In yesterday’s blog post, I mentioned it took a bit of work figuring out what to do with the penny in the trick where a penny changes into two silver dollars. The challenge was that the coin change happens immediately, however I need to keep the coin hidden for the whole routine. Based on the conditions I posted I can’t just ditch it as my hands need to remain in the frame. Adding to the problem is that I also have two coins finger palmed the entire routine (until the end).
The solution I came up with, which should have been pretty obvious was to attach attach a magnet to the penny as the silver dollars already have magnet in them. I took the penny shell from a Dime and Penny set and used teflon tape to hold the magnet.
I figured using a shell would allow the penny to sit flat on on the silver dollar. The flatter it sat, the less chance there would be for me to accidentally knock it off, and it won’t rattle as the coin moved.
The “penny solution” brings me back to something Nick Lewin always says, I love how elaborate this 30 second coin routine has become!
One trick that I’ve been interested in for a while is the Light and Heavy Box premise. This was originally done with a box that someone could lift, or couldn’t at the will of the magician. This is a trick that I’ve used in my stage show during a couple school assembly tours. It’s a great trick and gets good reactions.
About a dozen years ago I published a version that was close up that used a coin:
The Linking Ring, September 2008
A couple of days ago I saw that Wayne Fox was offering a discount on a download of his Light / Heavy Project. This is an interesting idea, and it was a great purchase. Personally, I don’t think it will make it into my core close up set, however I do think it’s something that I’d do for a group that I’m really connecting with.
If you like the light and heavy premise this download is worth checking out!
If you read this blog or follow me on social media, you know I’m not the Three Shell Game. I’ve come up with several original takes on the classic trick, which is great for a routine that’s basically been unchanged decades. I just built an ending for the shell game that I think is pretty cool.
Before I tell you what I did, let me tell you the two types of tricks that I think are usually the most lazy ways of being creative with magic. They are items that are hollow and turn solid and items that turn into glass (or clear plastic). Yes, there are execptions, like when Jerry Andrus and Danny Korem first did the Omni Deck. If you take a marker an turn it clear…great, but unless you have a really original take on the switch, it’s just a color change and no different from turning the marker from red to black.
So now, let’s get back to the shell game. Personally I’ve never done the ending where the shells turn solid. Why? I don’t think it makes sense. It’s a kicker ending that’s not really logical and doesn’t really move the ending forward. It’s too different from what has happened the whole time. It’s a “what?” moment because it thinking of the audience has to shift a lot from what was happening the whole routine. It’s almost like it’s the beginning of a new routine.
How did I fix the solid shells? I took it a step further. I used it as the starting point for another effect. Here’s how the routine plays. You do a few shell sequences, then cover a shell and pea with a shot glass. They are mixed around and guess where the pea is. When they lift the shot glass, then the shell, they see no pea, and then they discover the shell is solid. Now it’s a mystery they just discovered. They will turn over the other two shells to check them, and they are solid as well. Having them discover the solid shell is soo much better than you revealing it.
Now for the new ending:
When they look at the shotglass that’s sitting on the table, they see the pea under it. When they pick up the shotglass, they realize the shotglass is solid! The pea is embedded in the solid shotglass!
This is a solid (pun intended) ending for the solid shell game. It takes the routine one step forward to an ending that’s more logical than just the solid shells.
A few nights ago I woke up with a idea for a gimmicked envelope at about 3:30am. I went back to bed without writing it down. Then an hour later I woke up with the same gimmicked envelope idea “fleshed” out a bit more in terms of a routine. I went back to bed without writing it down again. I got up once more about 90 mins later with a more fully formed routine for the trick and immediately went to the office to build the gimmick!
First of all, if you wake up with an idea, you should always write it down. Most of the time if you got back to sleep, the idea is gone. I’m lucky that I work up multiple times with the idea and it wasn’t lost. Here’s the gimmicked envelope with a jumbo card inside:
I’m not sure that an envelope has been gimmicked this way before. Basically what it does is allows something to be loaded into the envelope.
What I like about this is that in the picture above you can clearly see the gimmick. It’s hidden in plain sight, and that’s what makes it interesting for me. Tomorrow I’ll kind of write up the rough routine for it.
One thing that I’ve been working on is learning to cast things in resin. I’ve been doing little projects for people to give me things to do to learn with. One thing someone asked me to do was make the coin for the Silver Extraction magic trick, but with a Silver dollar instead of the half dollar that it’s traditionally made with.
If you’re not familiar with the trick, here’s a dealer demo of it:
The trouble I was having was getting the coin made in resin without too many air bubbles. After a lot of work and learning, I’ve gotten a workable clear resin coin:
I think if I make another one, I will remake the mold with my newfound knowledge and that will give me an even better result. When I’m learning something new, I love working on projects for friends, as it helps me learn to do thing and try them in ways I wouldn’t normally.
