magic – Page 10 – MagicShow.Tips

Phone Book in the Google World…

There’s a growing group of magicians that are anti-technology in their magic. The are against using thing that use electronics, and while I partially agree with them, I don’t completely agree. I agree that you need to have a base in sleight of hand, and be able to make the trick happen if the tech fails, but I disagree that you shouldn’t use tech.

If we didn’t use technology, then we wouldn’t have latex or plastic thumb tips, they’d still be made of metal. Technology makes magic grow, otherwise we’d still be doing the tricks out of Discoverie of Witchcraft.

https://upload.wikimedia.org/wikipedia/commons/thumb/1/10/The_Discoverie_of_Witchcraft_%281651%29.jpg/220px-The_Discoverie_of_Witchcraft_%281651%29.jpg

While some of those methods are still valid, a lot of them are antiquated. That’s why embracing technology is a good thing. While you don’t have to use electronic methods, you don’t shouldn’t judge others who do.

Don’t Recycle…

A long time ago I had a friend give me some great advice. Do not recycle patter, jokes or bits used in a routine for use in a similar routine. An example is if I had two tricks that were too similar to be used in the same show, but are different tricks. An example would be a Benson Bowl and cups and balls, they are different tricks, but essentially the same trick.

It’s very easy to take a lot of your chop cup patter and use it in the cups and balls, or vice versa. Things like, a joke about the ball, or doing the bit where the cup is deeper on the inside than it is on the outside. Using these bits is a way to quickly build up the other routine.

The problem comes in where there are contracts where the booker wants two different shows. You cannot repeat a trick, or joke between the two shows. Now your A show and B show where you share jokes is useless. It would be better in the long run to create unique content for similar tricks.

Magicy Week!

This week has been a very magicy week for me. With going to see Michael Carbonaro, to my friend from Ireland, and tonight I’m going to see a mentalist named Eran Raven. One of the pieces of advice I tell magicians is to go out and see all the shows that you can see. Being … Continue reading “Magicy Week!”

Being exposed to what is out there really contributes to your growth as a performer. You will notice trends, then its up to you to either embrace the trend, or stay away from it. Either way you know what the herd of magicians is doing.

For example one of the big trends in magic right now is having a prediction reveal on a scroll that you unroll. It something that plays really big and is typically referenced during the show. Darren Brown, Penn and Teller, and tons of other magicians use this. Normally it’s used for a confabulation type routine.

Personally I’ve always liked the confabulation premise, but wanted mine to look different. Knowing the scroll reveal is popular, I looked for another way to do it. I ended up with doing an audio reveal from a recording. It’s got a different feel for the audience, so if they’ve seen someone do the scroll reveal, it’s a different trick!

Introductions…

Last night I went out and saw a show that a magician friend of mine from Ireland performed in. He’s in Seattle working on some new material. From a performing style point of view, we are very different, however we do some similar stuff. What I found interesting was the way the audience reacted to things he did.

He was introduced as a “mindreader” where I’m introduced as a magician. Right off the bat, the mindset of the audience is very different. Also the “mind reading” stuff that I do is deeper into the show. My friend being initially presented as a mindreader gets bigger impact out of his material than I do.

It’s all context, and in your introduction it sets the mood for your show. A magician that tells you what you are thinking is fun and trick. When a mindreader does that, it’s more, he’s reading your mind!

How does your intro set the initial tone for your show?

Modern Manipulation Act

The other day I was taking a shower and it hit me that with the success of Shin Lim on America’s Got Talent the traditional “manipulation act has changed. It’s no longer split fans and billiard balls, it’s at a table, with a video camera and projection to a screen. The new stage manipulator won’t … Continue reading “Modern Manipulation Act”

The new stage manipulator won’t be loading up a jacket with doves, they’ll be loading up a table. I think this a step forward for magic. The last time I saw a manipulation act was on the Illusionists tour and he was good, but producing cards really felt dated. We’ve done this before, and the audience has seen it before.

While I personally don’t do a traditional stage manipulation act (I did do a manip act when I was younger), this still does affect me. Every magician needs to be aware of the changing times. If you choose to not keep up with the times, you need to be aware of that you aren’t.

Also being aware of the how magic is changing even if you choose to not change with it, keeps it in your head. From a creativity standpoint you may see something a year from now that will spark an idea for a modern manipulation act.

Four Dollar Routine…

This week I was on the road performing for a few days. Earlier in the week Barry Mitchell in his Facebook group posted a picture of some kids magic tricks that Target was selling for dollar each. At one point I was at a Target so I picked them up.

Two of the tricks that Target sells are the Ball and Vase and the Burglar Box. The Burglar Box is a clear box that a ball penetrates the bottom of to end up inside. Unlike the Ball and Vase, the Burglar box isn’t the best first trick for a kid as it will take a fair amount of practice to do well.

My initial idea was to buy three of the Burglar Boxes and do some sort of shell game with them. I bought three of them and three Ball and Vases. Here’s the little routine I came up with:

It’s a decent little routine for $4, and a fun little exercise to try to make more out of a beginner’s trick.

Ripping Routine Part V

The additions to the base script are in bold. EFFECT 1: “Take a card, and don’t let me see it.” “And you’re going to grab one, don’t let me see it.” “On the count of three say your card out loud. If you say the same thing, that’s amazing and it means you’re married in Uruguay. … Continue reading “Ripping Routine Part V”

The additions to the base script are in bold.

