stage magic – Page 2 – MagicShow.Tips

Venmo Prediction

There’s not much to this idea; it’s a confabulation routine where you predict a Venmo transaction. The three things predicted are a name, an amount, and an emoji.

Method wise, my first idea was to use a no force mental epic. There are a couple of things I don’t like about that. The main one is that you don’t have much room to write. Also, the prop doesn’t look like something that I would use in my show.

When you think about it, you just need to force the three things. Ideally this would be a routine that could be done onstage, alone, without a spectator. That leads to a simple method, the Three Section SvenPad Picasso. This is a forcing pad that’s cut into three sections.

For the routine, I’m thinking it starts by tossing a paper ball into the audience. That person selects a name. It’s tossed to a second person who chooses an amount, and finally, a third person who picks an emoji. All of those selections are them saying stop as you riffle through a section of the pad. The paper ball is tossed back to the stage, and it’s opened to reveal all of the information

This is a packs small, plays big routine!

-Louie

Vanishing Bottle Routines

Yesterday, I posted a little routine for the latex vanishing bottle prop. If you haven’t read it, you can read it here and do that before you read this as what follows will make more sense. Here are some ideas for yesterday’s routine:

Use two bags instead of one so that the item travels across the stage.
Say they’ll change places, the spin the bag 180 degrees.
If using two bags, one could be labelled “full” and the other “empty”. You then turn the bags around, and they have the other word on the back.
To add a layer, to make the method harder to back track, you could start with a variety of drinks that are different colors and force the latex bottle.

There you go, a few ideas to expand the routine.

-Louie

Vanishing Beer Bottle Routine Idea

This morning, I was thinking about uses for the latex vanishing bottles. Here’s one of the routines that I thought of:

Effect: You put a full beer bottle and an empty glass into a paper bag. A snap of the fingers and you remove an empty beer bottle and then a full glass of beer!

Method: You need a bag, a latex beer bottle, a matching real beer bottle, a glass full of beer, and a fake bottomless glass. This fake bottomless glass is basically a thin plastic tube. In the old days of magic, they would call it something like a “celluloid fake”.

Set Up: Place the empty beer bottle and the full glass inside the bag on your table.

Working: Show the empty glass (plastic tube) and put it into the full glass that’s inside the bag. Next, you show the full bottle (latex) and put it into the bag.

Snap your fingers, then remove the full glass (with the plastic tube inside), and then remove the empty beer bottle. Crumple up the bag (with the latex bottle inside) and toss it offstage.

That’s it, there’s really not much to it, but a bit more simply vanishing the bottle or making an empty one become full.

-Louie

Coin Matrix Layout

One of the things that I’m playing with is a Coin Matrix. One thing I thought about is why the coins are in the corners of the performance area rather than in some other shape. I get that there’s a lot of tradition, as the modern coin matrix is based on Yank Hoe’s Sympathetic Coins. Then, when Al Schneider created the modern version, he called it Matrix, and I think in math, those are traditionally a square or rectangular shape.

I was playing with some other shapes and layouts for the coin matrix. A straight horizontal line, a diagonal line, however I think I’ve settled on the classic Ace Assembly layout. With a leader coin in front and the three follower coins in the back.

I really like this layout, as in my routine, there’s some other stuff that needs to happen, and it moves all of the empty spaces once the coins travel to my edge of the table, which makes the next part for me a lot easier to do!

I want to say there’s nothing wrong with the standard coin matrix layout; however, there’s also nothing wrong with changing it!

-Louie

Five Minute Magic Spot

While I was on the cruise ship I was asked to do a 5-7 minute spot in the farewell shows. I don’t do short spots as often as I used to do them a couple decades ago. They stress me out because you don’t really have time to establish a character or vibe and you don’t have time to win back the audience if you lose them.

