magic books – Page 3 – MagicShow.Tips

Dice Sequence

I was relearning Giovanni Livera’s Shell Shocked routine. This is a three shell game routine and at the end of it you have two dice on the table. Looking at the two dice, I realized that this is a natural transition to the Sachs Dice Routine. I originally learned this as a teenager from the book Routined Manipulation Vol 1 by Lewis Ganson.

If you’re not familiar with the trick, the effect is that you hold two dice in your hand and the numbers on the dice change as you turn your hand over. It’s a great effect and one that Steve Dobson did a lot in his working repertoire. I dug out his lecture notes and grabbed some dice!

The move isn’t hard to do, but Steve does it backwards from how my hands remember it from when I was a teenager. The move is better the way Steve describes it in his lecture notes.

You can learn Steve’s routine from the notes pictured above (if you can track them down) or it’s the basis for the routine taught in Reed McClintok’s Ivory Connection video.

-Louie

Shell Shocked – Three Shell Game Routine

Currently I’m playing with Shell Shocked which is Giovanni Livera‘s three shell game routine from his book Confessions of an Italian Magician.

What I like about the routine is that is has an ending that’s a punctuation, not just doing the same thing under more conditions. In the book Giovanni gives you his shell shuffling sequence, but if you already have a few sequences, then you can add his ending to what you already do.

One of the changes I made to the routine is that I’m palming the P the whole routine, instead of stealing it towards the end of the routine. Doing it that way makes sense for me as I don’t keep my shell game props in a bag, so needed a workaround.

If you’re looking for a shell game routine, this is worth checking out!

-Louie

New Year’s Resolutions

Looking forward into 2025 my new year’s resolution is to read more. That’s it, nothing crazy, just to read more and scroll (on my phone) less. One of the best books that I read last year was the Wayne Dobson’s Legacy book set.

It does a great job telling his story and his thinking behind many of the tricks. Soo many of the tricks are very “wayne” however there are a couple in there that have me thinking of ways to adapt them for me to do.

I’m going into 2025 reading Steve Spill’s book Magic is My Weed. This is a great book so far. Steve does a great job telling his story, but more importantly he tells why he does things and how he got there.

I think this is a missing thing from magic books, the journey of how the everything developed and the tools the author used to get there. Much of what’s in print is simply how to do the trick, but I find how the trick was created much more interesting. I’d day 99.9% of the stuff that I read and work through are tricks that I’ll never do. Yes, there is value in working through a trick even it you won’t perform it. You’ll learn new techniques or maybe an old technique that you can apply to something you’re already doing. It also puts things in your mental toolbox that you may need to get you out of a situation!

I’m looking forward to reading more in 2025!

-Louie

People Love ACAAN!

A few days ago I was at a booking event and Chubby Checker was there. He’s 82 years old and been in showbiz for over 60 years!

I was chit chatting with his manager and she told me that Chubby loves magic and asked if I could show him a trick. I went over and did Any Card at Any Number for him and he loved it. He bugged me the whole event to do it again and I did and each time he was more amazed.

Magicians who have never done a pure ACAAN where it’s simply “name a card, name a number” and their card is at their number don’t understand how good of a card trick it is. It’s an impossible trick.

Many magicians say that audiences don’t like it and it’s a trick for magicians are totally wrong. I think there are so many bad tricks that pretend to be an ACCAN, but aren’t and dilute the effect. Once you get dice, your phone or convoluted processes into the trick to make it easier, the trick isn’t as clear or nearly as impossible.

Doing ACAAN correctly where there’s no process, or additional props, just a card, number and a deck of cards isn’t easy to do. It’s out of range of the average performer as you need to improvise a lot and have a huge toolbox card magic knowledge to draw from.

It’s totally worth learning to do correctly, it’s an incredible trick that audience do like!

If you’re interested in doing ACAAN, I recommend tracking down the book Any Card by Alain Nu. It’s a great overview of how to work ACAAN.

– Louie

Magic at Powell’s Books!

Powell’s Books legendary bookstore in Portland Oregon. They have a huge selection of new and more importantly used books. You never know what you’ll find there. I frequently pop in and take a peek at their magic section.

There are a ton of legit magic books there, from Card College, to Max Maven’s PRISM! Since these are used books selling on the normal used book market, there are some deals to be had!

For me the greatest thing was in the shelf there was a magic coloring book!

This was being sold as a magic book, there was not context for it and no instructions. I wonder how many people picked it up and and were confused by it…or possibly amazed if they flipped though it and it was blank. Then wondered why it was blank, and flipped again and it had pictures!

If you visit the Portland OR area, visiting Powell’s books is worth a stop!

-Louie

The Handbook for School Assembly Performers by John Abrams

A couple of months ago John Abrams sent me a review copy of his new book The Handbook For School Assembly Performers and it’s fantastic!