EFFECT 1:
“Take a card, and don’t let me see it.”
“And you’re going to grab one, don’t let me see it.”
“On the count of three say your card out loud. If you say the same thing, that’s amazing and it means you’re married in Uruguay. Ready…One, Two Three.”
EFFECT 2:
“We’re going to make it a little bit harder. We’re going to cut the cards”

“I learned to do rip a deck when I was younger. One of my roomates was a circus strongman. He could do things like rip a phone book in half, take a cast iron frying pan and roll it up like a burrito, open a pickle jar on the first try “

“The wrist strength to do this is common in every circus strongman and teenage boy.“
“You’re going to take a card and you’re going to take a card. Hopefully your cards will match each other and my card.”
“ Like two turtles, your cards match on the back …”
“The odds of them matching the first time were one in fifty two. Now that there are double the cards, it’s one in fifty two times fifty two. Or one in two thousand, seven hundred and four. There’s also a one hundred percent odd that my math is wrong. ”

“On the front…They match about as much as my mom and my ex-step dad”

“Oh, wait. I put my card here, hopefully it matches one of your cards.”

“Like a half Hawaiian, half pepperoni pizza, this end perfectly!”

The ripping routine is now off to a start. It’s brand new, so it’s not the best routine that it can be yet. There is still a lot of work, audience testing and workshopping it.

Ripping Routine Part III

It’s time to write the foundation routine for the deck ripping trick. Yesterday’s post I talked about the main 4 different ways that I work on putting together a routine. Today I’m going to focus on method one from yesterday. 1. Write random jokes: “No one asks me to cut the cards anymore!” “This skill … Continue reading “Ripping Routine Part III”

1. Write random jokes:

“No one asks me to cut the cards anymore!”

“This skill come in handy almost…never.”

“The wrist strength to do this is common in every strongman and teenage boy.”

“I had to rip over a thousand decks of cards to learn to do this…that means I’m banned from just about every casino in the country.”

“If your cards match, that means you’re married in Uruguay.”

“Like two turtles, your cards match on the back.”

“If you card matches my prediction, I’ve just won the magic lottery”

“Like a half Hawaiian, half pepperoni pizza, this end perfectly!

When writing the above jokes, I didn’t really filter anything, I wrote down everything I thought of. Hopefully out of a dozen jokes you’ll get one or two that are any good. These are going to give us some things I can insert into the the script tomorrow when I write some more.

Split Deck…

In a post a few weeks ago I mentioned that I was learning to rip a deck of cards in half. I’m up to consistently being able to rip about half a deck of bicycle cards, but and able to rip a whole deck of cheap cards about 95% of the time. Every now and then I’ll hit a pack that for whatever reason just gives me a hell of a time ripping.

Last night in Seattle we had a magic jam and I threw a few decks of cheap cards in my bag. My routine is basically the “Split Deck” but without any gimmicked cards (aside from the cheap deck). It played well for the magicians, and then later we ended up doing some magic for the table next to us it played for them as well.

In between the two times I did the trick, a little bit more framework had developed in my head. The trick started with two people each looking at a card and they end up having picked the same card. Next I put out a prediction card, and I rip the deck in half. I say that they both will pick a card that matches my prediction and they both take a card (from different halves of the deck). They compare their cards and they aren’t the same card…but then we look at my prediction and the front is two ripped cards glued together and they halves match the selection.

This played pretty well, and I think it’s going to be something that I start to explore as a routine bit more in the future.

What’s Your Plan B?

Recently I worked with an act and the airline lost his luggage, and he had to perform for two days without gear. He’s a pro, and was really flustered, I think more at how the airline handled the situation than specifically about his missing gear. His shows were great, but it got me thinking about what my backup plan is.

Sure we all can go to the Walmart and put together a show, and I hear performers say that’s their back up plan all time. That’s all good, but whatever is in your “Walmart Show” is material you really need to practice. It should be your “B” show, meaning you do it every now and then. You have jokes and bits, not just do tricks.

This made me think of what I can carry onto a plane, that’s will play big. I’m putting together a list of things so I’m prepared for when this does happen. I also want to do it on my terms, meaning, I have a plan and I’m not scrounging.

The easy starting point is to figure out what card tricks would play big on stage.

1: ACAAN
2: Card to Pocket
3: Card Memorization

These are tricks that have already been in my stage show in the past, so I have good routines for them. These also are very different in texture, they don’t feel like the same trick. Those three tricks are about 12-15 mins. Right away I’m 1/3 of the way to a 45 mins show.

Now to build upon the card tricks to fill in the show. I could add some mentalism:

1: Blindfold drawing duplication
2: Impromptu Book Test
3: Cue Card Confabulation

These three tricks also have different textures and will bring the show to about 30 mins. I can make the the cue cards with the pad of paper from the drawing duplication and I will have the coins from the blindfold, I can use them for a coin trick:

1: Coin Under Watch

I’m going to have to be careful to space out coin under watch and card to pocket as they are both “transportation” tricks. This is not a big deal, I just need to be aware of it. This is going to bring the show to about 33 mins.

There will be room for some small gimmicks, so I can add these tricks:

1: Thumb Tip with mismade bill
2: Dye Tube

Now that I’ve added these two tricks, that puts my show length at about 39 mins. That’s almost a show. Let’s add a couple of small props to the carry on bag:

1: Rubik’s Cube trick
2: Torn and Restored Newspaper

That’s going to bring the whole show to 45 mins.

This show’s carry on list would be:
1: Jumbo deck of cards
2: Regular deck of cards
3: 2 pads of paper
4: Roll of duct tape
5: 2 Coins
6: Book
7: Thumb Tip
8: Mismade bill
9: Dye Tube
10: 2 handkerchiefs
11: Newspaper
12: 2 Rubik’s Cubes

The pack list isn’t very long, and all the props when put together don’t take up much space, and would play well on a stage. All of these are things that have been in my show in the past, so I know the material and have routines for them.

Is this my dream show to do? Nope, but it’ll work in a pinch, and I think it’s a better option than buying some junk at the hardware store and trying to figure out what to do with it!