This is my final post about the Harlem Globetrotters…but seriously, if you’re a family, comedy magician, you can learn a lot from watching this show. Like how many of the players have defined characters, and how the “game” is structured.
They have a lot of audience participation bits, but they aren’t done in a row. They’re separated by bits without audience participation.
In your show, is it a constant stream of people coming up and down from the stage. Are you only interesting when you’re interreacting with people from the audience?
-Louie