Here’s my props for the 5-7 min spot:

Here’s what I did: My stand up chop cup routine (see my lecture notes) which ends with the production of a tennis ball. Then I did a card to pocket routine with a signed card. The routine ends with the signed card coming out of the tennis ball.

One thing to note is that aside from these props, where everything happens in my hands, the only other thing I used (but not necessary) is a stool to set the tennis ball on after it’s produced, so that it’s visible the whole set. The stool was already on stage from the act before me and the one after me, so there was zero moving of props for my spot.

Oh, the black string thing is one of Nick Lewin’s Ultimate Microphone Holders. That allows me to use a handheld mic, so I don’t need to get mic’d up with a head set.

It’s an action packed 5ish mins, with a nice little surprise at the end.

-Louie

Back on Land!

Today I wrapped up my contracts on the cruise ship, and I’m heading back home for the holidays.

It’s always great to perform in nice theaters, but even better when I get to perform with stage/tech crews that are amazing! The stage/tech crews on cruise ships work with magicians and variety acts a lot, so they already kinda know what to do with an act like mine.

We’re entering the slower time for performing (for me). One of the things that I want to do is work on the transition from using ShowCues to GoButton for my audio. There’s a bit of a learning curve in the way you interact with GoButton. I’ve been using ShowCues for over a decade, so it’ll take some work to unlearn the muscle memory.

-Louie

Main Theater Shows

Last night was the night for this cruise itinerary that I did my two shows in the theater on the ship.

I had a weird brain fart in the middle of my show where I didn’t know what was next. I quickly figured it out when I glanced at the set list on the back of the pop up bins I keep my props in. It’s been a while since I’ve needed to look at the set list. The main reason they are there is for setting up and for the actual flow of the show while I’m performing.

Today is another day off, and then I’m performing a quick 5-minute act in tomorrow’s farewell show.

-Louie

Pool Ball and Cue Trick

Years ago, I wrote down an idea for a variation of an old juggler’s trick. The original trick was to balance a golf ball between two golf clubs, so that it makes a sort of T shape.

My idea was to do it with pool balls and a pool cue. Here’s what it looks like in my garage:

It seems like jugglers aren’t as into changing props for tricks as magicians are. No juggler has done this (as far as I know), and to me it seems like a logical variation of the golf club trick.

I got to try it out at a show the other day and it went great!

I think this is something that I’m going to work more on. The trick is there, now it just needs a routine.

-Louie

Getting Props on the Ocean

It’s been a few days since my last show on the ship, my next shows are tomorrow. In my show I use a orange for my drawing routine and a banana for my whip routine. You’re not really supposed to be bringing fruit on/off the ship, so I get those two while onboard.

One of the challenges can be that they’ll have something like bananas all week, but then they’re out the morning of my show, and I can’t get them. Typically, a day or two before my show, I’ll go down and grab what I need and keep them in my room. Then on the day of the show, if they have them out at breakfast and they look better than what’s in my room, I’ll upgrade my oranges and bananas.

This is one of the challenges of performing on cruise ships: if you need something or break something, it can be hard to source it. I try to travel with what I need to fix things or backups. For example, I do Promystic’s Color Match in my show, and I travel with a spare set in case one stops working.

-Louie

Working Through The Bat Magic Magazine

Yesterday was the end of one cruise itinerary and the beginning of another. It looks like my theater shows this week are on the 18th, so I have a few days off. One of the nice things about doing a show later in the cruise is that no one knows that I’m the magician, so I can be anonymous on the ship.

I brought an old magic book, well bound version of The Bat magic magazine.

This bound version covers the years 1943-1945. There are some interesting things in it, and a lot of patter that doesn’t hold up in modern times. I’m going to try to make some videos of some of the tricks that I have the stuff to do or make.

I did find time to make a video using my Meta Glasses. I like the idea of performing into a mirror so the audience can see both sides of the trick. Here’s a four ace assembly:

I’m going to play with this framing a bit more this week with my free time. I like the concept for social media videos.

-Louie