Last week was the opening of this year’s Moisture Festival! I was part of the cast of the opening night show, then I’m back on March 28th and 29th. The Moisture Festival is a fast paced variety show. Each act does about 5 minutes.
Everyone in the opening night show was super cool, and were also amazing acts!
Doing variety shows that have other magicians in the cast is where my style of doing non-standard magic in non-standard ways really helps me. I don’t really have to change what I do because there’s another magician in the show. Last week at the festival, I did my marshmallow act. For the 28th and 29th, I think I’m MC for two of the shows, and the last one, I’ll probably do my bullwhip act.
Hosting the shows at the Moisture Festival is a lot of work, but the host is really the glue that holds the whole thing together onstage! You need to be able to fill time for the stage crew to set/strike props, which can sometimes be fairly involved!
One of the things that the Moisture Festival does really well is create a family backstage! Everyone is super friendly, and it’s just fun to be there!
I like the idea of the mentalism premise where you have a 5 objects that are all the same and one different one. People from the audience all hold one of the objects, and you find who is holding the odd one.
That premise is fun, and I have a few themes for it. The other day I thought of one using Monopoly game pieces.
The hotels and houses lend themselves to a presentation about finding your way home.
This set of houses and hotels was 3D printed and is gimmicked to work with Promystic’s Flux. One of the challenges of using an electronic gimmick is what do you do if it doesn’t work? What’s the out? For some things, I’ve decided the best way to do it is to have a second gimmick. Luckily, Flix isn’t too expensive, and running two gimmicks at the same time isn’t very complicated.
The second day of the Portland Magic Jam (last weekend) was a lot of fun. The day started with Daniel Garcia‘s lecture, which was great! I’ve used his One Card index since I worked with him in November. It’s great, if you need a folded card index, it’s worth looking into!
The highlight of the convention for me was watching David Kay perform for a room of 75ish kids plus adults.
For someone that’s a “kids magician” his knowledge of comedy techniques goes way beyond 97% of children’s magicians that I’ve seen. There’s soo much that any performer can learn from watching his show!
Also, working with Paul Draper the night before was great, and Paul and I are working together this week in Seattle at the Moisture Festival.
The convention venue (Portland Airport Holiday Inn) was garbage. My room had blood on the blankets, which is great if you’re a vampire! They new a convention was coming in, but didn’t appropriately staff their restaurant for use. The first night the turn around time for food was crazy long. For the second night, I drove to Costco which was a couple miles down the street and bought a bunch of pizzas for all the hungry magicians!
Then the evening show was John Shyrock, Daniel Garcia, and Rhy Thomas. The show was great!
When I was setting up my dealer table at the Portland Magic Jam, someone saw my Joseph Silk Gun and asked about it. I did a little demo for the other magic dealers in the room, here’s what it looked like:
I think that it’s crazy how good this trick looks! It’s hyper visual, and it was way ahead of its time, but using a gun in a show now isn’t something many performers could get away with.
Awhile ago I aquired a Joseph Silk Gun. This is a pistol that you put a silk ontop of and the silk disappears.
Here’s what it looks like in action:
The vanish looks like trick photography! Unfortunately, there’s really nowhere that I would use a gun in a performance. Maybe if you did some sort of vignette, but that’s about it.
I’m going to try to find time to make a video of it with a Crystal Cube prop. Both the vanish and production would be instant!
It’s been a while since I’ve made any chop cups, and yesterday I made a batch of dice cup chop cups. I made these to take to the Portland Magic Jam this weekend.
Internally, there’s not much to it, it’s a magnet in a cup. I 3D print a magnet puck, and cover it with the same material that lines the cup.
Then I make a set of chopped dice, so one is regular, and the other has a magnet load.
I’m going to package these with an 8 Ball for the final load and sell them as a set. If I have any left after the Portland Magic Jam, I’ll offer them for sale here.
I’m still working on the show I’m doing for a school assembly tour in April. One of the tricks that I had planned is a cards across type effect using postcards. I had a method worked out, then I realized the trick involves counting to ten.
Counting to ten means I’ll have to deal with kids and the 6/7 trend that’s still happening. It’s not as crazy as it was a year ago, but it’s still a thing.
In the past, I’ve used the Piano Card Trick‘s method of pairs to do an object across types of trick. That version has no counting, just moving pairs of cards. That eliminates using the numbers six and seven in sequence.
The downside of using the pair method is that only one thing moves instead of two or three cards. I guess the big plus is that since I’ve used this in shows before, I have a lot of the “bits” built in, so I don’t need to do a lot of figuring out gags. That’s also a bad trap; I shouldn’t be lazy and should be writing new gags.
-Louie PS If you’re interested in using the piano card trick onstage, look into Jim Steinmeyer’s Apples and Oranges trick.
This snake basket magic trick I’m working on feels like a “project car” that’s in someone’s garage that they are constantly working on. It’s something I keep finding ways to improve. The first version is barely finished, and I’m working on a second one!
The big change is that I’m going to move it away from a card trick. I’m going to merge it with Terry Seabrook’s Chattering Teeth Routine. The snake will chew holes in the paper, and the reveal will be when the paper is opened. A paper is physically larger than a playing card, even a jumbo playing card. Bigger is better for a reveal!
Moving to paper also allows me to customize the routine to a show. For example, if I were doing a safety-themed show for kids, the snake could chew a stop sign in the paper. It could still be a card a la the original Seabrook routine, or spots (like on a die) or even the image a piece of art!