The other night I was having a virtual magic jam and was showing some of my ideas using surgical gloves. Here’s a few of them:
Gloves are interesting to use for magic because they fit have a built in “black art” to them. Also like water they have rules, they have to stretch, are essentially air tight and things can’t get through them. We can now use those rules to our advantage. The old close up black art tricks with thing like the chinatown half no longer need the black card. You just set the coin onto your palm, and they can see right thought it!
I’m not sure that the use of gloves will have much of a life beyond the next year when all of this COVID-19 stuff hopefully is over. I do think that glove tricks are good social media content right now.
In yesterdays post I showed a gimmick that I was making for a video. This video was made because my brother said I should do a cooking show for our weekly “virtual dinners”. A night before our dinner, I had a ton of ideas and wrote out a rough script, and sent it to a buddy of mine who punched it up. I then built the gimmicks and recorded the show.
Here’s what I made:
At about the 9 min mark you can see the gimmick I posted about yesterday. There’s a couple of other interesting magic effects that happen in the video as well. This was what I found interesting about making the whole video was that the cooking was a frame for magic to happen. It was a built in presentation hook.
It took over 12 hours to make this video, and the sole goal of it was to make my brothers laugh. That’s art, money or longevity of it wasn’t a consideration, it was simply to get a reaction. What reaction are the videos your are posting designed to get?
What are you doing to stay creative right now? I’ve got several outlets for creativity, however on of them is new to me. During the self quarantine, my brothers and our families have a virtual dinner once a week. Last week they asked me to do a cooking show, so I’ve been working on that for fun.
One of the things that I came up with was to turn a garlic clove into chopped garlic. The simple solution is to use a thumb tip. I didn’t really want my hands covered in garlic, so I thought about wearing gloves and a then this I covered a thumbtip with the end of glove and it worked great!
Forcing yourself outside of your comfort zone is a great way to get yourself thinking creatively! If the cooking show turns out watchable, I’ll share it here.
About six months ago I had an idea for a trick, essentially it was a signed card changed from a five of spade to a four of spade. You can read my idea for method for this trick here. This is basically the trick “Picking Off The Pips” that I think I read a version of in the Amateur Magician’s Handbook by Henry Hay when I was a kid. The difference is that it’s a signed card.
I was going to make up a card, but time wise never did. Then due to the cancellations of shows due to COVID-19 I was cleaning up my office and found a set of Dry Transfer Decal Card Pips.
This was probably the greatest thing that’s come out of cleaning out the office! Thanks to these I was able to easily make the gimmick for my idea.
The pip I added to the card was a bit smaller than the pips currently on a poker size deck, but I don’t think that will change how the trick works.
The trick hinges on people not being as familiar with a deck of cards as magicians are. I remember as a kid my mom coming home from work and they had a corporate trainer do a thing with a deck of cards. It wasn’t a card trick, but at the end the trainer asked if anyone had noticed anything strange with the cards. My mom was the only one who noticed that the red cards were black and the black card were red. The only reason she caught that is at that time she’d probably picked a hundred cards a week for me while I was practicing tricks. Normal audiences won’t notice.
I’m glad to have the gimmick, unfortunately I there are no audiences to do the trick for right now. I wish I could try it out.
If you’ve seen my magic lecture you’ve heard my favorite quote, which is essentially what my lecture is about. If you haven’t, here’s the quote:
Go past crowd pleasing and into real comedy…
Mel Brooks
He says it on Tom Papa’s podcast, it’s a great interview and you should listen to it. In my lecture I use the quote not just for comedy, but for magic. Sponge balls are crowd pleasing, how do you go past that and get into real magic?
Let’s get back to what I’m writing this post about. Someone in a magic forum had posted a picture of the nest of wands comedy prop that was broken.
If you’re not familiar with the Nesting Wands trick you have large diameter wand and smaller wands keep coming out of it. If you’re not familiar with the prop, here’s it in action:
The sets that are common in the USA have one end that’s sealed, and the person who wrote the Facebook post thought that they were broken and need to be fixed. For me whenever a prop breaks, I look at it as a chance to p lay with the prop and figure out things that may not have been possible before. I’ve had a bunch of cool things come out of props breaking and getting a new view of them.
When I was younger and did magic shows at kids birthday parties, I used this prop. However the set I had were made by Tops Magic in Europe. Most people in the USA didn’t like this set of Nesting Wands because they were open at both ends. I loved them because there was a lot more you could do with them. Here’s some ideas:
When the kid tries to “one up you” and restack them, they will fall out the other end.
You renest them and they all fall onto the floor.
You renest them and they slide out the other end and land in your case, but you don’t notice that. Then once they are all in your case, you look at the wand in your hand and see it’s empty. You then look around for where they went.
When the kid hands them back to you, you drop them all over the floor. You pick up the biggest wand and ask the kid to hand you another wand. They do, you put it into the wand in your hand and it just falls out the bottom ( you don’t notice that) and have the kid keep handing you wands and they keep falling through. Repeat till it’s not funny and at that point start holding the wands in with your finger at the bottom. Once they are all nested, let them drop out and onto the floor!
Look a prop breaking as an opportunity to do something creative and new with the prop. Sometimes you’ll just have a broken prop…other times you’ll have gold!
