Tag: stage magic

The (W)hole Thing For Me!

I had a day off last week and finally made a prototype of my custom props for The (W)hole Thing which is Daryl’s version of an Emerson and West packet trick.

The main differences is that the circle around they hole is a donut, the spots are arranged like an X and the cards are black. The main reason that the cards are black is that I might have a line about a black hole. With the cards in black I’m sacrificing some visual clarity of what’s a hole and what isn’t. I think if I end up not using the black hole line, I’ll switch the colors back to red as it visually pops!

-Louie

Round Top Vanishing Birdcage

A while ago I was chatting with Marc DeSouza about vanishing cages and he mentioned the round top cages were really cool. I had wanted one before Marc had mentioned it, that he made me want one more. Whenever a John Martin Round Top Vanishing Birdcage pops up for sale at an auction, they usually sell for just over the maximum that I can spend on it.

A couple weeks ago a round top vanishing cage was on the Potter and Potter summer magic auction and it went for a price that I could actually afford!

round top vanishing birdcage

It’s super cool how stays rigid and then collapses! Also it fits perfectly on my vintage vanishing alarm clock stand that was missing the alarm clock!

I’m excited to have added this to my vanishing birdcage collection!!

-Louie

Another MC tip

When I was stage hosting, I noticed a lot of things that I do that I don’t know many people do. For example when I write the introductions for acts, I spell out hard to pronounce things phonetically.

I didn’t realize I did this until I had someone tell me I was spelling something wrong. I asked them what’s more important, me spelling it correctly, or me saying it correctly?

That’s a little handy trick for writing out introductions.

-Louie

Over Writing Material…

One thing I’ve noticed that I do is over write my patter for my tricks. The early versions of the tricks are full of stuff that ultimately will be cut. I do think that’s a good way to do it, over write and figure out what’s good and what isn’t. I try to initially fill a lot of verbal space, then cut out what doesn’t work, leaving only the best parts.

The trick I’m working on that’s essentially a clock prediction:

The presentation hook is about my cat, and that seems to be something that people really connect with!

I think that another huge part of putting together routines is finding some sort of presentation hook that people can relate to. There are definitely people who are a lot better at this than me, but I’m trying…

-Louie

Another Visit to the Magic Garage!

When I was in the Bay Area recently I swung by Magic Garage! It’s soo much fun and Will Chandler is a fantastic host! There are really two parts to the magic garage, there’s the theater and the bar area which is where everyone hangs out and there are two close up tables.

the magic garage
the magic garage

They do shows in the theater, but when I was there one of the magicians was working on their act for a TV appearance. We all watched and gave feedback.

Will has made the Magic Garage more than a hangout, but a valuable resource for magicians!

-Louie

The (W)hole Thing

An idea for a presentation of The (W)hole Thing by Daryl came up in my daily writing a bit ago. I managed to fill out the idea a bit and do some writing. While I was in the Bay Area, I had Joe and Misdirections Magic Shop order me a set of the cards in.

The Whole Thing by Daryl

One thing I found interesting was that there’s no mention of Emerson and West in the ad copy for the trick. This is essentially Daryl’s routine for the original trick. I’m guessing this is a Murphy’s Magic copywriting thing, as Daryl was pretty good about crediting things.

Here’s Daryl doing the routine:

For the routine that I want to do, I will need to make some custom cards. For now I’m working out the muscle memory for the routine!

-Louie

The Vanishing Birdcage

Last week at the fair I was performing at, I decided to to carry my vanishing birdcage on my walk from the dressing room to the stage I was on. Whenever anyone asked me about it, I made it disappear!

@louiefoxx Taking my bird out for a walk between shows at the San Mateo County Fair! #sanmateocountyfair #countyfair #sanmateo @SanMateoCountyFair #magic #magician #birdtrick #louiefoxx #magictrick #parakeet ♬ Stolen Dance (Instrumental)

It was a fun thing to go to give fair goers a special moment…and something that made my daily commute to the stage a little more fun!

-Louie

Show Shopping…

When I fly to gigs there’s always a little bit of a shopping list of things that I need to get for my show.

magic show props

It is inconvenient to have to try to find these things sometimes, however it’s better than packing them for travel. I can fly with all the thing above, as I only need the matchboxes, not the actual matches. However the boxes can sometimes trigger a search and I want to reduce that chances that someone will go through my gear.

The things like the paper plates and the wipes are just dead weight and nothing specialized. I’d rather simply buy them when I arrive than have them make my bags overweight.

One thing I don’t do is ask the booker to provide these and there’s a simple reason why I don’t. That’s because just because you ask for something specific doesn’t mean you’ll get exactly what you need. For example the bananas need to be yellow, so that they open easily. If they provide me a banana that’s too green it makes the trick not play as well as it’s a struggle to open it.

It adds a bit of time to my day, but for me totally worth it!

-Louie

How to Write an Introduction

Last week I was doing a stage hosting gig, and I’m amazed at how many acts don’t know the difference between an introduction and a bio. I was frequently handed introductions that were a half of page, or more!

Here’s an example of something I was handed to read:

I had to do some editing to the intro, and it was still a lot longer than it needed to be!

An introduction should be a few bullet points, the idea is to put a little bit of context into what people are about to see…not tell the whole story. You’re going to tell the full story onstage with whatever your act is.

A simple formula for writing an intro is three bullet points:

  • Where you’re from
  • Cool sounding accomplishment(s)
  • What you do

That is then followed by your name. It’s pretty simple. Sure there are reasons to do longer introductions, or more complex ones, however the majority of shows don’t need those.

Also giving tips on how to say uncommon names is super handy for the host/MC.

-Louie