On today’s episode we welcome in comedy magic duo Trevor and Lorena. We talk with them about how they started in magic, the evolution of the act and learn about their alter ego’s Charlie and Delilah.
We discuss Trevor meeting Lorena’s Dad for the first time and we even try to place their accents. A super fun conversation with two phenomenal people.
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On the plane the other day I read Mastering Comedy Magic by Ian Batterbury. This book goes through different techniques and objectives with using comedy in a magic show. The book says it’s intended for beginners at comedy magic. I would say it’s for beginning at adding unique comedy to their magic.
The difference is that there are a lot of comedy magicians out there who have never had an original thought in their life. They are doing Banana Bandana, or whatever using the jokes the trick came with, or worse using the jokes they’ve seen other people do without permission.
This book is a general “theory” of performing comedy magic, without much in the way of tools, like how a joke is structured. If you’ve never created your own original script for a routine, this book will give you some good guidelines to help you out. With it only being about $10 on Amazon, it’s worth looking into.
-Louie
PS Another good book to look into is Ryan Kane’s Out of Stock
Every year in my library show I try to have at least one trick that has a life larger than that show. Something that I’ll try to put into my main show. One of the new routines that I have been doing in my library shows uses a Cootie Catcher/Paper Fortune Teller.
This routine has been doing well, and it’s a great little solo routine that’s compact a trick that packs flat, but because it’s a three dimensional trick that moves, it has a bit more visual texture than a flat prop.
There’s not a ton to the routine that I’m working on. It’ll hopefully have 6 laughs in two minutes. I’m always looking for solo tricks that I can do without someone from the audience onstage.
-Louie
One trick I’m not a big fan of is bill to orange/lemon/etc. It’s a overdone trick and usually it’s not a surprise to the audience when the bill is in the fruit. A notable exception to this is Nick Lewin’s Lemon Aid routine.
I do a routine that uses a dollar bill, but the dollar isn’t the focus of the trick. It felt like it had a loose end at the finish of the trick. One day I had the idea to make the bill come out of an orange at the end of the trick. What I like about this routine is that the bill doesn’t disappear, so it’s not obvious it’s in the orange immediately when the orange comes into the play.
Then I had to deal with how to give the wet dollar to the person. I found some Evidence bags, and wrote a gag with them.
Now at the end of the routine when I give the signed dollar to the person, I put it in the bag and let them keep it! It’s a fun way to deal with the wet sticky dollar and gets me a couple of laughs!
-Louie
I love updating old things to make them modern and more relevant. A great example of this and something that I wish I thought of is Play-Duh. This is the old spring snake in a can, but instead of a peanut brittle or chip can, it’s a “Play-Doh” style can.
Simply putting a spring snake into Play-Doh can won’t work, the lid won’t reliably stay on. This has an adjusted lid to make it stay on.
I’ve been using this in my test shows for my summer library show and it’s a HIT!
The national theme for libraries this summer in the USA is Color Your World, so this fits right into the theme!
Here’s how I use it in my kid show:
Effect: Five container of Play-Doh are shown, each has a different colored lid. One is selected (purple). The other four are opened and they contain a ball of purple Play-Doh. When the selected one is opened, and two purple spring snake jumps out.
This is a really simple routine, all you need to do is to put purple Play-Doh in the four containers that aren’t purple. Two spring snakes go into the one with the purple lid and you’re all set.
All you need to do is force the purple one, I use Phil Smith’s Quinta Force, but the PATEO Force or Magician’s Choice force would also work.
It’s a fun routine, especially when you add in all the Bev Bergeron style bits of trying to put the spring snake back into the can and having them pop back out.
This isn’t a product that I put or make anything on, it’s just something that I think is really cool idea.
You can get more info about them at:
https://hocus-pocus.com/product/play-duh-by-hocus-pocus-magic-deluxe-pack-in-stock-now/
-Louie
It always fills my heart to see people using the magic tricks and props that I’ve created!
Fredric Desmarais is working on a routine using the Remote Control Chattering Teeth that I make!
If you use anything that I make, please send me pics of it in your show!
-Louie
The last night of the Magic Collector Expo was their dinner and show. For hotel banquet food, the dinner was good!
