This book is written by a graphic designer and the advice is really tailored to that industry, however a lot applies to being a performer. This book is an easy read and is broken down into 120 suggestions.
One of the take aways for me is to be willing to walk away from things that aren’t a good fit. For example, I don’t perform in costume for events. It’s not a hard rule and if it’s something simple like it’s a “red” themed event and I have something that fits no problem. However if it’s something like a superhero event and they want me to wear a cape, it’s a hard no…unless they’re will to pay a crap ton of money for me to wear it. My character doesn’t work in most costumes and I know that. By performing in a costume I’m doing a disservice to the client and myself. It’s a no win.
When someone brings in headline entertainment for their event, and asks them to change how they do things, it will effect the quality of the product. Sure you can practice and rehearse with the changes, but there’s no guarantee it will make the product as good as what is before the changes. Also it add a lot more time to practice and rehears, which adds cost and 99% of the time the buyer doesn’t want to pay more for a lesser product.
When you’re starting out as a performer it’s important to say YES to everything to gain experience. However as you become more experienced it’s OK to say NO.
Last night I was trying to come up with some ideas for a Valentine’s Day magic trick for social media. I had some ideas, one was a touch the screen type trick, another was a rose pedal to confetti as well as a couple of other pretty generic ideas.
The one idea that I liked enough to actually record was this:
There’s not much to it, it’s my Take Out Production Box made from a box of Valentine’s Day candy. The shape of the candy box had a couple of challenges to covert to a production box, but it was fun little challenge!
I frequently say that holidays or national days are great days to be creative and try to come up with new tricks around that theme. Some days you’ll simply put new clothes on something old, and other times you’ll come up with something completely new!
Sometimes during my morning writing I will explore ideas for tricks like What’s Next that uses the spot card. This is routine where the number of spots on each side keep changing, then there’s a sucker explanation followed by a series of surprises. The prop in that trick resembles a domino and Norm Nielsen made a version of it that has the correct color combination for a domino. Someone else had made a version of one that’s a cookie with the chocolate chips being the spots.
What’s next is a trick that is perfect for trying to theme, you just need to figure out what the spots are. They could be zits on a teenagers face, or my favorite idea I came up with, bullet holes on a road sign. If you’ve driven in the rural USA, seeing a road sign that’s been shot up is common.
It’d should be simple to make this. Just use bullet hole stickers for the spots on the what’s next card, and cover the white board with art that’s a street sign. I’m going to imagine that the gimmick’s black art to hide the magnets would still work with the bullet holes.
If you wanted to do some work, you could do a kicker ending by building a flap card gaff to one side of it to reveal something.
Honestly I’ll probably never use this, so feel free to make one up. Creating things you know aren’t for you is still a good creative excercise!
Yesterday I posted about a way to force a fork that used spelling to work the force. Today being Cinco De Mayo, here’s a spelling force that uses that.
Honestly, I’ll probably never do this, so feel free to do what you want with it. -Louie
Sometimes I see a magic trick and I don’t know how I feel about it. The routine below is one of them, I’ll let you watch it first:
First of all, let me say that I am not the demographic he’s going for, so factor that into my opinion of it.
Here’s what it has going for it, it’s 100% on message. All of the props are themed and it doesn’t veer away from the message. If I was booking for a large religious event, I would definitely consider this. It’s big and fills the stage.
What I personally don’t like is his almost animatronic performance of it. The clip may be taken out of context, so there may be a reason why he’s doing it like that. In my opinion there’s nothing real happening, he’s not trying to connect with me. It could be a movie on a screen, not a live performance. Once again, it’s out of context and maybe that’s what it’s for.
I love seeing things that make me think about what I like or don’t like in a performance. It makes me look at my show with a more critical eye.