magic show tips – Page 191

Working On A Coin Routine…

A bit ago I noticed some coins on my desk, and figured I’d start playing with putting together a quick coin routine. To start the routine I gave myself a few conditions that it had to adhere to and I’ll get to those in a future blog post. Here’s what I put together:

When I started playing with the coins one thing that I quickly realized is that I could almost do a billiard ball manipulation routine with them. Once you have the initial change from a penny to two silver dollars, the routine is essentially Percy Abbott’s Perpetual Ball routine.

Next up the routine needed an ending. I don’t think that producing 4 or 5 silver dollars would have the same impact as producing 5 billiard balls. Luckily a clear coin caught my eye and I threw that into the mix. I think it gives it an ending.

Keep It Legit…

With almost every performer out of work right now. The federal government expanding unemployment to cover “gig workers” and performers are the original gig workers. My state a few days ago opened up their unemployment benefits to self employed people…people who traditionally don’t qualify for it. I applied the first night it was open and was granted benefits.

As a result of me being one of the first variety performers that I’m aware of to actually get the benefits, I’ve ended up being a consultant as to how to get the unemployment benefits from the state. I don’t mind helping people, however I’m quickly learning that people need to be grown ups and help themselves before a crisis.

When people contact me and ask for help to fill out the forms, I ask them if they’ve paid state taxes. About half of them have. Well guess what…how to you prove to the state that you’re a business if you didn’t pay them? All that work under the counter to save a couple of bucks is going to cost people thousands of dollars, thousands of dollars when they need it!

My unemployment claim was easy to file and quickly approved because it’s correct. Keep your books legit now and it will help you in the future!

Norm Nielsen…

Recently word started going around that Norm Nielsen had passed. I wonder how much about him younger magicians know, aside from wrongfully assuming he invented the latex bottle. Here’s him doing the act:

I remember Tina Lenert telling us about how much work it took to make the violin bow at the end of the act, then about a year later seeing the act in person. The little details make a huge difference. If the violin just came out, it’s good. When it comes out and bows, it’s great!

Over the years I got to chat with Norm a couple of times one the phone, but never really knew him. He was always generous with his time and I’m thankful of that. I think at that what makes people miss him when he’s gone is not that he was an amazing act, but a cool person. What are you doing to be a cool person?

Virtual Card To Envelope

A few days ago I posted about a gimmicked envelope that was designed for use during a virtual show. At it’s core it’s an named card to envelope. Here’s the basic routine:

In the video above I do the routine with a gag card in the envelope. Personally I think the gag card makes the trick a little bit dirtier. This helps it avoid the Too Perfect Theory. My thinking was that the 52 on 1 card puts more time between the load and the reveal.

This will be published in Vanish Magazine soon.

Light and Heavy…

One trick that I’ve been interested in for a while is the Light and Heavy Box premise. This was originally done with a box that someone could lift, or couldn’t at the will of the magician. This is a trick that I’ve used in my stage show during a couple school assembly tours. It’s a great trick and gets good reactions.

About a dozen years ago I published a version that was close up that used a coin:

A couple of days ago I saw that Wayne Fox was offering a discount on a download of his Light / Heavy Project. This is an interesting idea, and it was a great purchase. Personally, I don’t think it will make it into my core close up set, however I do think it’s something that I’d do for a group that I’m really connecting with.

If you like the light and heavy premise this download is worth checking out!

Shell Game Ending…

If you read this blog or follow me on social media, you know I’m not the Three Shell Game. I’ve come up with several original takes on the classic trick, which is great for a routine that’s basically been unchanged decades. I just built an ending for the shell game that I think is pretty cool.

Before I tell you what I did, let me tell you the two types of tricks that I think are usually the most lazy ways of being creative with magic. They are items that are hollow and turn solid and items that turn into glass (or clear plastic). Yes, there are execptions, like when Jerry Andrus and Danny Korem first did the Omni Deck. If you take a marker an turn it clear…great, but unless you have a really original take on the switch, it’s just a color change and no different from turning the marker from red to black.

So now, let’s get back to the shell game. Personally I’ve never done the ending where the shells turn solid. Why? I don’t think it makes sense. It’s a kicker ending that’s not really logical and doesn’t really move the ending forward. It’s too different from what has happened the whole time. It’s a “what?” moment because it thinking of the audience has to shift a lot from what was happening the whole routine. It’s almost like it’s the beginning of a new routine.

