November 2018 – Page 2 – MagicShow.Tips

Finally Seeing an Act!

When I was a teenager I remember in a issue of Magic Magazine (I think), I saw a picture of Mondre performing. The picture has stuck in my head for over 20 years. Last week I was able to work with Mondre at Wonderground in Las Vegas! I had a blast hanging out and chatting … Continue reading “Finally Seeing an Act!”

I had a blast hanging out and chatting with him.

I also love that his act didn’t disappoint me. I’ve seen many shows that I read about as a kid and when I finally see it as an adult, the show is a clunker. Here’s a video of Mondre that I found :

This also brings me to something that I think is lost on kids today, which is seeking out shows. When I was a kid there was no youtube, I had to actually ride the bus for hours to see a show. When seeing a show it had value and a lot of it. I really took in the show, it wasn’t just something that was happening in the same room as me.

My advice to anyone who wants to be a magician is to go out and actually see shows! Go see any live show, not just magic, not just national acts…go see every single show you can!

Louie

Be Content Creator, Not a Content Consumer

Right now we live in a world that needs content. With YouTube, Facebook, etc the amount of content that gets consumed is amazing. Sure you can go on Instagram and do the snapchange and do alright, but that’s all it will be in just alright. We’ve all seen it… So the trick is to … Continue reading “Be Content Creator, Not a Content Consumer”

So the trick is to create content, how do you do that? One easy way is to create around topical things like news, or a holiday. For example the other day President Trump said the reason we’re having out of control wild fires is that we aren’t “raking the forest“. That was my starting point for this quick trick:

I have less than an hour into the trick, and most of the time was spent driving to the hardware store and back to make the appearing rake and then walking to and from the park to record this.

Here’s an example of some content I created based on a holiday a couple years ago:

It’s not hard to create this way. The downside is that when you do this stuff has a shelf life. Material based on the news is a few days to a few weeks. If you create content based on a holiday, you’ve got a week, but you can recycle it every year or every few years.

So go out and think of a trick!

Be Seen!

One of the hardest things when performing for a group in a banquet hall without a stage is being seen. Here’s a picture from a corporate gig I did recently. I sat down in a chair at the back to take this picture. Can you see the person up front talking? Look close, you can … Continue reading “Be Seen!”

One of the hardest things when performing for a group in a banquet hall without a stage is being seen. Here’s a picture from a corporate gig I did recently.

I sat down in a chair at the back to take this picture. Can you see the person up front talking? Look close, you can really only see them from about the shoulders up. What can we learn from this picture? If you magic is happening below shoulder level most of the audience cannot see it.

There are two ways to solve this visibility problem:

Hold all of your props above your head: The problem with this is it makes doing sleight of hand really difficult and looks strange.
Bring a your own stage: This is most obvious solution. However not always practical, especially when flying. So I travel with a folding stool. This fits in my suitcase and when I stand on it makes the show much more visible.

Next time you are at a show, even one with a stage, sit in the back and watch the act or speaker before you and see what you can see. You’ll be amazed at how little can be seen even with a stage!

Louie

Dusting Off Tricks

I’ve been fascinated by the Any Card at Any Number trick since I was a teenager. I’ve developed and published several methods of doing it. I was going through an old notebook and found this version that I was doing in the early 2000’s This version has a few interesting things going for it, … Continue reading “Dusting Off Tricks”

This version has a few interesting things going for it, like the imaginary deck premise and that’s it’s pretty easy to do. It also have a few things not going for it, like having to use the “magician’s choice” force for the suit selection, the deck can’t be handled by the spectator and it’s uses for another trick and very limited (but not impossible).

This version I call the Imaginary Card at Any Number and will be published in an upcoming issue of Vanish Magazine. Hopefully someone will use the trick as a jumping off point for their version of the trick. For me the method for this trick had me work to eliminate the weaknesses and come up with a better versions. My current version doesn’t have the weaknesses of this trick.

Louie

Do Something Different

I just got back from a conference in Montana that was full of people that book acts. There were a ton of magician’s there, all trying to get booked. So how did I make myself stand out? Simple, I do fairly unique tricks…well, to put it better I do tricks that have unique … Continue reading “Do Something Different”

I just got back from a conference in Montana that was full of people that book acts. There were a ton of magician’s there, all trying to get booked.

So how did I make myself stand out?

Simple, I do fairly unique tricks…well, to put it better I do tricks that have unique visuals. This gives the feeling of a unique trick. For example my “Tossed Out Deck” uses an original method which allows me to know who picked what card, however at it’s core it’s still a tossed out deck. Then I use an original way to reveal the cards, and like magic, I have a trick that no one else is doing.

You don’t need to completely create a trick. In my “Tossed Out Deck” I started with the standard frame work and then started changing things. This is also an easy way to create new tricks. Take a standard trick, change the method, then change the presentation. The nice thing about this is I can now do my version of this trick in a show where someone does the classic version and it won’t feel like a duplicated trick.

Louie

Bad Advice…

On the internet I see magicians giving other magicians some of the worst advice ever. It’s also interesting when you look at the websites/promo of the people giving the advice, they really aren’t performers you should be taking advice from. One of my favorite pieces of bad advice to beginners is “learn 7 tricks”. The … Continue reading “Bad Advice…”

One of my favorite pieces of bad advice to beginners is “learn 7 tricks”. The idea behind the advice is good, and that’s to spend time to understand the tricks that you do. However the messenger in the form of only learning 7 tricks is very misleading. How do you pick the 7 tricks, if that’s all you can learn? If we all picked 7 tricks when we got started we’d all be doing pretty much the same shows and there would be no innovation.

