Upside Down Bill Gag

There’s the old trick in many beginner magic books where you have a dollar bill right-side up. You fold it, then unfold it, and it’s now upside down. I had an idea for that, and something like this has probably been done before.

Effect: You show a dollar bill that’s right side up. You fold it and unfold it, and now it’s upside down. You do it again, but this time you draw arrows pointing up on it. You fold it up again, and this time, when you unfold it, the arrows are pointing down, but the bill is still right side up!

There’s not much to it; it’s just a bill switch and two bills. The second bill has the arrows pointing down drawn on it. Any bill switch should work, but ideally, one that only requires you to fold the bill 2-3 times would be best.

This trick could also be done with the bill turning upside down, but the arrows still pointing up.

dollar bill magic trick

This is a fun little kicker trick to the old gag. As I said earlier, something similar to this has probably been done before.

-Louie

Front Load Your Day!

One of the best things that I ever learned to do was frontload my day with things that I don’t want to do. These are things that if I did later in the day, they’d never get done. The first thing I do every morning in my daily writing, followed by business emails. Then anything else that I don’t want to do.

Here’s me doing my morning writing on a cruise ship:

magic show writing

From a productivity standpoint, I get a lot more done this way. It also frees up most of my day past noon, so it’s great for me from a lifestyle perspective!

Get your hard tasks done first thing in the morning!

-Louie

Magic Show For Toddlers

Last summer I did a show at a summer camp at a child care center. They said they had a large group asked me if instead of one large show, if I could do five short shows. I declined saying that they one show they booked was 40 mins and that’s all the time I have, so they can chop up that 4o mins however they want, and suggested we do one big show (like we originally agreed on). They said how about two 17 ish mins shows because they were such a large group. I agreed to that.

The first show was about 60 kids ranging in ages from about for years old to about 10 years old. I’ve done this a thousand times, no big deal. Then the second group came in and it was four toddlers.

FOUR TODDLERS!

There’s really nothing I can do for a group like this. When the kids are two years old, I’m a scary stranger, unless they have visual cues from older kids that I’m OK and that this is a fun thing.

When booking these shows I’m very clear that the show is written for ages 4 and up, however younger kids can attend with the older kids. Developmentally a lot happens between two and three years AND between three and four years of age.

Here’s a sample of what happens when a kid turns about four years old:

Those are at four years old, imagine what a two year old doesn’t under stand!!!

Well, since they were there and I was there, I just blew through the show. It was a emotionally very unfulfilling, but I got through it. That was rough and I learned my lesson if this ever comes up again to ask the age groups of each group and specifically remind them that I won’t take a group of kids that are all three and under.

-Louie

Slippery Cards Gag!

When I open a new deck of cards and have them shuffled by someone in the audience, 90% of the time they will comment that they’re slippery. That’s where this gag comes in.

slippery cards magic trick

When they comment on the cards being slick, I take out a little caution sign and set it on the table. That gets a laugh, and it’s a gag that will introduce the prop. I like using a gag to introduce a prop, another example of this is my Bodega Coin Tray. Also, when you use the prop for a gag, it serves a purpose and is less suspect later, since the audience thinks it’s already fulfilled its role.

What happens is that during your card tricks, at one point, the signed card appears under the little sign (like card under glass). Then later, you say the card is under the sign, but it’s not; however, the sign has changed to say the name of their card! Then, a moment later, the signed card has reappeared under the sign again!

I’m having a lot of fun with this little prop!

-Louie

Custom Chop Cup!

One thing I don’t like about the chop cup is the metal cup that most people use. It looks classy, but that doesn’t fit the aesthetic of my show. When I did the PCAM convention, I was chatting with James Cielen, and he mentioned the metal cup doesn’t fit. He was 100% right, and I didn’t like using a metal chop cup.

I finally found some time to make my own chop cup out of a coffee cup. I started with two matching coffee cups. The reason I started with two was in case I messed one up, I wouldn’t have to start over. If both turned out, I would have a backup.

