Tag: magician

The Artist’s Way…

A couple of weeks ago I was performing at a fair and another act mentioned she was going through a book called The Artist’s Way. This is a book about how to be more creative. It’s more than a book, it’s a series of things you need to do and it’s broken down by week. It doesn’t feel like a lot work, but it is. There’s a lot of writing that needs to happen. I’m not afraid of writing, so it’s not as daunting as it may be for me. If you’re someone who really hasn’t done much writing, it may be a little bit of a challenge.

I’m only on day three, and the book gives you things to do by the week, so I’m on week 1. The first week seems to be identifying the things that are holding you back, and while I did know some of the things that I’ve brought up in my writing, there were a couple of surprises as well.

This book has a pretty hippy vibe. There’s nothing wrong with that, but I guess that writing style may turn some people off. So far, I’m down with this book, but it’s a twelve week thing, so we’ll see how I feel by the end (assuming I make it to the end).

Back in the Virtual Saddle…

The virtual magic show that I did a couple days ago went well. It had been a while since I had done them, so the show wasn’t as tight as it could be. Also I didn’t really have time to run the show a few times, so I had forgotten a few bits. Overall it was a decent show.


With the COVID delta variant out there, I think there’s going to be a lot more people looking for virtual shows than there were a few months ago. I just booked another virtual show that will take place in October. I’m flying home for this show to do it from my virtual studio.

One of the things that initially was cool about virtual shows was that in theory you could do them from anywhere in the world for an audience anywhere in the world. The reality is that many hotels don’t have good internet, and the room isn’t necessarily a good background. That doesn’t mean it can’t be done, but it’s an additional challenge. You may need to book a room at a nicer hotel, or book a conference room. Sometimes those costs can make it cheaper to just fly home and do the gig.

What I need to do is put together a virtual show that can be done with basically just my laptop camera (or small webcam). All of the props would need to be hand held near my face, with no action taking place on the table. This would then work for most situations and could easily be packed.

This is a backburner project to work on for me…

Tarbell System…

My day got exciting, through a unexpected exchange the other day, I ended up with and original Tarbell System (Tarbell Course in Magic)!

This is a first edition (5th printing) of the Tarbell System. The key about how I ended up with this is simply talking to people and being open to the wacky things that they ask!

I’m a HUGE fan of the Tarbell Course, I even had some shirts made a long time ago:

Final Virtual Show…

My final scheduled virtual magic show was yesterday at 9:30am…and it was for a group of middle school aged kids. I’m going to say that middle school age isn’t the ideal demographic for 9:30am. They had fun, and so did I!

This show had some problems which are why virtual shows stressed me out. The big one was my internet dropped about 2 mins from the start of the show. I was back in the zoom before the show started. it’s one of those things that had it happened 5 mins later, it would have been a bigger issue. Zoom also wasn’t recognizing my mic, so I had to use my laptop’s mic. That also wasn’t a huge deal, but it just adds to the stress of these gigs.

I ran this show solo, normally I have my daughter run the production on the show. It was fun, but I’m glad to be back to performing in person.

I had a great time learning to perform in a virtual venue, and I really loved creating magic for virtual shows. I’m not saying I will never do another virtual show, there are just no more on my calendar.

Friends of Magic (The Society of American Magicians)…

There are somethings in magic that confuse me and somethings that don’t. The big one that makes total sense is the decline of membership in magic clubs. There are several reasons why, but the main one is the internet. You can get you gossip, see new tricks, etc online. The second, closely behind the first is most clubs are d*cks to younger people. Old people telling kids who are into flourishes that what they are doing is wrong. It doesn’t matter how you get into magic or what you like, welcome them into the club.

Last night I saw this ad from the Society of American Magicians for the SAM Friends of Magic:

I’m trying to figure out why think selling this is a good idea. It’s all stuff that should be included in your membership! This is like a “light” version of full membership, but being sold as an separate product. Is this trying to generate revenue or increase the Society of American Magician’s membership numbers?

I think it’s ultimately going to do neither.

Figure It Out First…

The other day a magician I know texted me asking me if I could put him into one of my virtual shows so he could do 5 or 10 mins. Here’s a little bit of backstory, the magician is a good in person magician, but hadn’t done any virtual performing. It’s the lack of experience on the virtual stage that made me have to say no.

