The Daily blog will continue to be updated below this pinned post**
This is a quick heads up that I’m out of town October 4th, 2025 through October 12th 2025.
No orders will ship during that period or work on products will happen while I’m away. In stock items will ship on 10/13/25.
**The daily blog will continue to be updated below this pinned post**
Years ago when I was out there doing comedy one nighters, I learned that we’re really getting paid for the travel.
For example, when I do local gigs I’ve started to charge more if my travel involves rush hour traffic.
I should say that I try to not be in a rush to a gig. If I have a gig that would involve me sitting in traffic, I’ll actually leave a couple hours early and get close to the gig. Then I’ll work out at a gym, or go to a coffee shop and do some work. These are things that I’d normally do during my day, I’m just taking back the 45 minutes I’d be sitting in traffic.
Trying to never be in a rush has really taken a lot of stress out of my life.
-Louie
On this episode of the Moisture Festival Podcast we welcome in Cyara Hotopp. We discuss a wide variety of topics including her law degree, where she practiced law and how she gave up being a lawyer to pursue the circus arts.
We talk about her background as a figure skater and all the lessons she learned from that and their application to ariel. A great conversation with a fantastic performer.
Podcast: Play in new window | Download
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I just wanted to give a quick “thanks” to all the magicians who came out to visit with me this summer!
Here’s the pictures of some of the magicians that visited!
There were a ton more, but I can’t find the pictures.
If I’m ever performing in your area and you come out, be sure to say HI!
-Louie
A few weeks ago when I was in Utah, one of the acts I worked with was the juggler Charles Peachock. He’s into haunted houses and we went to a few of them with some of the other acts at the event.
I think the last time I went to a haunted house was thirty years ago.
We went to two haunted houses over two nights. Here’s what I learned, I preferred the haunted houses where the actors weren’t there to just jump out at you, but they were there to help the story move along.
What does that say about a magic show?
A show with some sort of a story or through line is probably something that I’d prefer over a collection of tricks. Now thinking about my show, there’s not really a through line in the show, but it’s more that a collection of tricks. Each routine tells you a bit more about me, however I’m thinking I need to start thinking of more of a through line for my show.
-Louie
In a week I’m heading out to the 2025 PCAM convention to do my full show and a lecture. If you can’t make it, you can get the lecture notes from me!
2025 Lecture Notes .pdf $25
These are the lecture notes from the lecture that I will present at the 2025 PCAM magic convention. They focus is on stand up/stage magic. They contain seven tricks/routines and five essays.
48 pages
These are a .pdf that will be emailed to you within 24 hours of placing your order.
2025 Lecture Notes .pdf $25
In the October issue of Vanish Magazine I’m teaching the Stand Up Chop Cup routine that I’ve been doing this summer. I wrote about this routine a little bit ago, it was created with rules.
Those rules were pretty simple:
1: No table: I don’t work behind a table, and didn’t want to add one just for a chop cup. Also, when on a raised stage, it can created a visibility issue for people seated on the floor below you.
2: No openly going to the pockets (or case): I think that if you constantly go to your pockets or prop case, it’s not hard for the audience to backtrack where the large production item came from. Sure they may not know how you got it there, but they know where it came from.
3: No one from the audience onstage: The chop cup really doesn’t need a spectator onstage…especially if their only job is to let you use their hands as a table. It’s a lot of dead time to bring someone on and off stage, and most chop cup routines don’t justify that.
Oh, I guess I should mention that this is a platform/stage routine and not a close up routine. I wanted to be able to do this as a solo piece onstage and the reason that I created it was there wasn’t anything that fit all three of those rules.
If this is something that appeals to you, check out the October 2025 issue of Vanish Magazine!
-Louie
Last week, I was able to attend the Society of American Magicians meeting in Portland, OR. It was their Most Entertaining Card Trick contest night.
It started with John doing a prediction that played like an invisible deck, but was a very different method!
Michael did a version of Fly Cards, where cards with pictures of flies moved around and ended with the pictures of the flies being smashed.
Vinod did a routine where the cards were shuffled by a spectator and they colors ended up separating into piles of red and black cards.
Jin did a do as I do routine where at the end he and a spectator both selected the same card!
Mel is a card trick with 3 piles of cards where a selected card jumped from pile to pile!
And the final contestant Larry did a trick where aces turned to jokers and back to aces!
The winner by popular vote was Jin!
It was fun to see all the different styles of performing card tricks!
-Louie
One of my bad habits is that I talk too fast. I do this on and off stage, but I’m really trying to correct it onstage. A while ago I started a run of shows with a cold. This was a longer run of 10 days and I was already there when I noticed I was getting sick. I did my best to not socialize off stage with the other acts and switched the show to one that really has no contact with the audience.
One thing I immediately noticed was that I slowed my rate of speech a lot. I’m guessing this was due to my breathing being different with a cold. I also noticed that all the jokes were hitting harder. I was giving people just a little bit more time to process the set ups and punchlines.
I need to keep up talking slower, but when it’s my natural way of speaking it’s a challenge. I’m working hard on keeping it slow…
-Louie
When I travel with my magic show, I put colorful zip ties on my show case. The reason is that when I pick up my cases at baggage claim, if my zip ties aren’t on the case, then I know I need to check them.
Recently I flew and when I got my bags my zip ties had been replaced and inside my case was the TSA letter.
This tells me that when I get to the hotel I need to do inventory on my show to make sure that everything made it back into the case.
In the past I’ve had my checked baggage screened by TSA and the forgot to put my two table tops back into my case! It was an ordeal tracking them down and getting them back.
Knowing something is missing before I start setting up the show is a huge help!
-Louie