I glued the magnets into the bottom of the cups and for what I wanted, I glued them off center. Then I poured some resin inside the cups to make a new bottom and to hide the magnet.

In the picture below on the right, you can see the resin about halfway cured.

One of the chop cups I poured too much resin into and the magnet wasn’t quite strong enough to hold the ball like I wanted it to. The other cup turned out perfect!

Chop cup as a coffee cup

Now I need to figure out what I’m going to do with the ball. Is it going to stay a ball or something else? At the very least I think I’m going to switch to a rubber ball. For my Stand Up Chop Cup routine from my 2025 lecture notes I need a ball that doesn’t bounce as the ball gets dropped. I just bought a set of yellow Bounce No Bounce Balls and I’m going to try to put a magnet inside of it.

-Louie

The Moisture Festival Pocast – Tyler West

On this episode we welcome in comedian and clown Tyler West. We discuss how watching Cirque Du Soleil at a young age inspired Tyler to go into clowning. We learn how he approached getting information on being a professional clown at a young age and the things he did to get stage time.

tyler west

He talks about all the different shows he has been in and how he alters what he does to fit into the format of that particular show. We also discuss the national touring show he is currently in and how he came to get one of the main roles. A great conversation with a fantastic performer. 

Applause Please – PREORDER NOW!

I’ve got the boxes for the Applause Please 2: The Encore from Ackerly Builds and they look great!

applause please 2: the encore

I need to add the electronics before I can ship them.

I’ve only got a dozen of them, and if you want one, you can preorder one here:
https://www.magicshow.tips/applause-please-2-the-encore/
The estimated ship date will be November 28th, 2025.

I’d have them ready sooner, however, I’m heading out on the road to perform, so Iwon’t be able to work on them for a little bit.

-Louie

What’s the Effect?

The last few days, I’ve posted about working on a trick with a wavy arm guy. The effect is that I’m handcuffed, and the wavy arm guy is inside the circle created by my arms. A cloth is raised, and when it’s lowered, the wavy arm guy is no longer inside my arms.

One of the things that I want with the trick is a defined effect.

The effect is a penetration, and that needs to be clear. The thing I need to be careful of is not blurring that with an escape. If someone thinks I can get out of the handcuffs, the effect changes, as it is no longer a penetration.

What that means is that at the end of the trick, the person from the audience needs to let me out of the handcuffs. While that’s a slower moment, I think it’s an important moment to make the penetration effect clear.

-Louie

Wavy Arm Guy Magic Trick Video

Yesterday I wrote about working on a trick with a wavy arm guy. I don’t have a routine written yet, I’m just seeing if it works.

Here’s a practice video.

One of the things is the explanation with the mic stand. While it shouldn’t be necessary, I’ve been in the audience where similar penetration tricks are performed and they fall flat because not everyone is really spatially aware.

A good example of this is Andrew Mayne’s Razorwire. Here’s the effect:

Andrew Mayne's Razorwire.

Unless you show the audience that you can’t simply walk around the barrier, the trick isn’t going to land. Not everyone will understand that you can’t just by looking.

With my trick, it works, the next step will be writing for it.

-Louie

Wavy Arm Guy Magic Trick

In my show, I use an inflatable wavy arm guy as part of a trick. Really, it’s there to add some umph to the ending. It’s a large prop to carry around, but worth it for the trick. It’s only used for like 10 seconds at the end of the trick, but it really makes a difference in audience reaction.

Since I’m already lugging this thing around, I should have something else to do with it, for a second show. I’ve written a lot of ideas down over the years, but never really taken action on them.

I finally started working on one of the ideas that I like the most. The premise is that my arms are handcuffed together with the wavy arm guy inside the circle created by my arms. I then pass through the wavy arm guy, so I’m standing next to him with my arms free from him.

wavy arm guy magic trick

It’s one of those tricks, like walking thru a sheet of steel, where I don’t think it initially hits the audience very hard. It’s a good trick, but it’s more of a thinker, than something visual like popping a balloon and having a wine bottle appear.

One of the challenges with this will be selling the effect. I’m not 100% sure how to do that yet.

-Louie