I’m honored to take part in the 2021 International Brotherhood of Magicians convention this summer! I went to my first one when I was 18 years old in Minneapolis and got to see some amazing acts! The 2021 convention is going to be done virtually and they’ve got an amazing deal on the convention!
Hope to see you there!
The current project I’m working on is making a couple magical cocktail demos for IBM convention this summer. It was an honor to be asked to do this for them, it also shows that I’ve got something unique that I’ve started doing during quarantine.
One of the hard things about making these demo’s is using only the ingredients and the utensils that are needed. There are people that do a mixology or cooking videos, but crowbar in magic tricks that aren’t really related to the drink or recipe they are making. In my opinion that’s the guy that does his normal magic show and then at the end says, “kids don’t do drugs” and sells it as an anti drug school assembly magic show.
For one of the tricks in one of the cocktail videos I’m using is the Joao Miranda’s Gravity reel which I wrote a blog post about recently. It worked great and did what it needed to do, however I did find the thing that I don’t like about it. You can’t just preload a crap ton of thread into it. You need to put in a bit more than you plan to use. If it breaks, it tends to get tangled with itself, which has led to me cutting out and wasting a ton of thread. You are better off simply respooling what you need. Honestly, it’s easy to respool the thread, so it’s not a huge deal. I’d just prefer to load a bunch of thread on it and then pull it out as it breaks.
Last week I had a “Treat Yo Self” day and picked up Gravity by Joao Miranda. This is an electric invisible thread reel and it’s pretty cool. I personally don’t use invisible thread in my in person shows, as there’s too many variables for me to use it reliably. However I do use it frequently for prerecorded videos as I can control the conditions and breaking the thread isn’t really an issue. The main reason I got it was there’s been many times where I needed a thread to be pulled for something and it was just me in the room and had to rig some janky pully system. This should solve that problem.
The Gravity reel has three modes
It’s the programable mode that has me the most excited. It’s super easy to program. I’ve wanted to have the bird from my vanishing birdcage routine do a trick in my virtual shows for a long time. Here’s my first attempt at programing the reel:
It was a bit after I made the video that I realized I could probably make the bird and card move at the same time very easily with the Gravity reel. That’ll be something I work on later today. So far I’m loving the Gravity reel!!!
In my continuing quest to make things play bigger, I’ve finally altered a trick that I used close up to hopefully have it play for a bigger audience. The trick started as Huge Shelley’s iCube trick. The problem with his set up was that I found using my phone as a thumper was unreliable. The bluetooth would drop, or I wouldn’t necessarily be able to feel the vibrations.
I then got a ProMystic MD Mini, which is completely reliable. I just didn’t like the look of the cube, so I put the guts into the shell that came with icube and have a little prop that works great for close up!
The next challenge is how to make it play bigger. Right now the cube is about 3/4 of an each on each side. The obvious way it to scale it up to a bigger cube. For that I picked up a Meffert’s Oskar’s Treasure Cube with is a Rubik’s Cube that had a compartment inside.
I put the MD Mini that’s inside the iCube shell into the treasure cube and secured it with sponge. Now I that can be seen in a bigger venue. The next challenge is to figure out a way to show the selected side of the cube. This was a bit of a challenge because if it’s held up and show by someone in the audience, they won’t necessarily do a good job displaying it.
To solve this, I went with an obvious solution, and that’s to put the die is a box with a lid.
The box was a very quick and simple 3D print to design and it only displays one side. No I can simply ask the person to, “take off the lid and show it to the audience” and there’s no issue with displaying the selected color. As a bonus, if the trick ever fails me, I now have an out. I can use it like the old color block trick where you put the lid on the side!
It was only a matter of time before I got an inquiry for a gig that required me to be fully vaccinated.
Personally I have no objection to getting the COVID vaccine and knew that not having it may affect my ability to work. I got my vaccine the first chance I was eligible to get it. The big thing to consider is time…if you get the two shot version, you’ve got five weeks until you are fully vaccinated. The waiting period could cost you some work if you wait until the last minute to get it.
I’m not a doctor and don’t take this as medical advice, but for me getting the vaccine at the first chance I had was a good business decision!
About fifteen years ago I attended one of Gazzo‘s masterclasses on street shows. The main focus was on the Cups and Balls, but he also taught the tossed out deck, egg bag and one other card routine. I did his cups and balls routine for a long time, and occasionally still do it.
One of the things that he used in his routine were some fairly unique balls. They were little soccer balls, but they had a texture and density that I had never come across before. The were great and became the standard for many street performers. Unfortunately he hasn’t sold them for years. They feel like something you could walk into any toy shop and buy, however after years of searching I’d never come across them…until recently.
It turns out that I had been looking in the wrong place for them. I found them at the hardware store! I was shopping for something else, and happened to notice them, bought one and it was exactly the same thing!
I wish I was still doing the cups and balls in my main show, as this discovery would have come in super handy a decade ago! The moral of the story is to keep your eyes open, an ideas in the back of your head. As you move through life, look around!
There are somethings in magic that confuse me and somethings that don’t. The big one that makes total sense is the decline of membership in magic clubs. There are several reasons why, but the main one is the internet. You can get you gossip, see new tricks, etc online. The second, closely behind the first is most clubs are d*cks to younger people. Old people telling kids who are into flourishes that what they are doing is wrong. It doesn’t matter how you get into magic or what you like, welcome them into the club.
Last night I saw this ad from the Society of American Magicians for the SAM Friends of Magic:
I’m trying to figure out why think selling this is a good idea. It’s all stuff that should be included in your membership! This is like a “light” version of full membership, but being sold as an separate product. Is this trying to generate revenue or increase the Society of American Magician’s membership numbers?
I think it’s ultimately going to do neither.
Recently I released my Take Up Reel through Hocus Pocus and the response has been amazing. Honestly, I thought they would sell two of them, but they are selling as quickly as I can make them!
I just want to say “thank you” to everyone that has supported this magic release. It’s been several years in the making. From the initial development of it to me road testing and tweaking it…to having other people road test it and doing some more tweaking.
Here’s the next batch of Take Up Reels that are going out.
I wish these reels were easier to make, they take about a week from start to finish to make…and I can only do them in small batches.
Here’s some advice if you are thinking of putting out a magic product, actually put in the time to work it out. Don’t rush ideas out to the market. There’s soo much that’s put out that you can tell wasn’t really tested out on audiences in the real world…whether that’s an in person or virtual show.
When doing the full show it’s easier for me to be set up confidently than it is when doing bits of the show out of the full show context. Last week I was recording some bits for a TV show and it was really stressful making sure that I had all that I needed for each routine.
Unlike a live show, you don’t have the freedom to make a joke and then rummage through your case. Sure on TV you can do reshoots, but doing them because you forgot to set a prop is pretty unprofessional.
I only forgot to set one prop for one routine. It was a dry erase marker, and luckily I had a sharpie in my pocket. I used the sharpie and ruined the prop (or at least made it harder to reuse) but the only person who would know is me!
I’m home now from a taping of a TV show in Burbank and sometimes there are moments when I reflect on where my dopy little show has taken me. The picture below was taken as I was about to leave my dressing room at the studio at the end of the day.
After having not really done the show in a year, to having done a few cool shows right out of the gate as things open up. It’s amazing where my stupid little ideas packed into that Pelican 1615 case have taken me. I think it’s important to look at what you’ve done with your art and why you do it. I do it to show people my ideas, and to see cool places. As a kid who never went anywhere, my show has taken me all across North America!