Unfortunately doing virtual shows isn’t as simple as turning on a camera and performing. There’s a lot of things you need to figure out at it’s most basic level where it’s just your laptop cam and some magic. Having a choppy show that kinda bumbled through the zoom was acceptable in March – June of 2020 when everyone was figuring this out and we were converting in person gigs to virtual gigs. We’re now in a world where we’re selling virtual gigs and you need to have a show that’s barely treading water while learning to navigate the virtual stage.

The silver lining to virtual shows it’s that it’s easer than ever to get your flight time on stage. There are virtual open mics you can do and you aren’t limited to what you can drive to, these happen at different times and time zones around the world. You could probably perform 3-5 times (or more) a day! That’s tons of chances to learn how to perform virtually. That’s in addition to just getting some friend to informally hop on zoom and you do a few tricks for them.

Basically what I’m saying is you haven’t performed virtually, you need to bang out a few free shows to figure out how it all works and how your show fits onto the screen.


Take Action…

ATomic habits book

The book I’m reading right now is Atomic Habits by James Clear. This is about creating new habits and breaking old ones using small steps. I’m about halfway through it and really liking it so far. I’m practicing more, and dinking around on social media less. So that’s a good start.

One thing that was mentioned in the book was the difference between motion and action. Motion is the planning and the action is the actual doing. To relate this to magic, motion is thinking about the method of a trick and trying to look at it from all angles. Action is actually trying the trick of building the prop.

I agree that action is more important that motion and the sooner you start the action part, they more you’ll learn about what you’re working on. You can design and tweak a trick on paper, but it’s you don’t get better at the trick until you start actually doing it.

One of my theories on creating magic is that ideas don’t belong in notebooks. They belong out in the world being performed. The sooner you try the idea, the sooner you know if you will like it, if the audience likes it, or if it’s even a good idea.

Got out a take action!

Chop Cup Load…

Sometimes I think younger magicians don’t give old timers enough credit. The other night I was at a magic club meeting over Zoom and we got talking about chop cup. One of the older members showed us a really cool loading technique that I had never seen before. He used to use it when he did magic behind a bar. The best way to describe it was it was like the Sylvester Pitch done into the cup. It was a really great way to load the cup!

I remember being a kid and while I’ve always loved hearing old magicians talk, many times their moves aren’t very good. It’s not that they aren’t good, they’re just older techniques that have been replaced by better methods. It’s easy to have this cloud your judgement and quickly dismiss what they are doing or talking about.

An example of this is when I was a teenager, I could produce single cards from a back palmed stock in the modern way where you keep the stack behind your hand and peel off a single card. I remember talking about back palming with Mickey Hades and him telling me I was doing it wrong. He taught me to do it the old way of moving the whole stock to the front, peeling off a single card, and then reback palming the stock of cards. It’s a way less efficient way of doing it compared to the more modern way. I can still do it that way (not very well anymore), but more importantly it gave me time to chat with Mickey and that was fun!

If you’re a younger magician, or even an older one, don’t immediately dismiss a magician just because they are older.

Test Pickle Matrix

Yesterday I wrote about an idea of doing a matrix with pickles on the bun of a hamburger. I made some mock up bun shapes out of cardboard and gimmicked some pickles and worked out the trick.

Here’s it in its proof concept video:

Obviously it’s still got a long way to go. Figuring out a way to make the bun rigid will be my next challenge. I also need to buy or make some fake pickles that are all uniform in shape. Those are the next two challenges (that I’m aware of).

Live is Easier…

One thing that I really dislike doing are prerecorded virtual shows. I do my best to avoid them, or talk the person into having my segment live. A prerecord is soo much more work than doing it live. It’s more than just turning the camera on and going for 15 mins. There’s editing, rendering and uploading that needs to happen. I don’t think a lot of people thing about that.

If you’re doing prerecorded shows and not editing, you aren’t taking advantage of the format. You can crop in for tighter shots, or add things that aren’t as easy to do in a live format.

I’m working on a 15 minute prerecorded spot for a variety show and will probably spend 3-4 hours on it. If I did it live, I’d spend about a hour total. Also the live element makes a magic show much more fun to watch for the audience and for me to perform.