a deck of cards. That then led me to thinking about the trick Everywhere and Nowhere by Hofzinser that uses a glass to isolate a deck of cards. That led me to wondering if a “flap card” would work in a glass. Turns out a flap card works great in a glass, and I like the isolation that the glass adds to the change of the card.

Now it’s got me thinking about how I can use this in a show. In a cabaret show, or a stage show where you have video projection, it would be a great reveal for a tossed out deck. You start with one card in glass as your prediction. The three cards are selected and the prediction changes to three different cards. If they saw their card they sit down. This moves the flap card from essentially a close up trick to something bigger.

Maybe I’ll start to write a tossed out deck routine using the flap card as the premise/ending.

S. H. Sharpe…

Recently while travelling I started rereading the book Neo Magic Artistry written by S.H. Sharpe. This book is primarily about magic theory, however it does have a few tricks in the back. This book, which is several books reprinted as one makes a great point: “The greatest magicians have always been those whose work appealed … Continue reading “S. H. Sharpe…”

Recently while travelling I started rereading the book Neo Magic Artistry written by S.H. Sharpe. This book is primarily about magic theory, however it does have a few tricks in the back.

This book, which is several books reprinted as one makes a great point:

“The greatest magicians have always been those whose work appealed to their colleagues as well as the general public”

This is something I totally agree with. If you are an artist, you work should have something noteworthy to other magicians or magic enthusiasts. With all of the magic on TV and the internet, even non-magician audience members have become pretty educated about standard magic tricks.

TLDR: Your magic should appeal to magicians as well as non-magicians.