Pictures – Page 74 – MagicShow.Tips

Magic in Focus!

As I get older, my up close vision has started to go. Reading had gotten difficult and when I realized that during my morning writing, I couldn’t read what I had just written I knew it was time to go to the eye doctor. He prescribed me glasses for reading and what a difference it makes!

Having a new view on the world…as long as it’s about 12 inches from my face got me thinking about a trick that has to do with vision. My first idea was to have blurry writing on a notecard that then changed to in focus writing that was readable. The problem with that idea is that it’s small, it wouldn’t really play for many people, unless it was a social media video.

The next idea is better, it’d be a picture of the Mona Lisa, or whatever, but blurry. Then it changes to in focus.

This could easily be accomplished by making it like a flap card.

I’m not sure if I’ll ever do this, but I think it is a good idea!

-Louie

Will Goldston Magic Books…

It’s been an exciting couple of days for books! A couple of weeks ago I won a stack of Will Goldston books from an auction house in Florida.

Will’s books are interesting as I’m not sure who they are written for. The descriptions of how things work are very brief almost like they’re written for a general non magician audience, however the tricks aren’t things that an amateur magician could really make without a well equipped wood and metal workshop. Also without knowledge of the props and magic in general, you really couldn’t make them based on the descriptions in the books.

I did find a little surprise inside one of the books:

The Sensational Tales of Mystery Men is signed by Peter Kane! Peter is essentially the person that created Wild Card and the card trick The Elongated Lady. I’ve got a couple emails out to some people who may know if that signature belongs to that Peter Kane or a different person with the same name.

I love finding little surprises in old books!

-Louie

Magic at Powell’s Books!

Over the long President’s Day weekend my family went on a trip to Oregon. One of the places we stopped was Powell’s Books in Portland. Powell’s is one of the largest independent bookstores in the USA and has a nice mix of new and used books.

It took a bit of hunting to find their magic trick section!

They had a bunch of magic books, lots of newer ones and some older ones. I found the Thurston Scrapbook that Phil Temple put out in the 1980’s.

This has been added to my stack of books to read!

-Louie

Tommy Wonder Cups and Balls

I’ve always been interested in Tommy Wonder’s Cups and Balls routine. I finally plunked down the cash and picked up this set:

tommy wonder two cup routine by raphael and bluether magic

Right out the gate, I think the bag is a little bit too small (not long enough) for the cups. You need to be able to tie it shut with the string with the cups in the bag. I really had to force/stretch the bag to get the cups into it and tie it shut. This isn’t a huge deal, as over time I imagine it will stretch and get easier (I hope).

I started by reading the routine in The Books of Wonder Vol 2 and working it out. The routine didn’t feel right, so I then watched some videos of Tommy performing the routine. There’s a lot of flow that’s missing from the book and it really would have benefitted from having a bullet point list of the effects that happen in the routine.

Here’s one of the videos I watched:

One thing that I noticed about the routine is that it’s not a show stopper like when you see Gazzo, Ammar or Bob Read do the cups. At the end of those, there’s a punctuation at the end, a definite end. Tommy’s routine is more of a middle piece than a closer.

In Tommy’s book he mentions that he’s known to magicians for his cups and balls. There’s a clue there, I don’t think he thought it was the best for non-magicians. It’s certainly innovative in how the loads were done, with none from the body/pockets, and resets instantly, but I’m not sure that translates to non magicians as much as it appeals to magicians.

I’m going to learn the routine, and give it a try, hopefully I can get it down in about a month for a week long run of shows I’ll be doing next month.

-Louie

Creating Custom Gimmicks

I just wrapped up building a custom prop for another magician. I don’t know if people know what goes into creating props. Below are the first three attempts at making part of the prop, I forgot to take a picture of the forth and final version.

The first version which is on the left, was kinda my “proof of concept” version and it let me know that the idea was solid.

The middle version was a slight tweak, where the slot is bigger, but that brought me to a second challenge, the top needed to taper in. I also realized I has a little more room to play with with the prop, so I extended the gimmick.

