Another Vanishing Bird Cage has been added to my collection. This is (probably) a Sherms Vanishing Bird Cage. This is the original design that Milson Worth used for their Silver Meteor Vanishing Bird Cage, but the Milson Worth Cage was smaller.
This has an “S&” stamped on one side near the clip and a “T” on the other side.
The reason I’m not positive that this is a Sherms is that there’s one on eBay listed as a Warren Simms Vanishing Bird Cage and it has the same “S&” stamp on it, and it has brass bars.
No matter who made it, it’s a cool cage!
If you have positive info on the maker, let me know!
It’s been years since I’ve done an in home kids birthday party magic show, and recently I did two of them back to back! Let me say, I’m not above doing them, they just don’t work with my performing schedule. I did these two to help out a friend who booked them, but had to leave town to go to a funeral, so I stepped in and did them for him.
One thing that was interesting to me was that ALL of the adults watched the show with the kids. They stood in the back and watched the show and the kids sat on the floor.
One thing I read in magic groups on social media is that magicians complain that the adults won’t stop talking during their show. I didn’t have that problem for either of the shows, in fact I had a parent say, “This is the most fun birthday party I’ve been to“. I think the problem is that many magicians do a children’s show, and not a family show. There’s a huge difference between the two. If you look at your audience and there’s a lot of adults, you should be doing a family show and not a kids show.
I think of my show as a show for grown up that kids like. My style is very different from a lot of people who perform for families, there are not colorful props. It’s basically me with handheld props that are pretty basic looking. However I fill the stage with the kids personalities. I talk to them, and with my style of play, it works. I like it when the kids fight back with me in a routine when I say or do something dumb, but I also call them out when they do!
I also have jokes that are not just for the kids, one of my opening bits with my rope line is an insurance joke. Doing that early on, it teaches the parents that this is a show also for them.
For someone starting out doing birthday parties, simply saying, “you gotta engage the adults” isn’t a magic pill that will solve the problem. Your job is to entertain the kids, get good at that. However while you are getting good at that, slowly start working at figuring out how to engage the adults. Maybe adding a line here or there, or making sure the magic in your show is STRONG! The only way to learn to do this is do A LOT of birthday parties and over time you’ll get better.
Ove the weekend my wife and I went out to check out Justin Willman’s Illusionati show in Portland. I’ll start with saying that I think his live show is great! He probably has one of the best opening tricks that I’ve seen. It wins over the audience and sets up his personality perfectly!
The other thing that Justin does really well is his use of the “close up camera”. All of the stuff that he does with it are enhanced by the camera, and not reliant on the camera. It’s all sorta interactive, it’s not just a close up on his hands while he does tricks. It’s all part of larger things. If you’re thinking of using a camera in your show, you really should go see Justin’s show.
The other thing that he does really well is letting spontaneous things happen. He’s the star of the show, but he doesn’t mind sharing that spotlight. That’s a huge contrast from a lot of “comedy magicians” where the second someone from the audience does something funny or interesting, they shut them down. It’s these spontaneous things that make a live show fun!
If Justin Willman in your town, be sure to check him out!
Sometimes when you’re out there performing you get to do “media”. That’s talking or performing for the newspaper or for the TV news.
Here’s a newspaper article from over there summer, I did edit out the name of where I was performing.
Sometimes you just know early on that you want to spend your life doing card tricks.
“I saw a show when I was 5, and I thought it was the coolest thing in the world,” magician Louie Foxx said. “I decided that was going to be my job.”
Foxx was at the (fair name) Fair last week doing three shows a day. He’s been to our fair a few times in the past…
Foxx’s website describes him as the consummate kid who never grew up, and that’s the sort of energy he brings to his show. He does his illusions casually, almost off handedly; no cape, top hat and wand for him. Besides the card tricks – using oversized decks that require a lot of dexterity to handle – several of his illusions involved long pieces of colored paper or strings. One trick had him pouring out what appears to be water from a paper cup, until you realize that it’s a single strip of paper, and the cup disappears with it. He designated one audience member at a Thursday afternoon show as his personal wastebasket, and every time a trick resulted in a large amount of paper left over, he would bestow it on that spectator, who took it with good humor.
For all his silliness, Foxx is apparently well respected in the prestidigitation business. He holds two Guinness World Records, and the Society of American Magicians voted him the Best Stage Magician and Best Close-up Magician in Minnesota in 1996, according to his website. He’s also appeared on the TV show “America’s Got Talent,” he told his audience Thursday.