How did I fix the solid shells? I took it a step further. I used it as the starting point for another effect. Here’s how the routine plays. You do a few shell sequences, then cover a shell and pea with a shot glass. They are mixed around and guess where the pea is. When they lift the shot glass, then the shell, they see no pea, and then they discover the shell is solid. Now it’s a mystery they just discovered. They will turn over the other two shells to check them, and they are solid as well. Having them discover the solid shell is soo much better than you revealing it.

Now for the new ending:

When they look at the shotglass that’s sitting on the table, they see the pea under it. When they pick up the shotglass, they realize the shotglass is solid! The pea is embedded in the solid shotglass!

This is a solid (pun intended) ending for the solid shell game. It takes the routine one step forward to an ending that’s more logical than just the solid shells.

Routine With Gimmicked Envelope…

I’m going to try to put together some sort of a routine with the gimmicked envelope that was in yesterday’s blog post. Essentially this is an envelope that you can load things into while it’s closed. There’s not much to the envelope, basically it has a hidden trapdoor that allows you to load it thru the bottom. This post isn’t really concerned with the mechanics, it’s more concerned with what to do with it.

My first idea was for a trick over Zoom. What happens is you show the envelope and have someone name a card and it’s in the envelope. How I’m doing it is having someone off camera load the card into the envelope what the bottom of the envelope is off screen for a second. I’ve done this a couple of times and it works.

My second idea is to expose the camera edge with a fake explanation. You show a side view of the trick and what happens off camera is a “Rube Goldberg” sort of way to find the card and put it into the envelope. I think this is a fun blow off and gives you more time out of the trick. However the trick needs a kicker of some sort to so that it has an ending instead of just a blow off.

Gimmicked Envelope…

A few nights ago I woke up with a idea for a gimmicked envelope at about 3:30am. I went back to bed without writing it down. Then an hour later I woke up with the same gimmicked envelope idea “fleshed” out a bit more in terms of a routine. I went back to bed without writing it down again. I got up once more about 90 mins later with a more fully formed routine for the trick and immediately went to the office to build the gimmick!

First of all, if you wake up with an idea, you should always write it down. Most of the time if you got back to sleep, the idea is gone. I’m lucky that I work up multiple times with the idea and it wasn’t lost. Here’s the gimmicked envelope with a jumbo card inside:

I’m not sure that an envelope has been gimmicked this way before. Basically what it does is allows something to be loaded into the envelope.

What I like about this is that in the picture above you can clearly see the gimmick. It’s hidden in plain sight, and that’s what makes it interesting for me. Tomorrow I’ll kind of write up the rough routine for it.

Keep Working On It…

One thing that I’ve been working on is learning to cast things in resin. I’ve been doing little projects for people to give me things to do to learn with. One thing someone asked me to do was make the coin for the Silver Extraction magic trick, but with a Silver dollar instead of the half dollar that it’s traditionally made with.

If you’re not familiar with the trick, here’s a dealer demo of it:

The trouble I was having was getting the coin made in resin without too many air bubbles. After a lot of work and learning, I’ve gotten a workable clear resin coin:

I think if I make another one, I will remake the mold with my newfound knowledge and that will give me an even better result. When I’m learning something new, I love working on projects for friends, as it helps me learn to do thing and try them in ways I wouldn’t normally.

Interesting to Uninteresting…

Recently someone in a magic group posted a video of them doing a 12 minute “flash” act, which is essentially a series of tricks. The opening trick they did was show a torch a long time, then it turned into a cane. This is a marketed trick called “torch to cane” and you can watch a demo of it below:

Here’s the thing with the trick, you are taking something very interesting which is fire and turning it into something very uninteresting which is a cane. I think you’d be better off showing a torch and then doing fire eating (which is interesting) than turning it into a cane. The magician’s style of cane has been out of style pretty much my whole lifetime, so no one instantly know what it is.

A better idea would be turning fire into an animal.

The above video isn’t how I’d do it, but a dove is way more interesting than a cane. Fire is cool to look at, so make something appear that’s cool to look at. Maybe touch it to your palm, and your palm catches on fire, you toss the fire to the audience and it turns into a throw coil! That’s way more exciting than a torch to cane. Also if you think an appearing cane is really fooling anyone, think again. At best is a B- of a trick. Sure, it has it’s place in the right act, but it’s not a huge mystery.

When you are doing a transformation from one item to the other, the final item must be as interesting as the first. Torch to cane…nope. Cane to lit torch…YES!!!!