Over Writing Material…

One thing I’ve noticed that I do is over write my patter for my tricks. The early versions of the tricks are full of stuff that ultimately will be cut. I do think that’s a good way to do it, over write and figure out what’s good and what isn’t. I try to initially fill a lot of verbal space, then cut out what doesn’t work, leaving only the best parts.

The trick I’m working on that’s essentially a clock prediction:

The presentation hook is about my cat, and that seems to be something that people really connect with!

I think that another huge part of putting together routines is finding some sort of presentation hook that people can relate to. There are definitely people who are a lot better at this than me, but I’m trying…

-Louie

Another Visit to the Magic Garage!

When I was in the Bay Area recently I swung by Magic Garage! It’s soo much fun and Will Chandler is a fantastic host! There are really two parts to the magic garage, there’s the theater and the bar area which is where everyone hangs out and there are two close up tables.

They do shows in the theater, but when I was there one of the magicians was working on their act for a TV appearance. We all watched and gave feedback.

Will has made the Magic Garage more than a hangout, but a valuable resource for magicians!

-Louie

The (W)hole Thing

An idea for a presentation of The (W)hole Thing by Daryl came up in my daily writing a bit ago. I managed to fill out the idea a bit and do some writing. While I was in the Bay Area, I had Joe and Misdirections Magic Shop order me a set of the cards in.

The Whole Thing by Daryl

One thing I found interesting was that there’s no mention of Emerson and West in the ad copy for the trick. This is essentially Daryl’s routine for the original trick. I’m guessing this is a Murphy’s Magic copywriting thing, as Daryl was pretty good about crediting things.

Here’s Daryl doing the routine:

For the routine that I want to do, I will need to make some custom cards. For now I’m working out the muscle memory for the routine!

-Louie

The Vanishing Birdcage

Last week at the fair I was performing at, I decided to to carry my vanishing birdcage on my walk from the dressing room to the stage I was on. Whenever anyone asked me about it, I made it disappear!

@louiefoxx Taking my bird out for a walk between shows at the San Mateo County Fair! #sanmateocountyfair #countyfair #sanmateo @SanMateoCountyFair #magic #magician #birdtrick #louiefoxx #magictrick #parakeet ♬ Stolen Dance (Instrumental)

It was a fun thing to go to give fair goers a special moment…and something that made my daily commute to the stage a little more fun!

-Louie

Show Shopping…

When I fly to gigs there’s always a little bit of a shopping list of things that I need to get for my show.

magic show props

It is inconvenient to have to try to find these things sometimes, however it’s better than packing them for travel. I can fly with all the thing above, as I only need the matchboxes, not the actual matches. However the boxes can sometimes trigger a search and I want to reduce that chances that someone will go through my gear.

The things like the paper plates and the wipes are just dead weight and nothing specialized. I’d rather simply buy them when I arrive than have them make my bags overweight.

One thing I don’t do is ask the booker to provide these and there’s a simple reason why I don’t. That’s because just because you ask for something specific doesn’t mean you’ll get exactly what you need. For example the bananas need to be yellow, so that they open easily. If they provide me a banana that’s too green it makes the trick not play as well as it’s a struggle to open it.

It adds a bit of time to my day, but for me totally worth it!

-Louie

How to Write an Introduction

Last week I was doing a stage hosting gig, and I’m amazed at how many acts don’t know the difference between an introduction and a bio. I was frequently handed introductions that were a half of page, or more!

Here’s an example of something I was handed to read:

I had to do some editing to the intro, and it was still a lot longer than it needed to be!

An introduction should be a few bullet points, the idea is to put a little bit of context into what people are about to see…not tell the whole story. You’re going to tell the full story onstage with whatever your act is.

A simple formula for writing an intro is three bullet points:

  • Where you’re from
  • Cool sounding accomplishment(s)
  • What you do

That is then followed by your name. It’s pretty simple. Sure there are reasons to do longer introductions, or more complex ones, however the majority of shows don’t need those.

Also giving tips on how to say uncommon names is super handy for the host/MC.

-Louie

Assistant’s Revenge Illusion

For some reason I’ve never really liked the Assistant’s Revenge Illusion. I think that from a method standpoint, it works exactly how anyone would think it does. If you’re not familiar with the trick, here’s what it looks like:

What the trick has going for it is that it has a nice surprise, where the audience is expecting the magician to escape, but it’s a substitution. I’m going to imagine it packs pretty flat and it plays big. I’m not knocking anyone that does the trick, I just think the trick is just “meh”.

Recently this one popped up for sale:

assistants revenge illusion

This pic is what got me thinking about why I don’t like the trick. The chains end up soo loose on usually the female “assistant” that there’s really no reason why the person couldn’t just slip out. If you watch the video above, you can see how loose they are at the end. I do understand that at the beginning they are tight, but that’s not the final image the audience is left with.

The trick would be greatly improved with some sort of handcuff type restraint, but I also think that would make the switch much slower.

-Louie

School Assembly set up

One thing I love it how other magicians have their props onstage. Not what the audience sees, but the magician’s view. A couple of weeks ago when I was doing my Incredible Idiom show, this is what the inside of my prop case looks like.

school assembly magic show

All of my props are easily grabbed and put away. There’s no fumbling, I’ve cut out all the dead time of bringing props into view.

I’m still amazed at how many magic shows I see where the performer ducks out of view behind their case looking for a prop. This is usually done by magicians who don’t have a firm set list, and simply chose the next trick on the fly and their show’s flow is different every time.

Having a set list will make your show better! You can see mine on the inside of the case!

-Louie

ChronoForce Pro

Last week I was in the Bay Area and swung by Misdirections Magic Shop to visit Joe. One of the things I picked up was ChronoForce Pro.

I haven’t put it on my phone yet, however I like the idea of using it to force the fractions of a second. I have an idea for it…I want to have a breath holding contest with person from the audience and ultimately the game tied down to the fraction of seconds. This would be revealed by a prediction that is revealed in stages.

I haven’t gotten to play with the app yet, so my opinion may change once I actually use it.

-Louie

Emergency Audio Solutions

A couple of months ago I wrote a blog post about a gig that I did that had a PA with only one input, where my show ideally would use three channels. Shortly after that gig I bought a small Maker Hart audio mixer that is designed for people to use on computers. I finally got a chance to try it out at a gig where they had a PA, but had a hand held mic and only one input.

Magic show audio set  up

The little mixer worked fine, it had a little bit of hiss, but I suspect I was probably the only one that noticed it. Given the choice of using my normal audio set up with a little hiss or using one (or two) less channels, I’ll take the hiss every time.

Sure I could get a better mixer, however this is an emergency mixer for me, as a mixer isn’t something that I normally provide for the venue. If they read my tech sheet, they’d know that I need three channels.

I’m going to give the Maker Hart Audio Mixer a solid rating as it does what I need it to do and doesn’t take up much space for something I hope I never need to use again…but know I will need in the future.

-Louie