Horizontal Ambitious Card – 3rd Phase

A few weeks ago I posted about how I’ve started doing the ambitious card effect with the cards spread across the table (read it here). I’ve added a third phase:

The ending with it in the card box is a great third phase.

I have changed the second phase a little bit since I made the video above. I’m putting the selected card second from the top of the deck. What I noticed was happening most of the time was at the second phase, people would very quickly point to the top card. When they do that, I show it’s not there and remove that card. Then I proceed as in the video and it’s getting a great reaction. If the don’t immediately point to the top card, I do the reveal with a double lift and that sets me up for the third phase.

I’ve also made a change to the third phase. I’m setting the card on the table (after the switch) and having them put it into the deck.

-Louie

Still My Favorite Magic Trick…

The Linking Safety Pins has been one of my favorite tricks for years. One of things that I do are two phases where the pins are totally out of my hands and someone from the audience links or unlinks them. However my favorite part is the final unlink where I pull the pin through the pin that they are holding.

What draws me to this trick is the simplicity of it. It uses two large safety pins. Everyone knows what they are, they can be examined before and after the trick. Also they take up virtually no space in my pocket.

The downside is that the good oversized linking pins haven’t been made for a long time, so they have to be found on the used magic market. There were soo many sold, they frequently pop up and I’m always buying them whenever I find them. If you’ve never done the linking pins, the trick Shrapnel which is currently available is a good routine and it uses more standard size safety pins and worth looking into.

-Louie

Verbal Card Magic…

There’s a lot I don’t like about how a lot of card magic is presented. A lot of them are “magiciany” things that we think everyone knows. Let’s start with the fact that there’s a chunk of people that don’t know what the spade and club suits are called. We assume they know that, they don’t.

The one that gets me is that magicians expect people to know what the “mate” of a card is and they use the word “mate” which really is an industry term. It’s not a hard concept to grasp, but when we use industry terms it doesn’t really help. Recently I watched someone do a card trick, they showed the seven of spades and they asked, “what’s the mate to the seven of spades?” The person didn’t know what they were talking about. It would be easier to say, “that’s a black 7, so we’re looking for the other black 7, which would be the seven of clubs…” There’s really nothing gained by asking them what the mate is, and not telling them.

I think “mate cards” are the card magic version of calling scarves “silks”. It still works to convey the idea, but it doesn’t work really well.

-Louie

The Moisture Festival Podcast – Jamy Ian Swiss

The Moisture Festival Podcast records on location at Hale’s Ales and welcomes in magician and historian Jamy Ian Swiss. Jamy discusses how he made the switch from selling animal products to performing magic around the world.

Also, we discuss his contributions to the magic world that include the creation of Monday Night Magic in New York City and some of his literary contributions. We hear some great stories from a prolific career that has spanned 40 years. A great conversation that we know you are going to love. 

Avocado Magic!

One of the things that I wanted to do when I was in Las Vegas to hang out at Magic Live was to go to Meow Wolf’s Omega Mart. Omega Mart is a huge immersive art installation that’s a strange grocery store and you can actually buy the things there. If you explore there are hidden doors that take you to the crazy places!

It’s totally worth a stop in you’re in one of the cities where they have locations. While we were in the store portion of the Omega mart, I saw an avocado purse, this is a realistic avocado that is made of rubber, but is hollow and has a zipper on it.

The magician in me got thinking about what I could do with it. The obvious trick would be to take something out of it, then at the end of the routine it becomes a real avocado! The addition would be to have a zipper on the reel avocado that you peel off at the end then cut open the avocado.

For a routine you open the purse and take out an avocado pit. Do a trick with it, like a one coin routine, with the pit continually reappearing in the avocado purse. Then the finale is it’s a real avocado.

Another idea is you could cut it in half and now you have an avocado shell. You could do multiplying avocados, or use the shell to steal something else.

Hmm…what if you have a paper cup, an plastic knife and an avocado pit. You do a cup and ball routine, ending with the avocado purse. You get the surprise of the avocado appearing, but then you blow it off by revealing it’s a purse and the pit is inside it. Use that moment of surprise to steal the real avocado and switch the purse for the real one. Do another phase, and steal the avocado like a in Tommy Wonder’s cups and balls and produce it again. This time ask them to open it, and they can’t. Offer the plastic knife you’ve been using as a wand to them to cut it open!

I hope this inspires you when you see things that would be good for magic tricks to think of things you can actually do with them and not just that you could do things with them.