The show was three acts, and opened with James Dimmare doing his solo act. This was his solo act, not the dove act he does with an assistant. Having seen the dove act several times over the years and it’s fantastic, the solo is just OK compared to the dove act.
There was a big challenge for Dimmare was that he couldn’t use fire and does candles in the act. When it came time for him to light the first candle, he took out the lighter, struck it and verbally said “fire”. He then did the portion of his act that uses candles without fire. The fire on the candles really makes the multiplying candle trick amazing, when they appear lit. Unfortunately it really fell flat without them lit. That said, it was probably a condition that was dropped on him at the last minute and sometimes you just have to do it as best you can.
Next up was John Carney. When I was a teenager in the mid 1990’s it was very difficult to see a magicians show. You had to catch them performing in your area. When I was a teenager I found a VHS tape of John Carney doing his show. I must have watched it hundreds of times.
He did a few routines that were on that VHS tape, they’re his work horse routines!
I got pulled up onstage to help him with a trick.
It was super fun, but also stressful. I knew the trick/routine really well from watching that VHS tape. I’m not a good actor, but I tried to act surprised at all the right spots!
Closing the show was Mac King.
Mac has been consistently working his show in Vegas for years and really shows. He comes out with a big smile and does great, even in a room full of people who have probably seen his show a dozen times!
It was a fun show and a nice slice of three very different styles of performing.
-Louie
If you do a remotely fun show for kids, you’ve have a kid pee during your show because they’re having too much fun and don’t want to get up, or you make them laugh too hard. The other night I had a kid helping me and she was laughing super hard, she stopped and said, “I just peed”!
This is always a hard thing to navigate, you need to deal with it, but in a way that causes the least amount of attention. In this instance the kid didn’t seem in distress and was remarkably calm, so I said, “we’ll pause this trick and you can take care of it”. She left and got a change of clothes and while she was gone I did another routine. Once she was back, we picked up the routine where we left off.
Oh, I had a paper towel in my case, so I put it on the spot. Not so much to clean it up, but to mark it for me so I knew where it was.
Every time this happens you need to instantly read the situation to know what the appropriate way to handle it is.
-Louie
One of the classic magic tricks is making a person float. Aside from doing it as a stage illusion, there’s no practical way to do it for smaller shows that’s as good. Like anything you have to make tradeoffs when you change the method. In this case the method includes the stage.
One of the popular ones looks like this:
I’ve written about this before, but the picture above recently passed through my Instagram feed. I think one of the things that I don’t like about it wrapping up the person in the cloth. It just doesn’t look right. Look at the area circled in red below:
Is there a solution to keeping the cloth uniform below the floating person?
Maybe if the cloth with just draped over the person, and left dangling?
Nathan Burton has a decent solution and leaves the board in view:
I like this a little bit better, it’s like he’s making the board float with someone on it. That could lead to a presentation idea with the line, “your seat bottom wil act as a floatation device“. That could be a fun comedy angle for a levitation.
I don’t know the solution to a practical levitation that’s done with the audience closer. And like I mentioned earlier, there are always trade offs when you make a stage illusion smaller and add an untrained assistant from the audience.
-Louie
Last week I went to a booking conference to work on filling up my summer schedule. One of the things that that happens besides a trade show where different acts have booths are showcases. The showcase is one of the best ways to schedule work as you can actually show potential bookers what you actually do!
This one had some awesome acts!
Depending on the rules where you’re showcasing, your showcase set can be between 10-20 minutes, with most being about 15 minutes.
My showcase at this conference was with my crank organ.
Honestly, I was super nervous. The organ is newer to me and I don’t know it inside and out like I do my show. With my magic show almost everything that could possibly go wrong has gone wrong. That means I know how to deal with problems if they occur in my magic show. With the organ I’m positive that there’s a lot that can go wrong that I haven’t encountered. And of course problems tend to appear when there’s a lot riding on that show. Luckily nothing went wrong and I had a good showcase set!
I personally think that going to showcases is one of the best ways to book work. You can book a lot of work in a short amount of time. Most industries have some sort of showcase.
-Louie