I think this is a fantastic book, and as someone who has a done a ton of school assemblies, I learned a lot from the book!

Here’s the blurb I wrote for the book:

Holy cow, I wish I had this book when I started doing school assemblies a couple of decades ago! It would have knocked off about 3+ years from the learning curve.

The book reveals one of the biggest mysteries of school assemblies, “What is a teachers guide and how to I create one”. Then John also covers the nuts and bolts of actually doing the gig from when you wake up to the marketing calendar after the gig is completed.

One huge thing for me, which I’ve never read about is how to deal with “burn out” when you’ve done a ton of shows, and he give you some great strategies to keep it fresh! If you’ve ever thought of going into the school assembly market, this book will take you from 0-60 in no time!

If you are interested in performing in schools, or doing some sort of educational or themed program for kids, this book is a will help you a ton! Even if you’ve already done hundreds of school shows, this book will have a few things or approaches you didn’t think of or don’t do.

I highly recommend The Handbook For School Assembly Performers!

-Louie

Finished Ginosko!

I finally finished reading Ginosko. This is a fantastic magic book, what I like about it is that it’s not just tricks. The whole back half is advice from other magicians and people in David’s life.

For me the routine from the book that’s worth the price of the book is “Asking the 8 Ball”. It’s a transposition of a selected card with the 8 of the same suit. One of the things that makes this great is how the end of the trick where the actual transposition happens, the audience kinda figures it out on their own. What I mean by that is when we get to the point where I reveal the selected card isn’t where it should be, the audience member automatically reaches down and reveals the transposition with any guidance from me.

It’s really a great moment.

There’s tons of other great material and advice in it. There’s a fun vanishing bottle routine in it, I won’t do the routine, but got me thinking about an idea for the vanishing bottle. The book helping me make a connection to something else is always valuable to me!

Another trick that hits really hard is “Post-it Crane”. This is a cool trick, but I don’t think it’ll really ever end up in my main close up magic set because I don’t have the pocket space for a post it pad and the “gimmick”. When I have done it, it’s been for small groups of about 4 people and it absolutely amazes!

This book is cheap at like $25 and totally worth picking up! I got mine at Misdirections Magic Shop.

-Louie

Mike Gallo’s The Ball and Vase

When I was a teenager I came across a copy of Michael Skinner’s Intimate Magic book. In it he teaches his legendary Ball and Vase routine. Basically it’s uses the basic ball and vase trick that comes in most beginners magic kits and turns it into a solid magic routine.

Then there’s Mike Gallo’s The Ball and Vase routine, which I think I’ve encountered decades ago, but never really did. I recently found the set for the trick with instructions and learned it.

Here’s what it looks like:

@louiefoxx You wont believe how cool something so simple can be! #simple #cool #magictrick #ball #what #magic #magician #louiefoxx #michaelskinner #mikegallo #easymagic ♬ original sound – Louie Foxx

This trick is fun to do, and I think it’s better than the original Skinner version of the trick. With it having no gimmicks aside from an extra ball, it’s really practical. The only problem for me is that it doesn’t quite fit my close up performing style. also it requires a table, and all of my close up had to be able to be done without a table. Sometimes the non-tabled version of the stuff I do will lack a phase or uses the audience’s hands as a makeshift table. Unfortunately, neither of these is an option for that.

-Louie

Quit Complaining!

One of the things that really bugs me are magicians that complain about people stealing their tricks or ideas when they don’t take the most basic steps to protect them.

There are basic ways to protect your ideas, for example my school assembly show is called Incredible Idioms®. I really like the title and would be bummed if someone took the title, so awhile ago I filed the trademark for it. Last week that trademark was approved!

Filing a trademark is super easy to do and not that expensive. It’s around $250 to do it and you can do it yourself, the USPTO.gov website has tons of tutorials as to what you can and can’t trademark as well as how to do it.

Another good resource is Sara Crasson’s book Own Your Magic A Magicians Guide to Protecting Your Intellectual Property, which covers patents, trademarks, and copyrights. I highly recommend this book!

-Louie

The Classic Force

A couple of decades ago I was at Bob Fitch‘s first performance workshop up in Canada. One of the people there was Bob Sheets. One night at dinner I got to see Bob Sheets do his classic force and he told me his thinking behind that. Sheet’s classic force is the basis of the one that I do. I’ve added some bits to it, like turning cards face up and offering the cards one at a time.

Here’s the second half of my multiple classic force routine:

@louiefoxx Stop taking that! #magictrick #volunteer #magic #fair #countyfair #louiefoxx #cardtrick #stopit ♬ original sound – Louie Foxx

If you don’t know how to do the classic force, you really should learn it. It’s a solid skill to have in your tool box. I initially started learning it when I was a teenager from the book Forcing a Card in the Classical Manner by Paul Gertner. I think he’s got an updated version of it out, but that’s the one that was my first real introduction to the Classic Force.

-Louie