Sometimes I don’t take my own advice and I regret it. I tell people always use a mic when doing a show for a group. Yesterday I did a summer day camp show for a smallish group and it was indoors. I intentionally didn’t pack my sound system as I didn’t think it was necessary. When I got there, they were a group that was all masked, so I did the show masked.
When you’re masked you lose a lot of the power of your voice when speaking to a group. Also you spend a lot of energy pushing your voice through the mask to project it out to the audience.
Today I have another summer day camp and I’m packing my sound system in case they are also a facility that still requires masking. I should have packed the sound system yesterday anyway and left it in the car if not needed. I was being lazy and it ended up being a bad idea.
For some reason I’ve always wanted a Chair To Suitcase. This is simply a chair that folds up into suitcase and was popularized in the USA by Horace Goldin in the 1930’s. I’m not sure why I want one, or what they heck I’d do with it. Recently I had a chance to buy one and now I own one.
Here it is as a chair:
And here it is as a suitcase:
This particular one will hold my weight if I sit on it, but I really don’t think it necessary. I think if I used it, it’s be something that held my props, like a makeshift table. For something like a cabaret show or when doing a short set it may be useable. I have a feeling it’s something that will just kick around for a while and I’ll either figure out a use for it, or eventually sell it.
A couple of months ago I had a garage sale find of a lot of vintage magic. I sold most of the props a few weeks ago. I kinda regretted selling the spirit bell that was part of that find. Well, the magic gods led me to another spirit bell! This one belonged to John Pomeroy whose company was GEM magic.
This one is a little bit bigger than the previous one that I had, it’s also heavier. The nice thing is that I have an extra glass bell. This one doesn’t have a stand, but it does have the wand that makes it ring.
The wand on this one has a better design than on the other one. The previous one had a button you pressed, where this one has a button you slide. The sliding action is more ergonomic and makes your hand move less when the bell rings.
Life is funny sometimes, I’ve never seen a spirit bell in person, and in the span of four months, I’ve owned two different ones!
Last week on Friday after I finished up performing I drove up to the Magic Garage with Dennis Forel. I always have a blast there, and Will is awesome for hosting this every week!
One of the fun things for me at the Magic Garage is meeting people I’ve only known online. It was great to hang out with Dan Chan! He’s the reason I sell my Russian Shell Game trick. He saw a video of it and asked me if I’d make him a set. Honestly, I was surprised that anyone would want a set, it’s something I’ve always wanted, so I made the first set for me. Dan was the person that made me realize that other people might be interested in that trick!
If you’re in the Bay Area on a Friday night and know someone who can get you an invite, I highly recommend going, it’s a BLAST!
A couple of days ago I wrote about there being two kinds of Nielson Latex Canaries and that I prefer the lighter color as it’s thinner. The reason is that it’s a thinner latex. If it happens to stick out of the cage during the vanish it doesn’t really hang up on your sleeve. Here’s what the cage looked like after I pulled it out of my sleeve yesterday:
When I noticed that I made a quick video to explain the difference:
While the difference in the firmness of the latex isn’t much, one thing I’ve learned about the cage is that a lot of small things that end up making a huge difference! -Louie
A while ago when I performed at the Moisture Festival I was in shows with Mike Caveney and Tina Lenert. Tina has an amazing act (read about it here) and so does Mike.
Backstage I was talking to Mike about how he got into writing magic books. He was asked to write a book by Bernard Bilis called French Pasteboards. There’s a really cool move in that book called the Bilis Spread. This is a one handed display of three cards, but you really have four cards.
When Mike mentioned that book, I told him I learned to do the Bilis Spread when I was a teenager and he commented that I’m probably the only other person that does the move (aside from Bernard Bilis).
Personally I love little booklets like this, they tend to be overlooked and usually have some fun little nuggets in them! -Louie
I’m just wrapping up run of 8 days of shows using the Riser/Summers Baby Lindy Vanishing Birdcage. This is the first long run of shows that I’ve done using the cage. First of all, this cage has really no break in time, it’s good to go right out of the box and for me it’s the perfect amount of rigidity.
I use a Nielsen rubber canary in my cage, and currently the Riser/Summers cage comes with one, which is nice. I’ve noticed that there are two types of the canaries that Nielsen has put out over the years. One of them is a lighter yellow and one is a brighter yellow. The lighter yellow one is a thinner latex than the brighter yellow one. I prefer the lighter one inside of my cage as it collapses much flatter and if any of it is sticking out of the cage, it doesn’t really provide any resistance if it catches on my sleeve.
This cage works perfectly with my Take Up Reel, so I’m able to close the show with it. The other thing that’s great about this cage’s size is that I’m able to bend my elbow with it all the way up my sleeve, making the motions of my arm much more natural feeling (at least to me) after the vanish.
I’m having a great time with this cage and if you’re in the market for a cage, I recommend the Riser/Summers Baby Lindy Vanishing Birdcage! -Louie
Sometimes I see things on fairgrounds that make no sense to me in the moment. Recently I saw Bubba Bear and the Bad Land Band.
This is a trailer stage that had an animatronic animal band and Mark Twain. If I was betting, these are older robots from a Chuck E Cheese that have been repurposed for this show.
Here’s a peek at the show:
The show runs every 10 minutes, I didn’t watch more than one show, so I don’t know if they are all different.
The show is (in my opinion) not good, however I do think it serves several important purposes. First of all the trailer stage and graphics look great and it looks like something you want on your fairgrounds. Next, it runs all day, and it has benches, so it’s a chance for people to sit down for a few minutes, however no one is going to sit on those benches for hours chatting. Also, it doesn’t really take man power (unless it breaks down), so it’s an easy to fill a blank spot on a fairgrounds. Oh, it’s owned by the carnival, so I’m going to imagine that if they have a ride that’s supposed to be at the fair, they can easily substitute this in. Finally, it’s free for the people attending the fair, so it’s something that’s not a money grab.
That illustrates something that you need to know if you want to perform at fairs, what is your purpose on the fairgrounds? A fair may book you because they want an awesome show, they may book you because they need to move guests a certain direction on the fairgrounds, or any number of reasons. The sooner you understand why you’re there, you’ll be much more successful!
With all of that considered, I’d still not watch the show again…but if I ran a fair, I’d probably book it and be happy with having it on my fairgrounds.
Back in October I started trying to go to more open mics to play with new ideas. I haven’t been to as many as I’d like, however the one I went to last night was a gave us drink tickets. That got me thinking about a trick with them.
If you showed the ticket, then it grew to about the size of a sheet of paper! For the finale you produce a drink out of the giant ticket!
That’s a great little routine that would be a good opener, especially for something like a corporate holiday party where they are giving out drink tickets.
As for a routine, you could tell a story about trying to use a drink ticket and that the bartender told you it would only get you a small drink. The ticket grows and you got a full beer.
The challenge would be making the growing ticket not look like it was just folded up behind the small ticket. I guess that’s the gag the sets up the production of the drink, so the growing doesn’t need to be the strongest trick.
Last week I performed at a fair that was very windy and dusty. One of the things that the wind and dust (plus the sun) does is put a lot of wear and tear on your props. After the fair wrapped up, I got up early the next morning before my flight home and did some cleaning and maintenance on my props.
There were several things that I just had to throw away as the dust made them not work properly and I really couldn’t get inside them to clean them. It was also a good time to give my magic show props a good once over to look for things that need repairs, or touch ups.
The nice thing about doing this clean up before I left is when I fly back to CA in a couple of days, I won’t have to clean my props, I can just load into the next gig.
