magic show audio – MagicShow.Tips

How to Keep a Microphone in Place

Many performers have a stack of tape like this stuck to some case that’s not seen by the audience.

This is mic tape, that’s used to keep a cheek mic in place. Usually, when you take off your mic, there’s not a trash can nearby to throw it away, so you put it on something…then it grows into a mountain over time.

This came in handy the other day, I was setting up a show and putting my mic on and couldn’t find my roll of mic tape. I realized I could peel off one of those squares and it would get me through the show. That works, but I also thought there should be a better way to do this than using old tape.

A Better Way To Be Prepared For An Emergency!

What I did was put a strip of mic tape on across my case, then put a second strip on top of that. That’s going to keep the adhesive on the outermost piece “fresh”.

Now, if there’s an emergency, I just peel off what I need from the outer layer and use that. It’s an easy way to be prepared that takes up no space in my case!

Here’s an example of how I’ve traveled with my audio gear in the past:
https://www.magicshow.tips/magic-show-tips/carry-on-audio-box/
you can see the roll of mic tape in the case!

-Louie

Handheld Microphone

On this school assembly tour, I’m controlling my music with a Flic Button that’s taped to my handheld microphone.

I don’t hide that I’m pushing the button, or that the button is there. I did try to make it less obvious by covering some of it with black tape. After just about every school assembly, I’ll have a teacher or staff person ask me how I’m controlling the music!

Initially, when I started this tour, I was using a combination of the Flic Button on the microphone and my Media Star as an ankle switch. I’ve phased out using the media star ankle switch, and I’m just using the Flic Button on the microphone.

-Louie
Click here for more information about how you can learn this School Assembly Show check out the School Assembly Set!

Embarking and Show Day

Last night I gave my show a quick run trough before I went to bed.

This morning I headed of to the port. I thought the ship would be at the docked across the street from the hotel, but it was the other one about 2 miles away, so I hopped in a taxi and headed over.

My show in the theater was later that night, which makes for a long day! I loaded into the theater and did my tech run-through. Then back to my stateroom for a quick nap, and then to get cleaned up for the show.

As I was heading back to the theater, I glanced at my iPad, which controls the show’s audio. There was a red light where the green light normally is on my media star. I unplugged and replugged the adapter, and it was still red. Everything looked fine on the iPad and the Media Star (aside from the red light), so I swapped out the adapter. Luckily, that was the problem; the adapter went bad. I try to carry backups for things like that, especially if they are small. Having an extra $25 adapter saved the show!

Tonight, I’ve got one show in the lounge. This is a smaller-scale show, and more like a fancy bar gig on land. It’ll be fun!

-Louie

New Sound System for my Magic Show

After probably more than a decade I finally upgraded my sound system. I used to use the Roland Street Cube EX, which is great and after about 10 years it still works great! What I liked about this system is that is has all the inputs that I need, so I don’t need to add a mixer to it. It also runs on AA batteries, so if there is a low battery issue, I just throw new ones into it.

I’m switching to the Bose S1 Pro. The main reason I’m switching to it is for a tour I’m doing in the spring of 2026, and the Bose speaker is much smaller than the Roland Street Cube EX. The Bose S1 Pro also has better sound, but both speakers have enough sound for what I need.

I also bought a carrying case for the Bose speaker.

This case has plenty of pockets and holds all my audio gear, eliminating the need for another case.

I’ve done a few shows with the Bose S1 Pro so far, and it works great!

-Louie

Handheld Microphone For Magic Shows

The next step in switching to a handheld microphone has happened!

I just bought a Sennheiser handheld microphone that’s compatible with my Sennheiser ew G4 receiver. That saved me having to buy a new receiver. Also I still get the benefits of a smaller and battery operated camera mount receiver, which I prefer of the larger plug in style receivers.

Another advantage of switching to a handheld mic for my main show is that most venues already them, so I don’t need to bring my own for many gigs!

-Louie

Sound Booth

There are a lot of things that can take focus away from a show. One of them is having stuff happening behind the performer. Recently I worked an event that’s really well run and attended, however there’s one small thing that I’d change about the event. The sound booth is set up BEHIND the performing area and there is no backwall on the stage.

That means the sound guys are clearly visible behind the performer.

Even the most engaging show for the audience isn’t the best show to watch from behind. That leaves a situation where the sound guys are behind the stage, but essentially in the performing area. They don’t necessarily look like they’re into the show, sure they’re working, so they shouldn’t be dancing, but it’s just not a good look in pictures.

If you are setting up an event or have the a voice in the set up, move the sound booth to the side of the stage, not behind it!

-Louie

Hand Held Microphones

In my audio box I have a lot of things, one of them is an extra handheld microphone. This is a Shure SM58 that has an on/off switch. The reason I have the switch is so that sound guy can leave that channel on and I simply switch in on or off as needed. That way I won’t have the delay of the sound guy realizing I’m using the mic and him turning the channel on.

If the venue has a handheld with an on/off switch I will use theirs. However I did an event recently and their handheld microphone sounded like talking into a marshmallow that was inside of a metal can. I plugged my Shure SM58 into their cord and it was much better sounding!

It doesn’t take much to travel with that in my audio box and it comes in handy much more often than you’d think!

-Louie

UnProfessional Sound

Sometimes the “professional sound company” was professional in the early 1980’s! This was the mixer that the sound company had for an event I was performing at recently.

You’ll notice that this mixer has no XLR inputs. Those are the standard inputs for microphones, so this was unusable by me. Of course the sound company didn’t have any adapters to get an XLR to 1/4. I think that this mixer is more for a guitar, than vocals.

So what did I do? I used their corded mic with a Microphone Holder and did the show with no music. Always having one of the Microphone Holders with my gear is frequently a life saver!

-Louie

New Sound System

Earlier this month my decade old Sennheiser wireless mics died and I needed to replace them. I ordered the Sennheiser AVX system, but sent that back as it didn’t work for what I needed. The AVX has an auto gain level, which tries to keep your sound level. While in theory this is a good idea, it ends up ducking and messing with my voice too much to where I keep cutting out. I sent the AVX back for a refund.

I ended up ordering the Sennheiser G4, which is the current version of the Sennheiser G3’s that I had previously had.

This bonus is this set came with the “brick” which can be plugged into a handheld mic to turn it into a wireless handheld mic. I guess if I really wanted to buy another receiver, I could run my music through the brick.

There’s a reason why the Sennheiser G3/G4 are the standard for variety acts. They’re reliable, they’re easy to use and they’re durable!

-Louie

Wireless Mic Dropping Out…

Last week at the fair my good wireless mic system stopped working and I was using my back up wireless mic system. When I used it the first day it was intermittently cutting out, so I switched to the sound company’s wireless handheld and that was doing the same thing. That told me it wasn’t a hardware issue and I finished the day using their wired handheld mic.

Overnight the sound tech did some research and learned that vertical metal poles (especially aluminum poles) can affect how wireless mics work. At the stage the wireless receivers were on the other side of a stage wall that was made up of vertical poles!

We moved my wireless receiver to the stage side of the poles and everything worked perfectly! I’m glad that he did some extra research to figure out why it was doing that and now we both know how to solve the problem in the future!

-Louie