Finding the Silver Lining…

While working on the Object in Ball of Yarn, recently I 3D printed a fishing reel to reel in the yarn. Every time I used it for the first few shows I worked the reel. Yesterday I decided to let a kid reel in the reel. Guess what happened? Within two cranks, the kid snapped … Continue reading “Finding the Silver Lining…”

While working on the Object in Ball of Yarn, recently I 3D printed a fishing reel to reel in the yarn. Every time I used it for the first few shows I worked the reel. Yesterday I decided to let a kid reel in the reel. Guess what happened? Within two cranks, the kid snapped the reel off the fishing pole!


When that happened, I was bummed out, however I’m also smart enough to see the “silver lining” in the situation. When the kid broke the reel, it was funny. My thinking then shifted to, how can I make that happen every time?


This solution was pretty simple. I just epoxy’d a magnet on the pole and the reel. When someone goes to crank it, they come apart. It’s a simple , and effective solution. The bonus is that’s today’s new bit I’m working on for Day 3 of a new bit in the show every day.

New Bits Day One

Well, I’m one day into 14 days of hopefully getting one new joke or bit per day from my show. I gained one, but lost one. First of all, I had a thing I said, that’s not really a joke, but wanted to turn it into a joke. It’s about gluten allergies being imaginary. It’s … Continue reading “New Bits Day One”

Well, I’m one day into 14 days of hopefully getting one new joke or bit per day from my show. I gained one, but lost one. First of all, I had a thing I said, that’s not really a joke, but wanted to turn it into a joke. It’s about gluten allergies being imaginary. It’s really not me, and wasn’t funny (at this point). I’m all for poking fun at the government, education, or big business, but not someone’s health. Cutting it was the right thing.


The new bit I added yesterday worked great. It’s for my cracker card trick. I say, “I’m going catch your cracker like a seagull at the pier“, then I make my best attempt at a seagull noise. I’m tagging it with a the old kids joke, “Do you know why they call a seagull a seagull? If they flew over the bay, they’d be baygulls (bagels).” I’m then following that with another kid joke that I wrote. “I read that on a Laffy Taffy when I was a kid. The highlight of my life when I was 16 years old is that I wrote a joke that Laffy Taffy used. You want to hear it? How does a pilot take their bagel? Plain (plane)“.


While not exactly high brow comedy, it all fits, I’m not just telling a stupid joke for no reason. It fits the theme, tells them a little bit about me and allows me to get out of my comfort zone making the seagull noise. Standing in front of an audience and sqauking isn’t something I’m comfortable doing. I’m going to call yesterday WIN as I got three new laughs yesterday!

Today is my first day of the two week fair that I’m performing at. In the next two weeks I’ll be doing 58 shows! I’ll be doing four shows a day, plus a couple of volunteer things. That’s going to give me a lot of chances to work on new material. If I set a … Continue reading “”

Today is my first day of the two week fair that I’m performing at. In the next two weeks I’ll be doing 58 shows! I’ll be doing four shows a day, plus a couple of volunteer things. That’s going to give me a lot of chances to work on new material. If I set a goal of coming up with one new joke or bit a day for my show, that will give me 14 new bits, that’s a lot.


Hopefully this goal isn’t too ambitious. That’s a lot of writing that will have to happen in a day that’s already pretty full. I think I’m going to do my best to record (either audio or video) every show. Unfortunately the stage I’m on isn’t the best set up for video recording my shows. Video is the best way to learn and critique your show.


There’s a lot to be learned through audio recording. One thing you’ll really notice are dead spots. These can be harder to spot when you watch your show on video as there may be an action happening that makes the dead spot less obvious. So there is a lot of different information that can be learned from just audio.


Let’s see how today goes…

Another Bonus Trick…

About a month ago I wrote about getting bonus tricks out of the tricks you are already doing (you can read the post here). These are little things that frequently happen and when they do, you can take advantage of them. The example I used was having a card selected, top change it, and have … Continue reading “Another Bonus Trick…”

About a month ago I wrote about getting bonus tricks out of the tricks you are already doing (you can read the post here). These are little things that frequently happen and when they do, you can take advantage of them. The example I used was having a card selected, top change it, and have it signed. Most people don’t process that the card has changed, and they remember signing the card they picked, not that the one the one you switched it for.