“I was on season six of that show,” Foxx said. “On my last appearance on the show, the judges were Piers Morgan, Sharon Osbourne and Howie Mandel. Piers Morgan said I was an utter waste of time, Sharon Osbourne said I was fantastic, and Howie Mandel said I’d be perfect for (city name). People ask, ‘How far did you make it in the show?’ I’m like, ‘Almost to (city name)!’ So close to my dreams.”
Foxx grew up near Vancouver in the little town of La Center, he said. He does the fair circuit from the end of April through October, and in the off-season works cruise ships, comedy clubs and corporate events.
Foxx’s interest in show business is apparently genetic. His daughter, who’s 20, graduated college in June and promptly ran away with the circus, he said.
“She’s (doing) three shows a day,” he said. “She gets put in a straitjacket, wrapped up in 50 feet of chain, and – in theory – gets out.”
This article is a good example of no matter how clear you are, they will get things wrong. I’m very clear in the show about where I live and grew up, and I didn’t grow up in the town of La Center, it’s where I currently live. I even have a joke about where I’ve lived that lays out the chronology of where I’ve lived.
All in all, it’s not a bad newspaper article, it just got several things wrong.
I think this is a fantastic book, and as someone who has a done a ton of school assemblies, I learned a lot from the book!
Here’s the blurb I wrote for the book:
Holy cow, I wish I had this book when I started doing school assemblies a couple of decades ago! It would have knocked off about 3+ years from the learning curve.
The book reveals one of the biggest mysteries of school assemblies, “What is a teachers guide and how to I create one”. Then John also covers the nuts and bolts of actually doing the gig from when you wake up to the marketing calendar after the gig is completed.
One huge thing for me, which I’ve never read about is how to deal with “burn out” when you’ve done a ton of shows, and he give you some great strategies to keep it fresh! If you’ve ever thought of going into the school assembly market, this book will take you from 0-60 in no time!
If you are interested in performing in schools, or doing some sort of educational or themed program for kids, this book is a will help you a ton! Even if you’ve already done hundreds of school shows, this book will have a few things or approaches you didn’t think of or don’t do.
I’m excited that I should have another batch of Applause Please 2: The Encore ready in early November! This is my Object in Lightbulb routine. You get the props for two routines; Liquid in Lightbulb and Silk in Lightbulb, plus a couple of ideas for other routines with it.
The applause boxes are being made by Ackerly Builds (Phil Ackerly) and look great so far! I can’t wait for them to be completely finishes, so that I can add the electronics and a few other parts and start shipping them out!
Sometimes I see a picture of a magic trick and try to figure out what it does. Someone posted this picture of a box in a magic group on social media:
It’s a trick where you push the pins though a coin. I thought that this looked like a fun little 3d printing project, so I made a simple version of it. My version had a nested lid instead of a hinged lid.
And if you want to see it work, here’s a demo of it:
This is an easy 3d print as it’s only two parts. You just need the coin and four nails. If you’d like a copy of the .stl file to make your own, contact me and ask for it!
A little while ago I was helping a friend with her promo video and all of the videos she sent me were wide shots. They had the whole stage, including unusable parts where speakers were. That wide shot makes cropping in the video to get clear footage of what you’re doing or more importantly your face almost impossible, even when recorded in 4k!
Here’s an example of the framing of the video:
The video could have been zoomed into the blue line and that would have gotten all of her props adn set pieces. However it really could have been framed to the red line and that would have gotten 95% of the action in her show and if I needed to crop it, it would still be nice and crisp!
When you’re recording your show on a tripod in the back, record it at 4K as that allows some cropping and you can still end up with a high definition video. Also starting with a tighter shot helps a lot with the cropping!
A couple of months ago I got a Leon’s Improved Glass Penetration by Merv Taylor.
It appears it should have a dozen spikes, plus two hooked spikes, and mine only came with six. Five regular spikes and one of the hooked spikes. These are something that was custom made for the trick, so it’s not something I can just go to the hardware store and buy.
This is where my 3D printer comes in handy. I designed a replica of the spike and printed it out!
The test one came out great, now my next step it to print out a full set of them! I do still need to try to create the hooked spike. I’d like the set to match.
When making deliveries, Amazon uses these totes to haul packages:
I don’t know if they’re common enough for people to recognize what they are. They collapse flat and I think they could be converted to a magic prop. It wouldn’t be hard to make one into a tip over trunk. You would also simply put a panel that flips up on the bottom and put it on a mirror base and you’re good to go.
The challenge is that I don’t think they’re quite super common knowledge like a milk crate was. Maybe in a couple of years…