The third version on the right, fit great, but internally I discovered there was a “pinch point”, so I had to go back and to a quick redesign, which led me to the fourth and final version (not pictured).

Looking back, the second version was clunky, but functional. The third version didn’t really work, but the final version worked soo much better than second version. I’m glad I pushed forward to get it to the final version!

If you’ve got a custom prop you are looking to get made, contact me and we can chat about it!

-Louie
Click here to learn more about building your own magic props!

Always Learning…

When I was on vacation in Australia in November, we visited Sydney’s Chinatown. There was a guy there cutting silhouette portraits, and I had mine done. In the past and still occasionally I’ve cut portraits at gigs, it’s a great little skill to have, but to be totally honest, I have no idea how to sell it.

OK, back to the guy in Sydney, unfortunately I forgot to take a picture of his sign, but it was $2 Australian dollars for a portrait, or just about $1.10 US.

He cut it quick, and his display looked nice and he did it really quick.

The silhouette doesn’t really look like me, but it was fun to get it done and totally worth about a dollar!

I’ve always said you can learn a lot from simply watching people who do what do, no matter their skill level or what you view as their skill level. Here’s what I learned from him:

1: He had a great display that clearly said what he did, how much it cost and how long it would take.

2: He cut on a vinyl with and adhesive back and stuck it to the card at the end.

The adhesive backed vinyl is very smart, it eliminates the need for glue, which then eliminates the need for a table. It also saves times. If I ever try to sell the silhouette portraits again, I’ll probably experiment with using something with an adhesive back.

-Louie

Asking Questions…

One of the huge lesson I learned last month on the school assembly tour that I was on was how to get more our of the people who helped me onstage. Basically I just asked a lot of questions. The questions aren’t random, and I have preplanned joke responses for some answers, but I’m looking for thing that I can use to create a real live moment.

The other thing I learned is not to jump in too quickly with my response, especially if I already have a joke answer to what the kid says. You need to let the kid’s answer land with the audience, then hit your response. If you reply too quickly, the audience doesn’t have time to process, but I think it also feels less real and in the moment.

Take your time.

-Louie

Take Up Reel Question

A question I recently got asked about my Take Up Reel for the vanishing bird cage is how much can you move around with it on. My answers is that it gives you pretty much full range of motion.

For the last month I’ve been performing 2-3 shows a day and my 45 minutes show ends with the vanishing birdcage. I’m pretty physical in the show, and in the middle of the show I do some trick roping with the take up reel on my left wrist with the pull set to the long position.

Right after the trick roping routine, I could reach over, grab the cage and vanish it. I don’t as the cage is about 15 mins later in the show, but in that picture the working end of the take up reel is in my right sleeve.

For me and how I perform, using a take up reel allows me to do the vanishing birdcage. It’d be impossible using just a wrist to wrist pull.

-Louie

Apples and Oranges

One trick that I’m doing in the school assembly is based on Jim Steinmeyer’s Apples and Oranges routine in his book Conjuring. Jim’s trick is the Piano Card Trick, but using apples and oranges, which makes it play on stage. Essentially the trick is an orange disappears from one side of the stage and reappears on the other.

I took Jim’s idea and rewrote the script and changed the props so that it works for the show I was doing. In the first few weeks of doing the show, I felt like the kids holding the nets of fruit were really only there as human props and I needed to give them opportunities to shine. I started by asking them some questions, then giving one of them a line and creating an impossible challenge for the other kid. This made the routine soo much more engaging that it was before.

Also I should add that the trick is good! When the orange ends up on the other side of the stage, the teachers seem more amazed than the kids! That’s an important point about this show and all kids shows, the magic needs to be good. There were (and still are) soo many magic tricks that from an effect standpoint aren’t good that are marketed to children’s performers. This is part of what creates the stereotype that kids magic is cheesy. If you up your game with good tricks, it’s helps take you out of that cheesy magician box.

-Louie