Using this an idea that was inspired by a trick in the book Be More Funny by Christopher Barnes, I came up with this trick. Someone picks a card (5 of spades) and signs it. You could do a quick ambitious card sequence, then have a card selected from another deck. You say both cards will match, but they don’t, the second card is the 4 of spades. You rip out the middle spade of the 5 of spades to turn it into the 4 of spades. The audience is then amazed that the signed 5 of spades actually turns into a 4 of spades (still signed)

So how do we do this?

I have two methods. The first is simply to top change the card. The second is to use a gimmicked card, this card would be a five of spades, but the corners show the four of spades:

The gimmicked card is better if you want to do a trick with the card before you rip out the center pip and it will reinforce the idea that the card is still a 5 for a lot longer. You’ll have a hard time passing of a 4 as a 5 if they keep seeing the face.


I’m going to try to make up a few gimmicked cards this week and try them out!

Probably more ideas pop for magic tricks into my head while driving than anywhere else. One thing that fascinates me is magic that uses liquid. The main reason is that liquid has a set of rules it has to play by, and the audience understands that. Those rules also make it a challenge, which is … Continue reading “”

Probably more ideas pop for magic tricks into my head while driving than anywhere else. One thing that fascinates me is magic that uses liquid. The main reason is that liquid has a set of rules it has to play by, and the audience understands that. Those rules also make it a challenge, which is why there aren’t a ton of tricks put out that use liquid.


The idea that popped into my head was to have a small set of Gozinta Boxes. These are a nested set of boxes where the outer box will fit inside the inner box. The trick is that boxes are opened and there’s a shot glass inside. You reassemble the boxes in the opposite order (inner box on the outside), then open the boxes again and there’s another shot glass. Both shot glasses fill up the interior of the boxes. You reassemble the boxes with the original outer box on the outside and for the finale, you open the boxes and it’s filled with whiskey, that you pour into the two shot glasses filling them!


As far as method goes, there’s a natural off beat after the second shot glass production that would be perfect for adding the liquid. I was thinking about several ways to seal a load to add into the box, however I think the best and most reliable way would be to simply switch one of the boxes. In theory all of the attention will be on the second shot glass, the production of the liquid is the topper to the trick.


I just ordered a few of the small Gozinta Boxes and will try it out soon!

Easy Way To Be Creative…

One of the hardest things to do is to sit down and try to come up with ideas. Your options are too broad, you need to narrow it down and give yourself some rules. Some examples would be doing trick with a dollar bill, or an animation that doesn’t use invisible thread. When I travel … Continue reading “Easy Way To Be Creative…”

One of the hardest things to do is to sit down and try to come up with ideas. Your options are too broad, you need to narrow it down and give yourself some rules. Some examples would be doing trick with a dollar bill, or an animation that doesn’t use invisible thread.


When I travel I make videos of magic tricks using things that I find in my hotel room. Limiting the main prop of the trick to things in the room narrows your focus.

Another way to narrow your focus is to find one of the calendars online that lists all of the national days. For example today is National Coffee Day. You then create a magic trick for whatever today is.

Here’s an example of three tricks that use a coffee cup that I did for the tricks in a hotel video series:

Fantastic Book!

One of the best books I’ve read about comedy magic (i’m still reading it) is Be More Funny by Christopher Barnes. This book is a solid book on techniques to create comedy magic, and probably the best that breaks it down into different types of comedy. His examples of the routines to illustrate the comedy … Continue reading “Fantastic Book!”

One of the best books I’ve read about comedy magic (i’m still reading it) is Be More Funny by Christopher Barnes. This book is a solid book on techniques to create comedy magic, and probably the best that breaks it down into different types of comedy.


His examples of the routines to illustrate the comedy principles are great and all of the tricks are unique. He doesn’t just take a basic trick and make it funny, he builds a whole unique routine. He’s not just doing funny patter with Hippity Hop Rabbits, but creating an original ride to take the audience on in each trick.