-Louie

Let Them Perform…

Very frequently magicians will post in social media groups that they don’t understand why people want to show them magic tricks. I’ve got no problem with that, and unless it’s at a totally inappropriate time, like in the middle of a formal show, it let them.

I think the reason for this is that magicians have ego problems and they can’t let the spotlight on someone else. Usually it’s a trick like the 21 card trick and it won’t remotely step on anything you’re doing. You can get some great moments out of it, like immediately forcing the card they failed to find if the trick doesn’t work. The key to doing something like that, is acting like it just happened, so it doesn’t look like you’re one upping the person.

I’ve seen some crazy things that I never expecting, like a old guy that did a perfect tabled faro shuffle with my old beat up deck of cards! I then spent the next half an hour with him teaching me the basics of how to do it. Or this guy:

That guy also taught me the basics of ripping a deck of cards in half, and with the help of my friend Todd Gardner who is a strong man I can now rip a deck of cards in half!

Your job is to be an ambassador for the event you’re working, and with that in mind I almost always say YES when someone offers to do a trick!

-Louie

Spoon Trick…

The trick I’m working on today uses a spoon. Here’s the first proof of concept video of it:

I found the tiny spoon at a garage sale a few months ago, and have been trying to think of a use for it. Obviously it would be some sort of shrinking or growing effect. For the method, I think the first shrink is interesting, the final shrink is less interesting to me.

For the first shrink I really stumbled upon when I was working on a different trick with a spoon, and realized I could essentially make the first shrink self contained. That eliminated the need to have to steal anything or ditch anything initially. Ideally, if I could avoid sleeving the spoon for the second shrink, that would be the best, however I can’t think of a way to do that without ditching the spoon. The nice thing about sleeving (or using a topit) is that you end with nothing palmed.

-Louie

The Magic App Flaw…

When I was at Disneyland a couple of weeks ago, I noticed that they are trying to get me to use my smartphone more and more. For example the old paper Fast Pass that would allow you to access a shorter line is now Genie Plus which is entirely on your smart phone. There were many food stands where you had to order and pay through your phone. I’m not a dinosaur when it comes to using technology, but here’s why I think this is not a good idea. If I’m at the park all day, will my phone still have power 12 hours later?

The bigger issue is what happens when I can’t get my phone to connect to the internet? I ran into this problem, I couldn’t access my Genie Plus while at the park due to a spot where there was no internet. I had to walk across the park to get it to connect.

OK, so how does this relate to magic?

Simple, do you use an magic app that’s based on the internet like Inject 2? Guess what, it wouldn’t work there and you may not know it until it fails and it’s not the apps fault.

Now let’s fast forward to my gig last weekend, the venue was soo packed that the internet was going at a snails pace. Any internet based magic app wouldn’t work. If you use internet based apps, what’s your out, if it looks like you have internet, but it fails? The rough things with those apps is that it’s hard to run a second method at the same time as a backup to seamlessly switch to. I’ve found that while I own a lot of magic apps, I only use ones that aren’t internet based. I’m at too many large events where internet isn’t reliable.

-Louie

Impromptu Magic Idea…

The last week I was at a coffee shop in Santa Maria and realized that if you lay out a fork, knife and spoon with the fork in the middle you can force the fork. While this isn’t the best stand alone trick as it’s a force of one object out of three and there is potentially some process involved, but it’s something that would be handy to have in your brain in case you ever need it.

Ask someone to touch one of them. If they touch the fork, you’re done. If they touch the knife or spoon, you have them spell that item, moving from one item to the next (forward/backwards) to an adjacent item for each letter. Due to the number of letters and how the math plays out it, they will always end on the fork (if they do it correctly).

You’ve now forced the fork, you can use that however you want.

-Louie

Unsigned Cards…

When I’m doing close up magic, one thing that I don’t do is have people sign cards. There’s frequently a strange hesitancy when you ask people, like they aren’t sure exactly what you want them to do. Instead I have people draw a picture on the card.

I say, “Draw a picture on the card, it can be anything…Bigfoot fighting a ninja, so it’d just be a picture of a bigfoot. I won’t judge you…till later. I don’t care what you draw, I’m not your mom…wouldn’t be the first rocket ship I’ve seen today.” That has 2-3 laughs but it also gives them a moment to think about what to draw and I disarm them about worrying about the drawing being bad. It also takes away the incentive for a teenage boy (or drunk adult) to draw a penis as I’ve already gotten the laugh from that.

The other thing this does is gives me a real moment in the show that’s happening now that I can comment on. I can talk about the picture and everyone knows this is real and not preplanned.

Play around with using alternatives to signatures you might like it.

-Louie