Recently I was a guest on a web show, and I do (and teach) the Interactive Coin Trick which has been named The Other Seven Cent Trick. Here’s the interview with Jamie Matchett:
I’m going to write this up for Vanish Magazine in the near future. That will have all the instructions in a more digestible order.
This week I’ve written about putting together and interactive coin trick. Today, we’re putting it all together the force and the coin gimmicks. Here’s an example of what the trick could look like:
I like how the vanish at the end gives the trick a feeling of closure. It also builds off of the mini effect of knowing they picked the dime.
This is my first attempt at creating an interactive virtual magic trick from scratch. I think I did alright.
The last couple of days I’ve been writing about doing an interactive “do as I do” trick using coins that has a magical ending. Yesterday I talked about how I’m forcing the coin, and a couple days ago I talked broadly about how the coin vanish would happen.
Basically I’m using a 21 cent trick coin set…but instead of the dime that’s in the set I’m using a penny. That gives me a set of two pennies and two nickels that will nest to form a single nickel. You are essentially doing the standard routine used with tricks like the 21 cent trick, all the coins go into your hand, you remove a nickel (that has the other three coins inside of it), then open your hand to show the other three coins are gone.
What my forcing sequence gives is a mini effect before the main effect. More importantly is that the mini effect justifies removing the nickel from your hand, which shifts a lot of heat from the method of the trick AND removes heat from the coin on the table, since there was a reason to remove it.
What I love about working on this trick is that I’ve taken a trick (21 Cent trick), where the standard routine is garbage and made something decent out of it. I can only think of one other routine with the coin set that’s any good. It’s in one of John Mendoza‘s books and uses ae $1.35 coin set, which is essentially the same coin set. That routine ends with a very surprising production of 85 pennies!!!
Yesterday I wrote about working on an interactive coin trick (read it here). This is the style of trick where the person (or group) follows your instructions and you predict where they end. My version has a physical trick kicker that ends with a vanish of all the coins that the audience isn’t holding.
Today I’m going to talk about the procedure that I’m using to force the coins. I came up with my own force sequence for this routine. If you’ve just read Jim Steinmeyer’s Impuzziblities books, they don’t really teach you how to create your own sequence. That’s OK as that’s not the purpose of those books.
The book Body Mentalism by Juan Pablo Ibanez really does a good job of laying out principle that will allow you to create your own sequences. Right now with these “do as I do” interactive style tricks being very popular, I really recommend you get the book to understand the principle. I think knowing why the forces work is good knowledge to have in your head…even if you don’t intend on creating your own sequences.
Okay, let’s get to the sequence I came up with for the trick. You lay out four coins in a row, two pennies and two nickels. They are in this order:
Penny – Nickel – Penny – Nickel
You have them touch any coin, then explain the “rules”. These are you will give them two things to spell, and they move one coin per letter. The first thing they spell is the name of the coin they are not touching. If they are touching a penny, they will spell N-I-C-K-E-L and if they are touching a nickel they will spell P-E-N-N-Y.
Now you have them spell the name of the coin that they are now touching. For example, if they are now touching the penny, they spell P-E-N-N-Y. The coin they are touching is now their new selected coin.
If they followed your instructions they will now be touching a nickel.
This sequence by itself isn’t very strong, but when you add the vanish of all the other coins, it becomes a pretty decent trick.
One of the things that’s huge in magic right now are the tricks where the spectators at home follow along with what you do and you end up knowing what they are thinking of. I wrote about my thoughts on this recently, and you can read that blog post here. Basically I want to use add magic to the puzzle to make it more magical.
After the blog post, I wanted to come up with an original trick, with an original puzzle. The trick was going to use coins, so I went out a bought a 21 Cent Trick and a $1.35 Trick at my local magic shop. With these two sets added to the array of trick coins I already had at home, it would allow me a lot of options for the routine.
The premise I was going with was a coin would be selected and all of the coins would disappear. The problem I was having was with the sequence of the counting. There was too much of it.