While reading this book I came up with the idea of a card trick with crackers. The trick is coming along, it still has a way to go. I can’t think of the last time I read a magic book and ended up with a unique routine out of it. Honestly, I think this book is one of the best $50 you can spend on a magic book. I think that even if you aren’t a comedy magician you’ll learn something out of it because it teaches you how to create your own routines, not just make existing ones funnier!

Always Tweaking…

In my show yesterday I did the Object in Ball of Yarn with the fishing pole using a different switch than I had previously used. The switch worked, however I wasn’t 100% happy with it. I felt like it was a little too dirty. Sure the audience didn’t know, but I think it could be … Continue reading “Always Tweaking…”

In my show yesterday I did the Object in Ball of Yarn with the fishing pole using a different switch than I had previously used. The switch worked, however I wasn’t 100% happy with it. I felt like it was a little too dirty. Sure the audience didn’t know, but I think it could be cleaner.


The audience knows when something is not quite right. They may not know what happened, or even really consciously know that something isn’t right, but they can sense it. Like when you go into your case to grab something , but you are also doing something else secret and that grab takes a second longer than it should. The audience feels that. If you have too many of those moments, they’ll start to add up.


I think recognizing that you have moments that aren’t quite right and fixing separates the good acts from the just okay acts. It’s that little bit of care that that helps move your magic to the next level.

Audience Getting Ahead of You…

Sometimes in comedy the audience gets to the punchline before the comedian says it. When the audience gets ahead of in magic, it can really build a finish for the trick because they have time to process the trick. This shortens or eliminates the lag that happens after the Ta-Dah and before the applause. The … Continue reading “Audience Getting Ahead of You…”

Sometimes in comedy the audience gets to the punchline before the comedian says it. When the audience gets ahead of in magic, it can really build a finish for the trick because they have time to process the trick. This shortens or eliminates the lag that happens after the Ta-Dah and before the applause.


The Object in Ball of Yarn that I’m working on right now, when the revelation happens, I think the audience already knows what’s in the ball of yarn. From watching the audience and the person onstage, when the paper is revealed tied to the end, the know it’s the drawing from earlier. Frequently the person will say, “it’s my drawing” before it’s untied from the end of the yarn and I have to prod them to unfold it. At that point we’re just confirming what they already know.


With the audience so far ahead of the trick, it can do a switch of the paper at a time where there’d be too much heat in other tricks. This opens up the technical side of the trick to using bigger paper, which will make it much more visible!

Fishing Pole and the Ball of Yarn…

One of my favorite things is figuring out magic tricks. A couple of days ago I made fishing pole reel to wind up the yarn from the coin in the ball of yarn trick. Yesterday I used it in a show and learned a few things about it. First my method of attaching the yarn … Continue reading “Fishing Pole and the Ball of Yarn…”

One of my favorite things is figuring out magic tricks. A couple of days ago I made fishing pole reel to wind up the yarn from the coin in the ball of yarn trick. Yesterday I used it in a show and learned a few things about it.


First my method of attaching the yarn to the string needed improvement. The yarn was threaded through a small hole and then knots were tied in the yarn to keep in from pulling back through the hole. Well, the knot pulled itself through the hole. I’ll need to either tie a lot more knots, tie something to the end that’s larger than the hole, or simply just tie it around a post. This is an easy fix.


Second thing that I learned was that while my pole is collapses, I should have it fully extended before the show. It’s a waste of time to have it extend it, and I also use an extendable pole in my show, so I don’t want a feeling of duplication.


The final thing that I need to do is to change the method for the trick. Right now I’m using Vernet Magic’s amazing trick The Yarn as my method for making the billet appear on the end. This is a great method for getting the billet on the end of the string when the trick is done in your hands. Unfortunately using a five foot fishing pole has created an unanticipated challenge when the string is five feet from your hand. I’m solving this by changing the method for this trick, and the bonus of the new method is that the trick will play a lot larger!


I love that this fishing pole is in my show, and I’m hoping that I can figure out both the technical part and the presentation part so it stays in my show!