The Moisture Festival is of the largest variety arts festivals in the world and happens in Seattle, WA. They just opened applications to perform at the festival.
The festival runs 4 weeks and performers are typically booked for one week. Each show has about 10 acts and the festival is looking for acts that run about 3-8 minutes long, so not full shows. If you’ve got a great act, you can submit to perform at the festival here: https://airtable.com/appmcVuHJRPUIvGo7/shrtXsES3kpQhJKAt
Over the summer I found myself gravitating towards a handheld microphone in my shows. Using one gives you a lot more power onstage. Also it’s a nice prop to gesture with.
I can do a lot of my show with one hand, and I need to work on using the mic stand. The challenge with the mic stand is being locked to one place with a thing in front of you. It makes moves like Sylvester Pitch or tricks that use magnets challenging.
For my show I’ve been using Nick Lewin’s Ultimate Microphone holder. I have a ton of these, and were used for emergency situations if my headset mic didn’t work, or I couldn’t plug into the venue’s system. This is an easy way to hang a mic around your neck to allow you to work hands free. While a mic dangling isn’t the best way to get audio, it’s better than no audio.
I just ordered a handheld microphone that’s compatible with my Sennheiser receiver.
I like the idea of doing a chop cup on stage, but it presents some challenges. The main one is on a raised stage, if you work on a table, and the audience is seated below you it can make it hard for them to see things on the table. My first rule of the routine was that there had to be no table. The next rule was that I wanted this to be a solo trick, so no one from the audience onstage. The final rule was that I didn’t want to (openly) to go my pockets or case during the routine.
The first thing I did was go see what was already out there, however most of the existing routines at some point use a table or pockets. When I mention this to other magicians they always mention Axel Hecklau’s routine, but that uses a table, pockets and a spectator onstage. In the past I had one a Ball and Cone routine for a show, so a phase of the trick was definitely inspired by that.
The routine that I’m currently doing now is my second version of the chop cup that follows the three rules above.
I’ve been doing this a bunch this summer and it’s going well!
A few weeks ago I was on Facebook sharing a post about an event I was performing at. At the bottom of the post was a little prewritten question for Facebook’s AI. The question was “Is Louie Foxx a professional magician?”
Here’s what the answer was:
I find it very interesting that Facebook’s AI couldn’t find any info about me as my Facebook page has my public show schedule on it weekly!
Then the logic of me performing “Magic tricks and comedy” suggests that I’m a local performer doesn’t make any sense. This just another reason why I think AI isn’t quite ready for real life.
One of the criticism’s of the Vanishing Bird Cage is that it doesn’t look like any bird cage that exists in the real world. Here’s a bird cage I found at a junk shop:
That’s pretty much what the size and shape of a modern vanishing bird cage. So they do exist in the world!
A few weeks ago I did a post about working with acts that don’t know or understand backstage etiquette. You can read that post here. In that post I made a graphic about 3 rules to sharing an offstage space with other acts. Well I made that graphic into a reality. I had some cards printed!
These are a great way to passively inform people of how to behave around other people’s gear! If you run into me, I will usually have some one me, if you’d like one, just ask and if I have any, I’ll gladly give you one (or more).
It’s really our job to educate people who don’t know.
This morning I had an idea for a trick that I think would be called Spiked Punch.
The effect: You show the audience some art you bought. It’s a cardboard box that has a drawing of a boxing glove and spike going through the box. You pull you the spikes and notice the box is upside down. You flip it right side up and remove a full glass of punch!
The trick’s method would basically be like a sword box, with an added bit which is the gimmick from a Wizzy Dizzy Milk.
I think the addition of flipping the box over adds a layer to the trick. Not sure if an audience will notice or appreciate the flip of the box, but it should make it harder to backtrack to figure out the method.
This is something that I’d like to try to make in the future!
A bit ago Losander was pitching a new floating table in social media magic groups. Here’s his post:
I have a few issues with this. First of all, he’s using an AI generated image to show the table, so it’s not the actual product. Also, he’s showing tables that are 3 different dimensions. After people started asking which table they were getting and asking if the pics were AI generated, Losander finally said that he didn’t have the table yet.
OK, I find it crazy that he’s selling a table that he doesn’t have one to take a picture of. At $2,500 (retail) he really should have one he’s tested and knows it actually works. Sure he may have one that he’s used and not in perfect shape for a picture, but people are asking for video and he hasn’t (as of the time he made that post) shared any video.
The final thing is that he’s taking a presale on this new table. If you read the social media groups, many magicians have posted that he’s taken money and doesn’t deliver the product in a timely fashion. Magicians have to constantly bug him for product that he says he has in stock.
Here’s some people’s reported experiences:
Many magicians in these social media groups give the advice that if you want a table, you need to buy one at a convention that he’s at where you can take the table at the time of purchase. I’ve personally never ordered anything from him, the above are the experiences of people who say they’ve ordered from him, and your experience may be seamless.
I finally picked up one of Walter Blaney’s Perfect Vanishing Cages!
It’s really well made, and unfortunately when it arrived, I wasn’t in town to really get to try it out. I do use the Summers/Riser Baby Lindy Vanishing Birdcage in one of my shows, so I kinda knew what to expect from the quality of this cage. It’s got a nice smooth action, but will still stand upright on its own!
This cage reminds me of one of my older Owen Vanishing Birdcages from the 1980’s.
I was working at a fair and there was a local dance group that showed up without any audio equipment. I understand not bringing a PA, but they didn’t bring an adapter to get their phone’s music to the PA. That’s literally a $10 part that’s super tiny and easy to travel with. Because they didn’t have that, they had to do this for their music:
It sounded like garbage and when the dance group is trying to get new students as part of their show, it doesn’t look good.
Personally I travel with all the XLR cords and adapters I need to plug into a standard sound system. Sure there’s the odd time when I run into an unusual sound system that’s really a consumer (back yard) type of speaker and not intended for professional live sound. Those will typically run on 1/4 or 1/8 inch plugs, which I usually have as well.
I should mention that I did have the adapter that they needed, but didn’t let them use mine. I’m not mean, but the first and last time I let a dance group use mine, they took it! That then affected my ability to do my show by helping them do their show. I’ll never let anyone I don’t know borrow things that I need to do my show.
The moral of the story is that if a $10 part is why your show sounds like crap, buy that and carry it with you.