I finally settled on using two pairs of coins, two pennies and two nickels. In the end they pick a nickel, and the other three coins disappear and there’s just a nickel left.
Performing a live, virtual show over Zoom it a lot more involved than most people think. Last night I gave a talk about and demonstration about Hand Shadow Puppets and taught a magic trick for the Washington State Parks Great Camp In over Zoom that was broadcasted on YouTube live.Here’s a side by side of what’s happening in the room and what is going out on YouTube.
The person I’m talking to is the host of the show, who is in another location.
The person in the room is my daughter who is running production for me.
For a bit of context, the speaker before me just gave a presentation about bats.
One of my goals when doing virtual shows is to do something that makes my daughter who is running production to laugh. I want to try to crack her up. During the bat presentation before mine, I quickly downloaded the flying bat graphic and added a button to my stream deck. Right before I was live, I told her she could hit the bat effect button anytime during the intro interview or the extro interview. She added the throwing of the physical stuffed bat without me knowing.
I got her to laugh, but also it puts energy and fun into the presentation! A lot of the virtual shows I’ve seen are missing energy and fun. I’m not saying you need to be bouncing off the walls, but so many are performed like they aren’t people watching at the other end of the camera. Figure out how to make the virtual show fun for you to do, and that goes a long way for the audience!
Just like magic, it’s time for another Moisture Festival Podcast! This week we have magician Joey Pipia joining Matt and Louie in the Moisture Festival Podcast studio. He teaches Matt how to say his name correctly and talks about how he learned magic from the famed magician Slydini.
He also talks about how he used to be a professional gambler, how that led him to live in the Pacific Northwest and eventually involved with the characters that founded the Moisture Festival. A fun interview and some great stories from a veteran of the Moisture Festival.
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I’m not a fan of doing shows for Halloween (you can read a post from last year here). I do have a no contact, socially distant magic show today, and I’m not really looking forward to it for the reasons listed in last year’s post. I am looking forward to seeing how my 30 min no contact magic show plays. Up until now I’ve only done 20 mins, so it’s a lot longer of a show.
Here’s a Halloween magic trick I created for another performer called Up The Candy Ladder, and published in Vanish Magazine (edition 75):
The nice thing about right now is that a trick like Up the Candy Ladder that uses no one from the audience and heavily gimmicked props is super practical right now!
Recently I started doing a torn and restored card with a postcard. When I started doing it I was using a old promo postcard that had my picture on it. Right now I’m using the idea of a “staycation” for the theme of the trick, so I had my daughter make me a postcard to use for the trick.
One of the things about this postcard that I learned from watching video of the old promo postcard is that the glossy coating makes it hard to see, it’s just a lot of glare. The current batch of postcards have a matte finish, that solves the glare problem.
The thing with creating tricks is that it’s fixing a lot of small problems really adds up to make the bigger picture better!
For years I’ve been a huge fan of Richard Himber, he’s put out a lot of great, innovative magic. I’m not sure why I’ve never bought his book, however recently there have been a lot of them on the market, so the price got pretty low and I picked one up.
This honestly isn’t the best book. The first half is basically instructions sheets, it’s still interesting if you’re a Himber fan, but there’s not a lot you can do out of the book as they really don’t go into how the prop was made. One of the descriptions of what the prop went something like, “it’s like a duck pan with box of cards…” without pictures, it’s not much help. I think whoever worked on the book was a friend of his and not really a magician.
However, it is an interesting book if you’re into magic history and it is more magic knowledge going into my brain. It got me thinking, why did the Himber Ring and Himber Wallet get those names. Those aren’t the original names that those props were given?
One thing Himber knew was how to market his magic, they have reproductions of his ads and he sells it! His fame as a band leader really helped him with the style of selling he did, and it wouldn’t have really worked for most other people.
My verdict is that if you’re into Himber and can snag the book at about $40 you’ll enjoy it.