The saying about learning 7 tricks came out of vaudeville, the story goes: A kid meets the magician after the show and tells him he knows 150 different tricks. The magician tells the kid he knows 7 tricks, but knows them inside and out.

The main problem with the story to be advice for a modern magician is that it came out of vaudeville. Most of the magicians were doing an act, not a show. Their were doing 5-15 minutes, not a modernn 45-60 minutes. In 15 minutes you could do less than 7 tricks and you didn’t have things like TV or the internet burning your material. Look at any modern show and just within that show count the number of tricks…it’s going to be more than seven.

The other thing is that if you only learn 7 tricks and that’s all you spend your time on, then you aren’t a student of magic. Personally I learn all I can about magic, I love it and if I could only spend my time on 7 tricks I’d quit and do something else.

The moral of this post is 99% of advice you are given by other magicians sucks.

Red Evaporation Trick

How I’m using the Evaporation trick in my show right now is pretty simple. I take pour red liquid into a cup and when I turn the cup over a red ball falls out. Not much to it. There is one little thing that I sometimes have to do to the liquid. Sometimes the … Continue reading “Red Evaporation Trick”

How I’m using the Evaporation trick in my show right now is pretty simple. I take pour red liquid into a cup and when I turn the cup over a red ball falls out. Not much to it.

There is one little thing that I sometimes have to do to the liquid. Sometimes the liquid it too clear, so I have to make it a little more opaque. How I do that is simple add a few drops of non-dairy creamer to it and that makes it cloudy.

Using non-dairy creamer makes cleaning up the bottle little bit easier. Something in the dairy that makes the bottle get a little gross over time. There’s no reason why you can’t use milk, or half and half as long as you clean the bottle well after each use.

I Saved the Show!

Last night I did a corporate gig that I wrote a post about packing for a couple of days ago (Click here to read the post). The gist of the post was that I had a feeling the venue for the gig that I was flying to wouldn’t have a PA, so I packed my … Continue reading “I Saved the Show!”

Much to my surprise the venue had a PA and a sound board! Then I plugged my audio into it and learned that the sound board didn’t work. The venue’s PA only had one XLR input and I need 3 channels. So I used my street show PA as a mixer and monitor:

Please take note that the jumble of wires on the floor is mostly the venue’s cords, not mine. I simply ran the audio out from my Roland Street Cube EX into the XLR input in the venue’s sound system and I was good to go!

One thing I’ve learned as a full time performer is your ability to be problem solver will make your very valuable to your clients. The booker of the event was in the room when I was trying to figure out why the sound board wasn’t working, and when had the audio up and running. She complimented me on my ability to find a solution.

So the moral of the story is be a problem solver!

Louie

Flying With Your Magic Show

When I travel I like to meet with magicians in the city I’m performing in. I love jamming magic tricks and hanging out with other magicians. When I meet up with magicians I frequently get asked about flying with you show. There are a few schools of thought with this: Create a show … Continue reading “Flying With Your Magic Show”

There are a few schools of thought with this:

Create a show that fits in your carry on luggage: I have mixed feelings on this. If you are designing a show simply because they take up a small space, are you fulfilling your artistic vision? I’ve seen very few of these “carry on” shows that I felt really played big.

Check the luggage with your show props: This is what I do. I carry on essential props, and things that are valuable (like microphones). This allows me to have a show that fills the stage and my vision for the show much better.
If you are checking your show, a great resource is the TSA’s “Ask TSA” facebook page.

Ship the show ahead: This is probably the best option. However it does require you to have two show set ups. One that can be in transit and another you are using while the first is en route to it’s destination. The bonus of this is if this shipment gets delayed, you can always take the show that wasn’t shipped.

All of the options have their pluses and minuses, and there isn’t a choice that’s 100% the best for every situation.

I know I’m taking a little bit of risk by checking the “meat” of my show, however that’s a risk I’m willing to take. I’m also able to locally source a show. For example I have a 25 min stand up set I can do with a deck of cards. It’s not what I want my show to be, but if my luggage gets lost, I can do it. Add a piece of rope, scissors, markers and a pad of paper and I’ve got a 35-40 min show that I can do with locally sourced props.

What it all really comes down to is the level of risk you are willing to take. There’s no right or wrong answer.

Louie

You Gotta be a Boy Scout

When you are a performer you have to live by the Boy Scout motto: Be Prepared I’m flying out today for a corporate gig and I have a strange feeling that they venue’s sound system won’t work. What I mean by that is that it won’t work for my show’s needs. In banquet halls … Continue reading “You Gotta be a Boy Scout”

When you are a performer you have to live by the Boy Scout motto: Be Prepared

I’m flying out today for a corporate gig and I have a strange feeling that they venue’s sound system won’t work. What I mean by that is that it won’t work for my show’s needs.

In banquet halls there are tons of reasons why the system won’t work. Sometimes they have systems that you can’t plug into. The speakers in the ceiling sound like a tin can or make it so you can’t move around without getting feedback.

Honestly I don’t know why I have this feeling about the sound system, but my “spidey sense” is tingling.

So what do I am I doing?

I’m packing my street show PA in my suitcase:

Since I’m only away a short period of time, I don’t have a lot to pack, so the speaker fits easily in the in my suitcase.

The PA I’m using is the Roland Street Cube EX. The great thing about this is it’s small enough to put in the overhead bin on the plane but has enough power for a gym. I’ve got the proper cords with me to use this as a mixer and/or monitor if they have a system I can plug into.

Hopefully I won’t need it, but in case I do, I’ve got it!

Louie